Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Akan mythology is the traditional belief system of the Akan people of Ghana and Cote d'Ivoire. Here are a few examples of famous myths from Akan mythology:

The story of Nyame

Nyame is the supreme god in Akan mythology and is believed to be the creator of the universe. He is often depicted as an old man with a white beard and is associated with wisdom, justice and the sky.

The story of Onyame and Asase Ya

Onyame is the god of the sky and the father of all gods and Asase Ya is the goddess of the earth and the mother of all living things. Together they are the parents of the other gods and goddesses in the Akan pantheon.

The story of Anansi

Anansi is a trickster figure in Akan mythology and is known for his cunning and wit. He is often depicted as a spider and is considered a bringer of wisdom and culture to the Akan people.

The story of Odomankoma

Odomankoma is the god of fate and destiny, who controls the fate of individuals, and also the god of wisdom, who is responsible for the knowledge and skills of the Akan people.

The story of Osrane

Osrane is the god of death and the afterlife. He is responsible for taking the souls of the dead to the afterlife.

These myths, along with others, are used by the Akan people to explain the origins of the world, the customs and traditions of the Akan people and to reinforce their traditional beliefs and values. The Akan people's traditional religion is based on ancestor worship, and the belief in a supreme being who created the universe.

Japanese mythology encompasses the folk traditions of Japan and the Shinto religion. It is a collection of stories, beliefs, and customs that have been passed down through generations. The stories often revolve around the creation of the world, the deeds of the gods and goddesses, and the lives of heroes and monsters.

Famous Myths of Japanese Mythology

• The myth of the creation of Japan

  According to Japanese mythology, the god Izanagi and goddess Izanami were responsible for the creation of the Japanese islands. They stood on the bridge between heaven and earth and dipped a spear into the water, creating the first island of Onogoro.

• The myth of Amaterasu

  Amaterasu is the goddess of the sun and the ancestor of the Imperial Family of Japan. She is said to have been offended by her brother's behavior and retreated into a cave, causing the world to become dark. Her eventual return to the world brought light and warmth back to the land.

• The myth of Susano-o

  Susano-o is the god of sea and storms, as well as brother of Amaterasu. He is known for his reckless and impulsive behavior, which often causes trouble for the other gods.

• The myth of the eight-headed serpent, Yamata no Orochi

  Yamata no Orochi is a giant serpent with eight heads and eight tails, who terrorized an ancient province in Japan. He was eventually defeated by the god Susano-o, who saved a maiden and her brothers from the serpent's attacks.

• The myth of the Tengu

  Tengu are supernatural creatures that are half-human

  Lotuko Mythology

  The Lotuko are an ethnic group from South Sudan.

  

  The Lotuko people are an ethnic group that live primarily in the Eastern Equatoria state of South Sudan. I couldn't find enough information about their mythology. However, the Lotuko people have a rich oral tradition that includes stories, fables, proverbs, and riddles, which are passed down from generation to generation. These stories often involve animals and spirits, and they are used to teach moral lessons and explain the origins of the Lotuko people and their customs. Lotuko people have a strong belief in traditional religion, ancestor worship and animism.

  Top myths of Lotuko mythology

  The Creation of the World

  This myth tells the story of how the world was created by the god Akuji. He created the earth and the sky, and then filled the world with plants and animals. This myth teaches the Lotuko people the importance of respecting nature.

  The Origin of the Crocodile

  This myth tells of how a crocodile came to be. It is said that the god Akuji created the crocodile from a piece of wood. He then gave it the power to protect the people and their land.

  The Great Flood

  This myth tells of a great flood that wiped out all of humanity. It is said that the god Akuji sent the flood to punish mankind for their sins. The Lotuko people use this story to teach their children the importance of obedience and respect.

  The Battle of the Sun and Moon

  This myth tells of a battle between the sun and moon. The sun and moon fought for many days, until the sun was victorious. The Lotuko people believe that this story symbolizes the constant struggle between good and evil.

  The Story of the First Man and Woman

  This myth tells the story of the first man and woman. It is said that the god Akuji created the first man and woman from a piece of wood. This myth teaches the Lotuko people the importance of family and the value of human life.

  The Origin of Death

  This myth tells of the origin of death. It is said that the god Akuji created death in order to keep balance in the world. This story is used to remind the Lotuko people of the importance of living life to the fullest.

  Hittite mythology

  Hittite sun goddess, the principal deity and patron of the Hittite empire and monarchy.

  

  Hittite mythology and Hittite religion were the religious beliefs and practices of the Hittites, who created an empire centered in what is now Turkey from c. 1600 BC to 1180 BC.

  Hittite mythology

  Hittite mythology is the set of myths and religious beliefs of the ancient Hittites, an Indo-European people who lived in Anatolia (modern-day Turkey) from around 1600 BCE to 1200 BCE. Some of the most famous myths of Hittite mythology include:

  • The story of Kumarbi

    This is the Hittite version of the "cosmogonic cycle" which tells the story of the god Kumarbi, who overthrows his father Anu and becomes the ruler of the gods. Kumarbi also impregnates the mother goddess and gives birth to the storm god Teshub and other deities.

