Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Finnish mythology is a commonly applied description of the folklore of Finnish paganism, of which a modern revival is practiced by a small percentage of the Finnish people. Finnish mythology is the traditional belief system of the Finnish people, and it is closely related to the mythology of other Finno-Ugric peoples such as the Estonians and the Hungarians. Here are a few examples of famous myths from Finnish mythology:

The story of the creation of the world: According to Finnish mythology, the world was created by Ilmatar, a primal goddess of the air and the sky.

The story of Väinämöinen: Väinämöinen is a powerful and wise sorcerer in Finnish mythology, who is considered as one of the main characters of the Kalevala, a traditional epic poem of Finland. He is known for his wisdom and his role as a culture hero.

The story of Kullervo: Kullervo is a tragic hero of the Finnish mythology and is considered as one of the main characters of the Kalevala. He is known for his misfortune, his tragic fate and his power.

The story of Joukahainen: Joukahainen is a rival of Väinämöinen in the Kalevala, who is known for his arrogance and his defeat by Väinämöinen

The story of Lemminkäinen: Lemminkäinen is another character of the Kalevala, known for his romantic adventures and his quest to win the hand of the Maiden of the North.

These myths, along with others, are used by the Finnish people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. The Finnish traditional religion was a mixture of animism, nature worship, and ancestor worship.

Inuit Mythology

Inuit mythology is the traditional belief system of the Inuit people, who live in the Arctic regions of Alaska, Canada, and Greenland. Here are a few examples of famous myths from Inuit mythology:

The story of Sedna

Sedna is the goddess of the sea and marine animals in Inuit mythology. She is known for her role as the provider of food and is often invoked to ensure a good hunt.

The story of the Raven

The Raven is a powerful trickster figure in Inuit mythology and is known for his intelligence and cunning. He is often depicted as the creator of the world and is considered a bringer of culture and wisdom to the Inuit people.

The story of the Inuit ancestor

The Inuit ancestor is the first human being created by the god, Raven. This figure is considered as the first ancestor of the Inuit people, and his children are considered as the founders of different Inuit tribes and clans.

The story of the spirits

Inuit mythology is rich with different kind of spirits, such as animal spirits, ancestor spirits, and nature spirits, who are believed to have great power and influence over the natural world.

The story of the shamans

In Inuit mythology, shamans are considered as powerful intermediaries between the human and the spiritual world. They are known for their ability to communicate with spirits and to heal the sick through their spiritual powers.

These myths, along with others, are used by the Inuit people to explain the origins of their people and their customs, and to reinforce their traditional beliefs and values. The Inuit traditional religion was based on animism, ancestor worship, and shamanism.

Akan mythology is the traditional belief system of the Akan people of Ghana and Cote d'Ivoire. Here are a few examples of famous myths from Akan mythology:

The story of Nyame

Nyame is the supreme god in Akan mythology and is believed to be the creator of the universe. He is often depicted as an old man with a white beard and is associated with wisdom, justice and the sky.

The story of Onyame and Asase Ya

Onyame is the god of the sky and the father of all gods and Asase Ya is the goddess of the earth and the mother of all living things. Together they are the parents of the other gods and goddesses in the Akan pantheon.

The story of Anansi

Anansi is a trickster figure in Akan mythology and is known for his cunning and wit. He is often depicted as a spider and is considered a bringer of wisdom and culture to the Akan people.

The story of Odomankoma

Odomankoma is the god of fate and destiny, who controls the fate of individuals, and also the god of wisdom, who is responsible for the knowledge and skills of the Akan people.

The story of Osrane

Osrane is the god of death and the afterlife. He is responsible for taking the souls of the dead to the afterlife.

These myths, along with others, are used by the Akan people to explain the origins of the world, the customs and traditions of the Akan people and to reinforce their traditional beliefs and values. The Akan people's traditional religion is based on ancestor worship, and the belief in a supreme being who created the universe.

