Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Japanese mythology encompasses the folk traditions of Japan and the Shinto religion. It is a collection of stories, beliefs, and customs that have been passed down through generations. The stories often revolve around the creation of the world, the deeds of the gods and goddesses, and the lives of heroes and monsters.

Famous Myths of Japanese Mythology

• The myth of the creation of Japan

  According to Japanese mythology, the god Izanagi and goddess Izanami were responsible for the creation of the Japanese islands. They stood on the bridge between heaven and earth and dipped a spear into the water, creating the first island of Onogoro.

• The myth of Amaterasu

  Amaterasu is the goddess of the sun and the ancestor of the Imperial Family of Japan. She is said to have been offended by her brother's behavior and retreated into a cave, causing the world to become dark. Her eventual return to the world brought light and warmth back to the land.

• The myth of Susano-o

  Susano-o is the god of sea and storms, as well as brother of Amaterasu. He is known for his reckless and impulsive behavior, which often causes trouble for the other gods.

• The myth of the eight-headed serpent, Yamata no Orochi

  Yamata no Orochi is a giant serpent with eight heads and eight tails, who terrorized an ancient province in Japan. He was eventually defeated by the god Susano-o, who saved a maiden and her brothers from the serpent's attacks.

• The myth of the Tengu

  Tengu are supernatural creatures that are half-human

  Zulu Mythology

  Zulu mythology contains numerous deities commonly associated with animals

  

  Zulu mythology contains numerous deities commonly associated with animals or general classes of natural phenomena. Unkulunkulu is the highest God and is the creator of humanity The Zulu people are an ethnic group that live primarily in South Africa, and their mythology is deeply rooted in their culture and tradition. Here are a few examples of famous myths from Zulu mythology:

  The story of Unkulunkulu

  Unkulunkulu is the creator god in Zulu mythology and is believed to be the first ancestor of the Zulu people. He is often depicted as an old man with a white beard, and is associated with wisdom, justice, and the sky.

  The story of Nomkhubulwane

  Nomkhubulwane is the goddess of fertility and is responsible for the abundance of crops, and the growth of the Zulu people.

  The story of Ukhulukhulwane

  Ukhulukhulwane is the god of rain and is known for his power and fury. He is often invoked to bring rain, and is considered a protector of the Zulu people.

  The story of Zulu ancestor

  Zulu ancestor is the first human being created by the god, Unkulunkulu. This figure is considered as the first ancestor of the Zulu people, and his children are considered as the founders of different Zulu tribes and clans.

  The story of Inkanyamba

  Inkanyamba is a serpentine water spirit, it is believed that Inkanyamba is responsible for the flooding of rivers and causing storms.

  These myths, along with others, are used by the Zulu people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. Ancestor worship and the belief in a supreme being who created the universe are an important part of Zulu traditional religion.

  Somali Mythology

  Somali mythology covers the beliefs, myths, legends and folk tales circulating in Somali

  

  Somali Mythology

  Somali mythology covers the beliefs, myths, legends and folk tales circulating in Somali society that were passed down to new generations in a timeline spanning several millennia.

  Somali mythology includes a diverse set of stories and legends that reflect the culture and beliefs of the Somali people. Here are a few examples of famous myths from Somali mythology:

  The Creation Myth

  The Somali believe that the world was created by God (Waaq), who created the first human beings, the first animals, and the first plants.

  The Myth of the First Woman

  According to Somali legend, the first woman, named Hawo, was created from a rib taken from the first man, named Adaan.

  The Myth of the First Fire

  The Somali believe that fire was brought to earth by a bird named Shimbir, who stole it from the gods and gave it to humans.

  The Myth of the First Ancestor

  The Somali believe that the first ancestor, named Samaale, was the progenitor of all Somali clans.

  The Myth of the First Death

  The Somali believe that death was brought to the world by a god named Ebla, who punished humans for their disobedience.

  The Myth of the First Rain

  The Somali believe that the first rain was brought to the world by a god named Ebla, who punished humans for their disobedience.

  Please note that these are just a few examples and there are many more myths and legends that are important to the Somali people, as Somali mythology is vast and diverse. Also, It's worth mentioning that a lot of the oral tradition was lost through the years.

  Kintu Mythology

  The Maasai mythology involves several beliefs of the Maasai people

  

  The Kintu, Kaikuzi, Warumbe mythology involves several beliefs of the Maasai people, an ethnic group living in Kenya and Tanzania

  Kintu is a figure in the traditional mythology of the Ganda people of Uganda. According to the Ganda's traditional story, Kintu was the first human being created by the god, Ggulu. The story of Kintu is an important part of Ganda mythology, and it is used to explain the origins of the Ganda people and their customs.

