Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

The Kamba or Akamba people are a Bantu ethnic group - or tribe - who live in the semi-arid formerly Eastern Province of Kenya stretching east from Nairobi to Tsavo and north up to Embu, Kenya.

The Akamba people, who live in Kenya, have a rich and diverse mythology that includes many different stories and legends. Here are a few examples of famous myths from Akamba mythology:

The creation myth:

The Akamba believe that the world was created by a god named Mulungu, who formed the earth and sky, the sun and moon, and all living things.

The myth of the first woman:

According to Akamba legend, the first woman, named Wambui, was created from a rib taken from the first man, named Kintu.

The myth of the first fire:

The Akamba believe that fire was brought to earth by a bird named Kibokolo, who stole it from the gods and gave it to humans.

The myth of the first fruit trees:

The Akamba believe that the first fruit trees were created by a goddess named Nzambi, who planted them in the garden of the first man and woman.

The myth of the first death:

The Akamba believe that death was brought to the world by a god named Kibuka, who punished humans for their disobedience.

The myth of the first rain:

The Akamba believe that the first rain was brought to the world by a god named Kibuka, who punished humans for their disobedience.

Please note that this is just a small sample of the Akamba mythology stories, and there are many more myths and legends that are important to the Akamba people.

Mesopotamian Religion

Mesopotamian religion refers to the religious beliefs and practices of the civilizations of ancient Mesopotamia, particularly Sumer, Akkad, Assyria and Babylonia between circa 3500 BC and 400 AD, after which they largely gave way to Syriac Christianity.

Some of the most famous myths of Mesopotamian mythology include the creation myth Enuma Elish, the epic of Gilgamesh, and the story of Inanna's descent to the underworld. Enuma Elish describes the creation of the world and the gods by the god Marduk, while the epic of Gilgamesh tells the story of a king's quest for immortality. The story of Inanna's descent to the underworld tells of the goddess's journey to the land of the dead and her eventual return to the world of the living. Other notable myths include the story of the god Enki and the goddess Ninhursag, the myth of Ishtar's descent to the underworld, and the story of the god Dumuzid and his sister Geshtinanna.

The Epic of Gilgamesh

The Epic of Gilgamesh is one of the most famous and important works of ancient Mesopotamian literature. It is an epic poem that tells the story of Gilgamesh, the king of Uruk, and his quest for immortality. The poem is thought to have been written around 2100 BCE, in the Sumerian language, but it was later translated into Akkadian.

The epic tells the story of Gilgamesh's adventures, including his friendship with the wild man Enkidu and their journey to the Cedar Forest to fight the monster Humbaba. After Enkidu's death, Gilgamesh becomes obsessed with the fear of his own mortality and sets out on a journey to find the secret of immortality. He eventually meets Utnapishtim, the only human who has been granted immortality by the gods, and learns the secret of eternal life but fails to achieve it.

The epic also explores themes of friendship, loss, and the human condition, and it is considered one of the earliest known works of literature in world history. The poem was widely read in ancient Mesopotamia and had a significant influence on later literature in the region. The epic of Gilgamesh is still widely read and studied today, both for its historical and literary significance.

The Maasai mythology involves several beliefs of the Maasai people, an ethnic group living in Kenya and Tanzania.

The Maasai people are a semi-nomadic ethnic group that lives in southern Kenya and northern Tanzania. They have a rich oral tradition that includes myths, legends, and stories that are passed down from generation to generation. Here are a few examples of famous myths from Maasai mythology:

The creation myth:

The Maasai believe that the world was created by Enkai, the god of the sky and rain. He created the first Maasai people and the animals, and he gave them all the land to live on.

The story of the rainbow:

The Maasai believe that the rainbow is a bridge between the world of the living and the world of the dead. The rainbow is said to be created by Enkai, and it is a sign that he is watching over the Maasai people.

The story of the baobab tree:

The Maasai believe that the baobab tree is sacred and that it was created by Enkai to provide food and shelter for the animals. They also believe that the tree is a source of wisdom and that it holds the secrets of the universe.

The story of the lion:

The Maasai believe that the lion is a sacred animal and that it is a symbol of strength and courage. They also believe that the lion is a messenger of Enkai and that it brings important messages to the Maasai people.

These myths, along with others, are used by the Maasai to explain the origins of their people and their customs and to reinforce their traditional beliefs and values.

Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments.

Some of the most famous myths of Egyptian mythology include the story of Ra and the creation of the world, the story of Osiris, Isis, and Horus, and the story of the god Anubis and the weighing of the heart.

The story of Ra and the creation of the world describes how the sun god Ra emerged from the chaos of Nun to create the world and the gods. The story of Osiris, Isis, and Horus tells of the murder of Osiris, the god of the underworld, by his brother Set, and how Osiris's wife Isis and son Horus sought to avenge his death and restore him to power.

The story of Anubis and the weighing of the heart is a myth that describes the judgement of the dead in the afterlife. It tells how the god Anubis would weigh the hearts of the deceased against the feather of Ma'at, the goddess of truth and justice, to determine whether they were worthy of entering the afterlife.

Other notable myths in Egyptian mythology include the story of the god Horus and his battles with his uncle Seth, the myth of the goddess Hathor, and the story of the god Ra and the serpent Apep.

These myths play a central role in Ancient Egyptian religion and were widely known among the ancient Egyptians. They were often depicted in art and were performed in temple rituals. They also played a significant role in shaping the culture, beliefs, and worldview of ancient Egyptians.