The Kamba or Akamba people are a Bantu ethnic group - or tribe - who live in the semi-arid formerly Eastern Province of Kenya stretching east from Nairobi to Tsavo and north up to Embu, Kenya.

The Akamba people, who live in Kenya, have a rich and diverse mythology that includes many different stories and legends. Here are a few examples of famous myths from Akamba mythology:

The creation myth:

The Akamba believe that the world was created by a god named Mulungu, who formed the earth and sky, the sun and moon, and all living things.

The myth of the first woman:

According to Akamba legend, the first woman, named Wambui, was created from a rib taken from the first man, named Kintu.

The myth of the first fire:

The Akamba believe that fire was brought to earth by a bird named Kibokolo, who stole it from the gods and gave it to humans.

The myth of the first fruit trees:

The Akamba believe that the first fruit trees were created by a goddess named Nzambi, who planted them in the garden of the first man and woman.

The myth of the first death:

The Akamba believe that death was brought to the world by a god named Kibuka, who punished humans for their disobedience.

The myth of the first rain:

The Akamba believe that the first rain was brought to the world by a god named Kibuka, who punished humans for their disobedience.

Please note that this is just a small sample of the Akamba mythology stories, and there are many more myths and legends that are important to the Akamba people.

Etruscan mythology comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, originating in the 7th century BC from the preceding Iron Age Villanovan culture, with its influences in the mythology of ancient Greece and Phoenicia, and sharing similarities with concurrent Roman mythology.

The Etruscan civilization existed in ancient Italy from around the 8th century BCE to the 3rd century BCE, and its myths and religious beliefs have been largely lost to time. However, some of the myths that have been reconstructed from the surviving evidence include:Famous Myths of Etruscan Mythology

• The myth of Tages

  Tages was a child-god who emerged from the plowed fields and taught the Etruscans divination and the art of reading the will of the gods.

• The myth of Charun

  Charun was the Etruscan god of death, and was often depicted as a fearsome figure with a hammer, ready to strike the souls of the dead.

• The myth of Turms

  Turms was the Etruscan equivalent of Hermes, the Greek messenger of the gods. He was known for his speed and agility and was often depicted with winged sandals.

• The myth of Menrva

  Menrva was the Etruscan goddess of wisdom, war, and the arts. She was often equated with the Greek Athena and the Roman Minerva.

• The myth of Laran

  Laran was the Etruscan god of war, and was often depicted as a fierce warrior, ready to defend his people.

Pandion in Greek Mythology

Pandion is a name attributed to two legendary kings of Athens in Greek mythology. Both are relatively less prominent figures compared to other mythological characters but play a role in the mythological lineage of Athenian rulers.

Pandion I

Pandion I was said to be a king of Athens, the son of Erichthonius, and a descendant of Hephaestus. His reign was marked by relative peace and he was known for his contributions to the expansion and prosperity of the city.

• Family: Pandion I married Zeuxippe, and they had four children: Procne, Philomela, Erechtheus, and Butes.
• Mythological Tales: He is often associated with the tragic story of his daughters, Procne and Philomela, which involves transformation and revenge.

Pandion II

Pandion II, sometimes confused with Pandion I, was also a mythological king of Athens. His reign is less defined but he is noted in various genealogies of Greek mythology.

• Family: He was the son of Cecrops II and fathered four sons: Aegeus, Pallas, Nisos, and Lycus.
• Significance: He is notable mainly for his descendants, who include Aegeus, the father of the hero Theseus.

While not central figures in Greek mythology, the Pandions contribute to the complex and rich tapestry of Athenian mythological history and lineage.

The messenger of the gods, depicted with wings on his heels and holding a caduceus.

Podalirius in Greek Mythology

Podalirius is a lesser-known but significant figure in Greek mythology, renowned primarily for his skills in medicine. He was one of the sons of Asclepius, the god of medicine, and Epione, and the brother of Machaon.

