Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

The Lugbara people are an ethnic group living in the Democratic Republic of the Congo, Uganda, and South Sudan. They have a rich mythology that has been passed down through generations, and their stories are a source of pride and identity for the Lugbara people.

The Lugbara people believe in a single creator, called Woot, who is responsible for the creation of the world and all its inhabitants. They also believe in a pantheon of lesser gods, each with their own sphere of influence. For example, Nyambe is the god of rain, and there is also a god of war, a god of the hunt, and a god of love.

The Lugbara people also believe in a number of supernatural beings, such as spirits and ghosts. These beings can be benevolent or malevolent, and they often take the form of animals or other creatures. It is believed that these beings can influence the lives of humans, either for good or for ill.

The Lugbara people have a number of stories and legends about their gods and supernatural creatures. One of the most famous is the story of Nyambe and the Great Snake. According to the story, Nyambe was out hunting one day when he encountered a giant snake. Nyambe managed to defeat the snake, and as a reward, the gods gave him the power to control the weather and the seasons.

The stories and legends of the Lugbara people are an important part of their culture, and they are still told and retold to this day. They provide a fascinating insight into the beliefs and values of the Lugbara people, and offer a unique window into their history and mythology.

Celtic mythology is the mythology of Celtic polytheism, the religion of the Iron Age Celts.Like other Iron Age Europeans, the early Celts maintained a polytheistic mythology and religious structure.

Celts were one of the most feared and admired peoples of ancient Europe. Ireland was a rich and fertile land with ancient and sophisticated culture. The monks of Ireland became famous scribes who wrote down native Irish stories of gods and goddesses battling for the control of island in epic wars, heroes engaged in endless combat to win undying glory, to voyage across the sea to magical islands. Divine women with the gift of their sexuality could control the power of kings.

Famous Myths of Celtic Mythology

• The myth of Cuchulainn

  Cuchulainn is a legendary warrior of Irish mythology, known for his superhuman strength and courage.

• The myth of The Children of Lir

  A tragic tale of a king who turned his children into swans for 900 years, as punishment for his stepmother's cruelty towards them.

• The myth of The Tuatha Dé Danann

  The Tuatha Dé Danann are a race of powerful and magical beings in Irish mythology, who were said to have inhabited Ireland before the arrival of the Celts.

• The myth of The Loch Ness Monster

  The Loch Ness Monster is a mythical creature that is said to reside in Loch Ness in Scotland, it's a creature of legend, described as giant serpent or dragon-like beast.

• The myth of King Arthur

  King Arthur is a legendary figure in British mythology, who is said to have led the defense of Britain against the Saxon invaders in the late 5th and early 6th centuries.

In India a different worldview evolved over four thousand years, with the concepts responding to various sociocultural phenomena and transforming with the words of wise men to satisfy the needs of the local population

There are many famous myths in Indian mythology, here are a few examples:

• The Ramayana, which tells the story of Prince Rama and his rescue of his wife, Sita, from the demon king, Ravana.
• The Mahabharata, which is one of the longest epic poems in the world and tells the story of a dynastic struggle for the throne of Hastinapura.
• The story of Lord Vishnu taking the form of a fish to save the world from a great flood.
• The story of Lord Shiva and his consort, Parvati, and their son, Lord Ganesha.
• The story of Lord Krishna, who is considered a supreme deity in Hinduism and is known for his wisdom and his role in the Mahabharata.
• The story of the Trimurti, which tells of the three main gods in Hinduism- Brahma, Vishnu, and Shiva.
• The story of creation according to Hindu mythology is also an important one, which explains how the world and all living beings came into being.

The Bantu Mythology

The Bantu mythology is the system of myths and legends of the Bantu peoples of Africa. Although Bantu peoples account for several hundred different ethnic groups, there is a high degree of homogeneity in Bantu cultures and mythologies, just as in Bantu languages.

The Bantu people, who live in many parts of Africa, have a rich and diverse mythology that includes many different stories and legends. Here are a few examples of famous myths from Bantu mythology: The Creation Myth

The Bantu believe that the world was created by a god or gods, who formed the earth, sky, and all living things. Different Bantu groups have different creation stories, but they often involve the god or gods creating the world out of chaos or darkness.

The Myth of the First Human

According to Bantu legend, the first human, named Likumbi, was created by the god or gods. Different Bantu groups have different stories about how the first human was created, but they often involve the god or gods fashioning the first human out of clay or dust.

The Myth of the First Fire

The Bantu believe that fire was brought to earth by a god or goddess, who gave it to humans as a gift. Different Bantu groups have different stories about how fire was brought to earth, but they often involve a trickster figure stealing fire from the gods or a god or goddess giving fire to humans as a reward for good behavior.

The Myth of the First Rain

The Bantu believe that the first rain was brought to the world by a god or goddess, who sent it to earth as a gift. Different Bantu groups have different stories about how rain was brought to earth, but they often involve a god or goddess opening up the sky to let the rain fall or sending a messenger to earth to bring the rain.