In India a different worldview evolved over four thousand years, with the concepts responding to various sociocultural phenomena and transforming with the words of wise men to satisfy the needs of the local population

There are many famous myths in Indian mythology, here are a few examples:

• The Ramayana, which tells the story of Prince Rama and his rescue of his wife, Sita, from the demon king, Ravana.
• The Mahabharata, which is one of the longest epic poems in the world and tells the story of a dynastic struggle for the throne of Hastinapura.
• The story of Lord Vishnu taking the form of a fish to save the world from a great flood.
• The story of Lord Shiva and his consort, Parvati, and their son, Lord Ganesha.
• The story of Lord Krishna, who is considered a supreme deity in Hinduism and is known for his wisdom and his role in the Mahabharata.
• The story of the Trimurti, which tells of the three main gods in Hinduism- Brahma, Vishnu, and Shiva.
• The story of creation according to Hindu mythology is also an important one, which explains how the world and all living beings came into being.

God of war, pestilence, and the sun in ancient Mesopotamian religion. Associated with fire and destruction.

Heroic figure in Persian folklore, who led a revolt against the tyrant Zahhak and helped liberate the people.

Hebat is the Hittite earth goddess, associated with fertility and motherhood. She is depicted as a nurturing figure bringing abundance to the land.

In Greek mythology, Electryone (Ancient Greek: Ἠλεκτρυώνην) or Alectrona (Doric form) was a daughter of Helios and Rhodos, and sister to the Heliadae. She died a virgin and was worshipped as a heroine on the island of Rhodes. She was possibly a goddess of the sunrise, or of man's waking sense.

Heidrek or Heiðrekr is one of the main characters in the cycle about the magic sword Tyrfing. He appears in the Hervarar saga, and probably also in Widsith,[1] together with his sons Angantyr (Incgentheow) and Hlöð (Hlith), and Hlöð's mother Sifka (Sifeca). The etymology is heiðr, meaning "honour", and rekr, meaning "ruler, king".

A group of Slavic goddesses representing the Morning Star and Evening Star, guarding the gates to the celestial realm.

A supernatural being depicted as a witch who lives in a hut that stands on chicken legs, known for her wisdom and ambiguity.

Goddess of love, beauty, sex, desire, fertility, war, and justice. Associated with the planet Venus and known for her descent into the underworld.

Oedipus, in Greek mythology, the king of Thebes who unwittingly killed his father and married his mother. Homer related that Oedipus's wife and mother hanged herself when the truth of their relationship became known, though Oedipus apparently continued to rule at Thebes until his death.

Shaushka is the Hittite goddess of love and fertility, revered for her role in bringing forth life and prosperity. She is often depicted as a nurturing figure associated with the abundance of nature.

ince we delved into the Gaelic pantheon in the first entry, the most important father-figure deity within the scope of Irish Celtic gods pertained to the Dagda (An Dagda – ‘the Good God’). Revered as the leader of the Tuatha Dé Danann tribe of gods, he was usually associated with fertility, agriculture, weather, and masculine strength, while also embodying the aspects of magic, wisdom, knowledge, and Druidry. These facets do explain his renown and veneration among the Celtic druids. Many of the aspects also bear striking similarities to the divine characteristics of Odin, the chieftain of the Æsir tribe of ancient Norse gods.

ARISTAIOS (Aristaeus) was the rustic god of shepherds and cheesemaking, beekeeping, honey and honey-mead, olive growing and oil milling, medicinal herbs, hunting, and the Etesian winds which provided some respite from the scorching heat of midsummer.

Based loosely on Homers ancient Greek epic poem 'Iliad', Troy: Fall of a City tells the story of the 10 year siege of the ancient city of Troy by the Greeks, after Paris, the young prince of Troy falls in love with the wife of a Greek king and elopes with her. Written by ol-raptis Season: 1 Year: 2018

The warrior King Odysseus leaves his idyllic life in the kingdom of Ithaca to fight in the Trojan War. After winning the war, he now must endure a lengthy, ten-year journey to return, and with all his wits, Odysseus must overcome deadly monsters, powerful forces of nature, seductive enchantresses, and even journey into the bowels of the Underworld. Season: 1 Year: 1997

An art collector appeals to Indiana Jones to embark on a search for the Holy Grail. He learns that another archaeologist has disappeared while searching for the precious goblet, and the missing man is his own father, Dr. Henry Jones. The artifact is much harder to find than they expected, and its powers are too much for those impure of heart. Written by Jwelch5742 In 1938, after his father Professor Henry Jones, Sr. goes missing while pursuing the Holy Grail, Professor Henry "Indiana" Jones, Jr. finds himself up against Adolf Hitler's Nazis again to...

A kind-hearted street urchin Aladdin vies for the love of the beautiful princess Jasmine, the princess of Agrabah. When he finds a magic lamp, he uses the genie's magic power to make himself a prince in order to marry her. He's also on a mission to stop the powerful Jafar who plots to steal the magic lamp that could make his deepest wishes come true

Master explorer and former US Navy Seal Dirk Pitt and his wisecracking buddy Al Giordino goes on the adventure of a lifetime of seeking out a lost Civil War ironclad battleship known as the "Ship of Death" that protects a secret cargo is lost somewhere in the deserts of West Africa. But while the two cross paths with a beautiful and brilliant U.N. scientist Dr. Eva Rojas who is being hounded by a ruthless dictator. She believes that the hidden treasure may be connected to a larger problem that threatens the world around them. Hunting for a ship that no one else thinks exists, Dirk, Al, and Eva must rely on their wits and their daring heroics to outsmart dangerous warlords, survive the threatening terrain, and get to the bottom of both mysteries. Written by Anthony Pereyra {hypersonic91@yahoo.com} Master explorer Dirk Pitt goes on the adventure of a lifetime of seeking out a lost Civil War battleship known as the "Ship of Death" in the deserts of West Africa while helping a WHO doctor...