Role in the Trojan War

Podalirius, along with his brother Machaon, played a crucial role in the Trojan War as a healer. They both were part of the Greek contingent, led by Agamemnon, and were instrumental in treating wounded soldiers. Their medical skills were highly revered, and they were often called upon to treat significant heroes injured in battle.

Skills and Contributions

As a son of Asclepius, Podalirius was endowed with exceptional healing abilities. He was skilled in surgery and the use of medicinal plants, making him an invaluable asset during the war.

Post-War Journey and Legacy

After the fall of Troy, Podalirius had adventures of his own. According to some legends, on his journey back home, he ended up in the city of Syrnos, where he healed the king's daughter, and as a reward, he received the kingdom and the princess's hand in marriage.

Podalirius' legacy in Greek mythology highlights the importance of medicine and healing in ancient Greek culture and warfare. He is often remembered as a symbol of the healing arts and their divine origins.

Jason. Jason, in Greek mythology, leader of the Argonauts and son of Aeson, king of Iolcos in Thessaly. His father's half-brother Pelias seized Iolcos, and thus for safety Jason was sent away to the Centaur Chiron.

Heidrek or Heiðrekr is one of the main characters in the cycle about the magic sword Tyrfing. He appears in the Hervarar saga, and probably also in Widsith,[1] together with his sons Angantyr (Incgentheow) and Hlöð (Hlith), and Hlöð's mother Sifka (Sifeca). The etymology is heiðr, meaning "honour", and rekr, meaning "ruler, king".

A water nymph or mermaid in Slavic folklore, often associated with bodies of water and known for their enchanting songs.

A supernatural being depicted as a witch who lives in a hut that stands on chicken legs, known for her wisdom and ambiguity.

In Greek mythology, Palamedes is a somewhat less prominent figure compared to heroes like Achilles or Odysseus, and as a result, there are fewer detailed descriptions of his appearance in the classical texts. However, he is often portrayed as a figure of significant intellect and cunning, much like Odysseus. In the context of Greek mythology and its artistic representations, characters' appearances were often idealized, reflecting the cultural ideals of beauty, heroism, and nobility. Therefore, Palamedes might typically be depicted as a handsome and noble-looking man, in keeping with the general style of portraying heroes in Greek art and literature. Key attributes that might be associated with Palamedes could include: Noble Bearing: As a prince and a hero, Palamedes would likely be depicted with an air of nobility and dignity. Intelligent Expression: Known for his wisdom and cleverness, his face might be portrayed with a thoughtful or intelligent expression. Warrior's Physique: Like many Greek heroes, Palamedes would probably be shown with a physically strong and well-proportioned body, indicative of his status as a warrior. Classical Greek Armor: When depicted in scenes of the Trojan War, he would likely be dressed in typical Greek armor of the period, such as a helmet, cuirass (breastplate), greaves (leg armor), and carrying a shield and spear. It's important to remember that artistic representations of mythological figures can vary widely, and the images we have from ancient Greek art are subject to interpretation and artistic license. The emphasis in Greek art was often on expressing character virtues and qualities through physical form, rather than creating accurate portraits.

A surname of Apollo, under which he was worshiped, and had a temple at Pyrrhichus in Laconia. The name was derived either from the belief that the Amazons had penetrated into the Peloponnese as far as Pyrrhichus, or that they had founded the temple there. He was represented by a wooden image, dedicated by the women from Thermodon.

God of the underworld and the afterlife who was killed and resurrected

Heroic king of Uruk, renowned for his adventures and quest for immortality. Central figure in the Epic of Gilgamesh, one of the earliest surviving works of literature.

Wild man created by the gods to humble Gilgamesh. Becomes Gilgamesh’s close companion and shares in his adventures.