The Myth of the Afterlife

The Bantu people have different beliefs about the afterlife, but some of the most common are a belief in a heaven and hell, a belief that the dead go to the land of the ancestors or a belief that the soul is reincarnated.

The Kamba or Akamba people are a Bantu ethnic group - or tribe - who live in the semi-arid formerly Eastern Province of Kenya stretching east from Nairobi to Tsavo and north up to Embu, Kenya.

The Akamba people, who live in Kenya, have a rich and diverse mythology that includes many different stories and legends. Here are a few examples of famous myths from Akamba mythology:

The creation myth:

The Akamba believe that the world was created by a god named Mulungu, who formed the earth and sky, the sun and moon, and all living things.

The myth of the first woman:

According to Akamba legend, the first woman, named Wambui, was created from a rib taken from the first man, named Kintu.

The myth of the first fire:

The Akamba believe that fire was brought to earth by a bird named Kibokolo, who stole it from the gods and gave it to humans.

The myth of the first fruit trees:

The Akamba believe that the first fruit trees were created by a goddess named Nzambi, who planted them in the garden of the first man and woman.

The myth of the first death:

The Akamba believe that death was brought to the world by a god named Kibuka, who punished humans for their disobedience.

The myth of the first rain:

The Akamba believe that the first rain was brought to the world by a god named Kibuka, who punished humans for their disobedience.

Please note that this is just a small sample of the Akamba mythology stories, and there are many more myths and legends that are important to the Akamba people.

Heroic king of Uruk, renowned for his adventures and quest for immortality. Central figure in the Epic of Gilgamesh, one of the earliest surviving works of literature.

Chief god of Babylon, associated with water, vegetation, judgment, and magic. Known for his victory over the chaos goddess Tiamat.

Peleus in Greek Mythology

Peleus is a notable figure in Greek mythology, best known as the father of Achilles, the Greek hero of the Trojan War. His life was marked by both favor and tragedy, intertwined with the whims of gods and the destiny of mortals.

Background

Peleus was the son of Aeacus, king of the island of Aegina, and Endeis. He belonged to the Myrmidons, a group of people known for their martial prowess. Peleus himself was renowned for his skills as a warrior.

Marriage to Thetis

One of the most significant events in Peleus' life was his marriage to the sea nymph Thetis. This union was ordained by the gods, but it was not without its challenges. Their wedding was celebrated by the gods and became the setting for the origins of the Trojan War, sparked by the events of the infamous Judgment of Paris.

Achilles

Peleus and Thetis had a son, Achilles, who would grow up to become one of the greatest heroes of the Trojan War. Peleus played a crucial role in his son's upbringing, entrusting him to the centaur Chiron for training and guidance.

Legacy

The legacy of Peleus extends beyond his own deeds. Through Achilles, Peleus became a symbol of the heroic lineage and the intricate relationship between gods and mortals in Greek mythology. His story is a testament to the themes of honor, strength, and tragedy that pervade Greek mythological narratives.

Goddess of flood control and rivers, also associated with the sun

Hake, Haki or Haco, the brother of Hagbard, was a famous Scandinavian sea-king, in Norse mythology. He is mentioned in the 12th century Gesta Danorum, and in 13th-century sources including Ynglinga saga, Nafnaþulur, Völsunga saga. If historical, he would have lived in the 5th century.

The son of Pandrosos and Hermes, and the ancestor of the Keryces of Eleusis (see CERYX, 2). Herse (or Erse) was mother, by Hermes, of the beautiful Cephalus (See CEPHALUS). She had a special festival in her honour, the Arrhephoria (see ARREPHORIA). Agraulos, mother of Alcippe, by Ares, was said in one story to have thrown herself down from the citadel during a war to save her country. It was, accordingly, in her precincts on the Acropolis that the young men of Athens, when they received their spears and shields, took their oath to defend their country to the death, invoking her name with those of the Charities Auxo and Hegemone. According to another story, Athene entrusted Erichthonius to the keeping of the three sisters in a closed chest, with the command that they were not to open it. Agraulos and Herse disobeyed, went mad, and threw themselves down from the rocks of the citadel.

A supernatural being depicted as a witch who lives in a hut that stands on chicken legs, known for her wisdom and ambiguity.

Heroic figure in Persian mythology, renowned for his justice and righteousness. Defeated the tyrant Zahhak and restored peace.

Hebat is the Hittite earth goddess, associated with fertility and motherhood. She is depicted as a nurturing figure bringing abundance to the land.

In most ancient mythical narratives, we rarely come across divine entities that are solely associated with language. Well, Ogmios, as one of the ancient Celtic gods, goes against this ‘trend’ since he was simply considered as the god of eloquence. 2nd century Hellenized Syrian satirist and rhetorician Lucian of Samosata mentioned how Ogmios was like the older version of Hercules in appearance, with both wearing lion skins and carrying clubs and bows. However, Ogmios does one better on the ‘bling’ factor by having long chains (made of amber and gold) attached to his tongue (inside his smiling mouth) that connect him with his group of followers. Essentially, the visual scope symbolically represented how the Celtic god had the power of eloquence and persuasion to bind his followers to him.