  The Kintu Myth Explained

  The Kintu Myth explains how the first human came to be, how the first human was given a wife by the creator god, Ggulu, and how they were given the ability to procreate. The myth goes on to describe how Kintu and his wife, Nambi, had children, and how those children went on to become the ancestors of the Ganda people.

  Kintu as the First Ancestor

  In this story, Kintu is considered as the first ancestor of the Ganda people, and his children are considered as the founders of different Ganda tribes and clans. The story of Kintu is also used to explain the customs and traditions of the Ganda people, such as the importance of ancestor worship and the role of the clan in Ganda society.

  Kintu as the Ancestor of the Buganda Kingdom

  It is also believed that Kintu is the ancestor of the Buganda kingdom which is the largest kingdom in present day Uganda.

  Celtic Mythology

  Celtic mythology refers to the polytheistic religious beliefs of the Celts

  

  Celtic mythology is the mythology of Celtic polytheism, the religion of the Iron Age Celts.Like other Iron Age Europeans, the early Celts maintained a polytheistic mythology and religious structure.

  Celts were one of the most feared and admired peoples of ancient Europe. Ireland was a rich and fertile land with ancient and sophisticated culture. The monks of Ireland became famous scribes who wrote down native Irish stories of gods and goddesses battling for the control of island in epic wars, heroes engaged in endless combat to win undying glory, to voyage across the sea to magical islands. Divine women with the gift of their sexuality could control the power of kings.

  Famous Myths of Celtic Mythology

  • The myth of Cuchulainn

    Cuchulainn is a legendary warrior of Irish mythology, known for his superhuman strength and courage.

  • The myth of The Children of Lir

    A tragic tale of a king who turned his children into swans for 900 years, as punishment for his stepmother's cruelty towards them.

  • The myth of The Tuatha Dé Danann

    The Tuatha Dé Danann are a race of powerful and magical beings in Irish mythology, who were said to have inhabited Ireland before the arrival of the Celts.

  • The myth of The Loch Ness Monster

    The Loch Ness Monster is a mythical creature that is said to reside in Loch Ness in Scotland, it's a creature of legend, described as giant serpent or dragon-like beast.

  • The myth of King Arthur

    King Arthur is a legendary figure in British mythology, who is said to have led the defense of Britain against the Saxon invaders in the late 5th and early 6th centuries.

Cadmus was the founder and first king of Thebes in Greek mythology. He was the son of King Agenor and Queen Telephassa of the Phoenician city of Tyre, and brother of Phoenix, Cilix and Europa.

Indra wields a thunderbolt and is a protector and provider of rain.

A mythical hero known for his strength and bravery, featured in various Etruscan tales.

Angantyr's daughter Hervor married Höfund of Glæsisvellir and they had the sons Heidrek and Angantyr. Angantyr would be the next of Tyrfing's victims. Angantyr's brother Heidrek had made himself impossible at home and was banished by his father. Angantyr wanted to follow his brother for a while on the road to say farewell, but then he asked to see the sword Tyrfing which Heidrek had got from their mother Hervor. Heidrek kindly showed his brother the weapon, but since Tyrfing could not be unsheathed without slaying a man, Angantyr became its next victim.

Beyond syncretism, there were also sole Celtic gods worshipped in the pantheon of the ancient Gallo-Roman religion and even Rome itself. Epona belonged to the rare second category. Regarded as the female deity and protector of horses, donkeys, and mules (etymologically, the word ‘Epona’ is derived from Proto-Celtic *ekwos – meaning horse), the Celtic goddess was also possibly associated with fertility – given the visual cues of patera, cornucopia, and foals in some of her extant sculptures. And talking of depictions, most of the dedicatory inscriptions to Epona (found by archaeologists) were made in Latin (as opposed to Celtic), thus suggesting her popularity in the Roman world.

Durga Devi is a powerful, even frightening goddess who fights fiercely in order to restore dharma (moral order). Yet, while Durga is terrifying to her adversaries, she is full of compassion and love for her devotees.

Heidrek or Heiðrekr is one of the main characters in the cycle about the magic sword Tyrfing. He appears in the Hervarar saga, and probably also in Widsith,[1] together with his sons Angantyr (Incgentheow) and Hlöð (Hlith), and Hlöð's mother Sifka (Sifeca). The etymology is heiðr, meaning "honour", and rekr, meaning "ruler, king".