It is the year 1250 B.C. during the late Bronze age. Two emerging nations begin to clash after Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband, Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. So they set off with 1,000 ships holding 50,000 Greeks to Troy. With the help of Achilles, the Greeks are able to fight the never before defeated Trojans. But they come to a stop by Hector, Prince of Troy. The whole movie shows their battle struggles and the foreshadowing of fate in this remake by Wolfgang Petersen of Homer's "The Iliad." Written by Mensur Gjonbalaj An adaptation of Homer's great epic, the film follows the assault on Troy by the united Greek forces and chronicles the fates of the men involved.

A team of U.S. archaeologists unearths an ancient pyramid buried deep beneath the Egyptian desert. As they search the pyramid's depths, they become hopelessly lost in its dark and endless catacombs. Searching for a way out, they become desperate to seek daylight again. They come to realize they aren't just trapped, they are being hunted. Written by lemoviecritic An archaeological team attempts to unlock the secrets of a lost pyramid only to find themselves hunted by an insidious creature.

After retrieving the philosopher's stone at an auction but losing his girlfriend, The Librarian Flynn Carsen has a breakdown. Charlene and Judson ask him to spend some time on vacation. Flynn travels to New Orleans and he has a crush on a French singer (Simone Renoir). However he discloses that she is the guardian of a key to access the Judas Chalice that is capable to resurrect vampires. Meanwhile the former Russian Minister of Defense Sergei Kubichek is seeking the chalice to revive Vlad the vampire with the support of Professor Lazlo. Also to raise an army of undead to bring Russia back to the top of the world. When Simone reveals that she is a vampire, Flynn question whether she is not using him to reach the chalice and increase her power. Written by Claudio Carvalho, Rio de Janeiro, Brazil Losing his girlfriend because he was at an auction dramatically getting the magical philosopher's stone instead of a date, he needs a vacation - New Orleans but finds himself busy saving...

Dan Brown's controversial best-selling novel about a powerful secret that's been kept under wraps for thousands of years comes to the screen in this suspense thriller from Director Ron Howard. The stately silence of Paris' Louvre museum is broken when one of the gallery's leading curators is found dead on the grounds, with strange symbols carved into his body and left around the spot where he died. Hoping to learn the significance of the symbols, police bring in Sophie Neveu (Audrey Tautou), a gifted cryptographer who is also the victim's granddaughter. Needing help, Sophie calls on Robert Langdon (Tom Hanks), a leading symbolized from the United States. As Sophie and Robert dig deeper into the case, they discover the victim's involvement in the Priory of Sion, a secret society whose members have been privy to forbidden knowledge dating back to the birth of Christianity. In their search, Sophie and Robert happen upon evidence that could lead to the final resting place of the Holy Grail, while members of the priory and an underground Catholic society known as Opus Dei give chase, determined to prevent them from sharing their greatest secrets with the world. A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the...

Centuries ago, the evil Emperor Han was cursed by the sorceress Zi Yuan who transformed him and his army into mummies. In 1946, the explorer Rick O'Connell and his wife Evelyn O'Connell are invited by the British government to take a relic, the diamond "The Eye of Shangri-La" to China. The ancient stone is capable of resurrecting the Emperor Han and of pointing the way to Shangri-La and the eternal pool of life. When the couple reaches China, they meet their son Alex O'Connell, who has discovered the tomb of Han, and Evelyn's brother Jonathan Carnahan. The O'Connells are betrayed by their friend Prof. Roger Wilson, who is associated with General Yang. Yang wants to serve Emperor Han, so he resurrects the mummy and they head for Shangri-La. The guardian of Han's tomb (and Zi's daughter) Lin tells them that the only ways to destroy Han are to prevent him from reaching Shangri-La or by stabbing his heart with a cursed dagger. Written by Claudio Carvalho, Rio de Janeiro, Brazil In the Far East, Alex O'Connell, the son of famed mummy fighters Rick and Evy O'Connell, unearths the mummy of the first Emperor of Qin -- a shape-shifting entity cursed by a witch centuries...