  • The story of Teshub and the dragon

    The god Teshub fought and defeated the dragon Illuyanka, a symbol of chaos and destructive forces.

  • The story of Telipinu

    This is the story of the god Telipinu, who is responsible for the fertility of the land and the well-being of the people. Telipinu goes into a rage and causes a drought, but he is eventually placated and returns to bring fertility back to the land.

  • The story of the Sun-goddess of Arinna

    This is the story of the Sun-goddess of Arinna, one of the most important deities of the Hittite pantheon. She is the goddess of the sun, and her daily journey across the sky was seen as a representation of the cycle of life and death.

  • The story of the god of the underworld

    The god of the underworld, known as Allani or "the god of the land of the dead" is an important figure in Hittite mythology. He is responsible for the afterlife and the fate of the souls of the dead.

  These myths were an important part of Hittite religion and were often depicted in art and referenced in religious texts and rituals. They played a significant role in shaping the beliefs and worldview of the Hittite people. The Hittite myths were passed down through oral tradition, and many of them were recorded in the Hittite language on clay tablets. They are still studied today for their historical and cultural significance.

  Mesopotamian mythology

  Seven gods who decree: An, Enlil, Enki, Ninhursag, Nanna, Utu, and Inanna.

  

  Mesopotamian Religion

  Mesopotamian religion refers to the religious beliefs and practices of the civilizations of ancient Mesopotamia, particularly Sumer, Akkad, Assyria and Babylonia between circa 3500 BC and 400 AD, after which they largely gave way to Syriac Christianity.

  Some of the most famous myths of Mesopotamian mythology include the creation myth Enuma Elish, the epic of Gilgamesh, and the story of Inanna's descent to the underworld. Enuma Elish describes the creation of the world and the gods by the god Marduk, while the epic of Gilgamesh tells the story of a king's quest for immortality. The story of Inanna's descent to the underworld tells of the goddess's journey to the land of the dead and her eventual return to the world of the living. Other notable myths include the story of the god Enki and the goddess Ninhursag, the myth of Ishtar's descent to the underworld, and the story of the god Dumuzid and his sister Geshtinanna.

  The Epic of Gilgamesh

  The Epic of Gilgamesh is one of the most famous and important works of ancient Mesopotamian literature. It is an epic poem that tells the story of Gilgamesh, the king of Uruk, and his quest for immortality. The poem is thought to have been written around 2100 BCE, in the Sumerian language, but it was later translated into Akkadian.

  The epic tells the story of Gilgamesh's adventures, including his friendship with the wild man Enkidu and their journey to the Cedar Forest to fight the monster Humbaba. After Enkidu's death, Gilgamesh becomes obsessed with the fear of his own mortality and sets out on a journey to find the secret of immortality. He eventually meets Utnapishtim, the only human who has been granted immortality by the gods, and learns the secret of eternal life but fails to achieve it.

  The epic also explores themes of friendship, loss, and the human condition, and it is considered one of the earliest known works of literature in world history. The poem was widely read in ancient Mesopotamia and had a significant influence on later literature in the region. The epic of Gilgamesh is still widely read and studied today, both for its historical and literary significance.

A giant mythical bird of prey in Arabian mythology, said to be able to carry off elephants and other large animals.

In Greek mythology, Abderus or Abderos was a divine hero, reputed by some to be one of Heracles' lovers (eromenoi), and reputedly a son of Hermes by some accounts, and eponym of Abdera, Thrace.

Phalanthus of Tarentum. In Greek mythology, Phalanthos is a divine hero, the leader of the Spartan Partheniae and the founder of Taranto. He is said to have been condemned to death by the ephors.

A heroic figure in Bantu mythology, known for his adventures and battles against supernatural forces to protect his people.

God of thunder, sometimes depicted with a drum in one hand and hammer in the other

Legendary king in Persian mythology, credited with the invention of wine and the establishment of Nowruz, the Persian New Year.

Castor and Pollux (or in Greek, Polydeuces) were twin half-brothers in Greek and Roman mythology, known together as the Dioscuri. ... Pollux asked Zeus to let him share his own immortality with his twin to keep them together, and they were transformed into the constellation Gemini.

A giant fish or whale that supports the earth in Arabian mythology, sometimes depicted as a giant serpent.

In Greek mythology, Protesilaus was a hero in the Iliad who was venerated at cult sites in Thessaly and Thrace. Protesilaus was the son of Iphiclus, a "lord of many sheep"; as grandson of the eponymous Phylacos, he was the leader of the Phylaceans.

Pleuron of Aetolia. In Greek mythology, Pleuron was a son of Aetolus and Pronoe, daughter of Phorbus, and brother of Calydon. He was married to Xanthippe, daughter of Dorus, by whom he became the father of Agenor, Sterope, Stratonice, and Laophonte.

Zarex (Ancient Greek: ) is the name of a hero of Ancient Greek mythology, son of Carystus or Carycus, grandson of Chiron. He married Rhoeo and became the father of Anius. In some accounts, Zarex adopted his wife's son, Anius who been raised by his divine father Apollo.