Goddess of love, beauty, and fertility. Born from sea foam and associated with romantic love, desire, and beauty.

Wild man created by the gods to humble Gilgamesh. Becomes Gilgamesh’s close companion and shares in his adventures.

Based loosely on Homers ancient Greek epic poem 'Iliad', Troy: Fall of a City tells the story of the 10 year siege of the ancient city of Troy by the Greeks, after Paris, the young prince of Troy falls in love with the wife of a Greek king and elopes with her. Written by ol-raptis Season: 1 Year: 2018

A prequel to Raiders of the Lost Ark (1981) set in 1935, the year before, the professor, archaeologist and adventurer by the name of Indiana Jones is back in action in his latest adventure. This time he teams up with a nightclub singer named Wilhelmina "Willie" Scott and a twelve-year-old Chinese boy named Short Round. They end up in a small distressed village in India, where the people believe that evil spirits have taken all their children away after a sacred precious stone was stolen. They also discover the great mysterious terror surrounding a booby-trapped temple known as the Temple of Doom. Thuggee is beginning to attempt to rise once more, believing that with the power of all five Sankara stones they can rule the world. It's all up to Indiana to put an end to the Thuggee campaign, rescue the lost children, win the girl and conquer the Temple of Doom. Written by Anthony Pereyra In 1935, Indiana Jones arrives in India, still part of the British Empire, and is asked to find a mystical stone. He then stumbles upon a secret cult committing enslavement and human...

Thousands of years ago, a race of beings known as Dark Elves tried to send the universe into darkness by using a weapon known as the Aether. Warriors from Asgard stopped them, but their leader Malekith (Christopher Eccleston) escaped to wait for another opportunity. The warriors find the Aether, and since it cannot be destroyed, they try to hide it. In the present day, Jane Foster (Natalie Portman) awaits the return of Thor (Chris Hemsworth), although it has been two years since they last saw once another. In the meantime, Thor has been trying to bring peace to the nine realms. Jane discovers an anomaly similar to the one that brought Thor to Earth. She goes to investigate, finds a wormhole, and is sucked into it. Back on Asgard, Thor wishes to return to Earth, but his father, Odin (Sir Anthony Hopkins), refuses to let him. Thor learns from Heimdall (Idris Elba), who can see into all of the realms, that Jane disappeared. Thor then returns to Earth just as Jane reappears. However, when some Policemen try to arrest her, an unknown energy repulses them. Thor then brings Jane to Asgard to find out what happened to her. When the energy is released again, they discover that when Jane disappeared, she crossed paths with the Aether and it entered her. Malekith, upon sensing that the time to strike is now, seeks out the Aether. He attacks Asgard and Thor's mother Frigga (Rene Russo) is killed protecting Jane. Odin wants to keep Jane on Asgard so that Malekith will come. Thor disagrees with his plan, so with his cohorts, he decides to take Jane away. He enlists the aid of his brother, Loki (Tom Hiddleston). Unfortunately, Loki's motivations remain unknown. Written by rcs0411@yahoo.com When the Dark Elves attempt to plunge the universe into darkness, Thor must embark on a perilous and personal journey that will reunite him with doctor Jane Foster.

The year is 1936. An archeology professor named Indiana Jones is venturing in the jungles of South America searching for a golden statue. Unfortunately, he sets off a deadly trap but miraculously escapes. Then, Jones hears from a museum curator named Marcus Brody about a biblical artifact called The Ark of the Covenant, which can hold the key to humanly existence. Jones has to venture to vast places such as Nepal and Egypt to find this artifact. However, he will have to fight his enemy Rene Belloq and a band of Nazis in order to reach it. Written by John Wiggins In 1936, archaeologist and adventurer Indiana Jones is hired by the U.S. government to find the Ark of the Covenant before Adolf Hitler's Nazis can obtain its awesome powers.

Mayabazar (1957) is a classic Indian fantasy film directed by Kadiri Venkata Reddy. The film is based on the folk tale of Bhakta Prahlada and is set in the backdrop of a traditional village. It stars N.T. Rama Rao, A.N.R, Savitri, and S.V. Ranga Rao in the lead roles. The story revolves around Ghatotkacha (N.T. Rama Rao) and his father, King Hiranyakashyapu (S.V. Ranga Rao). Ghatotkacha, a demon son of the King, is in love with the princess of the Mayabazar (Savitri). However, the King wants his daughter to marry a human prince. Ghatotkacha's only hope is to obtain the magical parijat flower from Lord Vishnu, who is in disguise as a saint. With the help of Lord Vishnu, Ghatotkacha manages to save the princess and their love is eventually accepted by the King. The film is known for its iconic song "Koluvaiyunu Kalla Regindi" and its highly imaginative visual effects. It was one of the first South Indian films to use special effects and its innovative use of colour established it as a classic in Indian cinema.