Beowulf is actually not part of Norse mythology but rather an epic poem from Anglo-Saxon (Old English) literature. While it is true that the poem features themes, characters, and settings that are reminiscent of Norse and Germanic folklore, it is distinct from the mythological traditions of the Norse, such as those found in the Eddas or sagas. "Beowulf" is considered one of the most important works of Old English literature. It's an epic narrative poem composed by an unknown author, estimated to have been written between the 8th and early 11th centuries. The poem consists of 3,182 alliterative lines, and it is set in Scandinavia. The story revolves around the eponymous hero, Beowulf, a warrior of the Geats (a North Germanic tribe inhabiting what is now Sweden). The poem is divided into three parts: Beowulf's Battle with Grendel: Beowulf comes to the aid of Hrothgar, the king of the Danes, whose mead hall has been under attack by a monster known as Grendel. Beowulf slays Grendel barehanded, thereby saving Hrothgar's kingdom. Beowulf's Battle with Grendel's Mother: Grendel's mother seeks revenge for her son's death, and Beowulf ventures into her underwater lair to confront her. He defeats her with the aid of a magical sword found in her hoard. Beowulf's Final Battle and Death: The last part of the poem jumps forward many years, showing Beowulf as a wise and aged king of the Geats. He faces his final challenge in the form of a dragon guarding a treasure hoard. Beowulf slays the dragon but is mortally wounded in the battle. The poem concludes with his funeral rites and a lament for the fallen hero. While "Beowulf" shares some thematic elements with Norse mythology — such as the focus on heroism, the supernatural, and the notion of fate — it remains a distinct and separate work, deeply rooted in the Anglo-Saxon culture and its literary tradition. The poem is valuable not only for its literary merits but also for its insights into the social and cultural aspects of the Anglo-Saxon world.

In this retelling of Rick Riordans book, "The Sea of Monsters", Percy Jackson, accompanied by his friends Annabeth Chase, Clarisse La Rue and Tyson, his half brother, goes on a journey to the Sea of Monsters to retrieve the Golden Fleece and save Camp Half-Blood. Written by Michelle Stone In order to restore their dying safe haven, the son of Poseidon and his friends embark on a quest to the Sea of Monsters, to find the mythical Golden Fleece, all the while trying to stop an...

When his lightning bolt is stolen, Zeus accuses Poseidon's son Percy Jackson and gives Poseidon's son fourteen days to return it, otherwise he will initiate a war amongst the gods. Meanwhile the teenager, Percy, who is dyslexic and has ADHD is visiting The Museum of Metropolitan of Art and is attacked by a Fury disguised in his teacher. His physically handicapped best friend Grover reveals that Percy is a demigod and that he is his protector and his teacher Mr Brunner gives him a pen telling him that it is a powerful weapon. They go to Percy's house and together with his mother Sally they drive to the Camp Half-Blood. However Sally is attacked by a Minotaur and vanishes before Percy can help her. In the camp, Percy befriends the gorgeous Annabeth; when they are attacked by Hades who wants the lighting bolt for himself, Percy discovers that his mother is in the Underworld with Hades. Percy decides to travel on a dangerous quest to retrieve the lightning bolt and save his mother. Grover and Annabeth join him and Luke gives a powerful shield of his own to protect Percy. Will they be able to succeed? Written by Claudio Carvalho, Rio de Janeiro, Brazil A teenager discovers he's the descendant of a Greek god and sets out on an adventure to settle an on-going battle between the gods.

A Persian sailor named Sinbad is on a quest to find the magical legendary Book of Peace, a mysterious artifact that Eris, the Greek wicked goddess of chaos, has ultimately framed him for stealing! If he fails on this quest, his childhood friend Prince Proteus of Syracuse will take Sindbad's death penalty, while Eris gains a desired foothold of power in the world of mortals. Written by Anthony Pereyra (hypersonic91yahoo.com) The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood...

After retrieving the philosopher's stone at an auction but losing his girlfriend, The Librarian Flynn Carsen has a breakdown. Charlene and Judson ask him to spend some time on vacation. Flynn travels to New Orleans and he has a crush on a French singer (Simone Renoir). However he discloses that she is the guardian of a key to access the Judas Chalice that is capable to resurrect vampires. Meanwhile the former Russian Minister of Defense Sergei Kubichek is seeking the chalice to revive Vlad the vampire with the support of Professor Lazlo. Also to raise an army of undead to bring Russia back to the top of the world. When Simone reveals that she is a vampire, Flynn question whether she is not using him to reach the chalice and increase her power. Written by Claudio Carvalho, Rio de Janeiro, Brazil Losing his girlfriend because he was at an auction dramatically getting the magical philosopher's stone instead of a date, he needs a vacation - New Orleans but finds himself busy saving...

Thor (Chris Hemsworth) is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarök, the destruction of his homeworld and the end of Asgardian civilization, at the hands of an all-powerful new threat, the ruthless Hela (Cate Blanchett). Written by ahmetkozan Imprisoned on the planet Sakaar, Thor must race against time to return to Asgard and stop Ragnarök, the destruction of his world, at the hands of the powerful and ruthless villain Hela.