Wurusemu is the Hittite sun goddess, symbolizing light and warmth. She is often depicted as a radiant figure bringing life to the world.

Illuyankas is also associated with the sea in Hittite mythology, where he is depicted as a powerful deity controlling the waters.

In Greek mythology, Odysseus was the son of Laertes and Antikleia (or Anticlea) and the King of Ithaca, leader of the Kephallenians. Married to Penelope, he also had a son, Telemachos (or Telemachus). The hero was also fortunate enough to regularly receive the special aid and protection of the goddess Athena.

Beowulf is actually not part of Norse mythology but rather an epic poem from Anglo-Saxon (Old English) literature. While it is true that the poem features themes, characters, and settings that are reminiscent of Norse and Germanic folklore, it is distinct from the mythological traditions of the Norse, such as those found in the Eddas or sagas. "Beowulf" is considered one of the most important works of Old English literature. It's an epic narrative poem composed by an unknown author, estimated to have been written between the 8th and early 11th centuries. The poem consists of 3,182 alliterative lines, and it is set in Scandinavia. The story revolves around the eponymous hero, Beowulf, a warrior of the Geats (a North Germanic tribe inhabiting what is now Sweden). The poem is divided into three parts: Beowulf's Battle with Grendel: Beowulf comes to the aid of Hrothgar, the king of the Danes, whose mead hall has been under attack by a monster known as Grendel. Beowulf slays Grendel barehanded, thereby saving Hrothgar's kingdom. Beowulf's Battle with Grendel's Mother: Grendel's mother seeks revenge for her son's death, and Beowulf ventures into her underwater lair to confront her. He defeats her with the aid of a magical sword found in her hoard. Beowulf's Final Battle and Death: The last part of the poem jumps forward many years, showing Beowulf as a wise and aged king of the Geats. He faces his final challenge in the form of a dragon guarding a treasure hoard. Beowulf slays the dragon but is mortally wounded in the battle. The poem concludes with his funeral rites and a lament for the fallen hero. While "Beowulf" shares some thematic elements with Norse mythology — such as the focus on heroism, the supernatural, and the notion of fate — it remains a distinct and separate work, deeply rooted in the Anglo-Saxon culture and its literary tradition. The poem is valuable not only for its literary merits but also for its insights into the social and cultural aspects of the Anglo-Saxon world.

In Greek mythology, Hyacinth was a very beautiful Spartan prince and lover of the god Apollo. Hyacinth was also admired by the West wind Zephyrus, the North wind Boreas and also by a mortal man named Thamyris. ... The couple indulged themselves in hunting and climbing steep, rough mountains around Sparta.

On a quest to retrieve the fabled Golden Fleece, Jason and the Argonauts arrive at a remote barbarian land where the natives worship the sacred artefact to protect the crops. But, unexpectedly, as Medea--a beautiful high priestess and the land's powerful sorceress--betrays her beliefs to follow Jason back to Greece, a cruel fate awaits her. As a result, deserted and banished by the king, it's only human that Medea plots her furious revenge. Can they escape her wrath? Written by Nick Riganas After his quest to retrieve the fabled Golden Fleece, Jason returns to Greece with the powerful sorceress, Medea. However, when the king banishes her, it's only human that Medea plots her...

After retrieving the philosopher's stone at an auction but losing his girlfriend, The Librarian Flynn Carsen has a breakdown. Charlene and Judson ask him to spend some time on vacation. Flynn travels to New Orleans and he has a crush on a French singer (Simone Renoir). However he discloses that she is the guardian of a key to access the Judas Chalice that is capable to resurrect vampires. Meanwhile the former Russian Minister of Defense Sergei Kubichek is seeking the chalice to revive Vlad the vampire with the support of Professor Lazlo. Also to raise an army of undead to bring Russia back to the top of the world. When Simone reveals that she is a vampire, Flynn question whether she is not using him to reach the chalice and increase her power. Written by Claudio Carvalho, Rio de Janeiro, Brazil Losing his girlfriend because he was at an auction dramatically getting the magical philosopher's stone instead of a date, he needs a vacation - New Orleans but finds himself busy saving...

The warrior King Odysseus leaves his idyllic life in the kingdom of Ithaca to fight in the Trojan War. After winning the war, he now must endure a lengthy, ten-year journey to return, and with all his wits, Odysseus must overcome deadly monsters, powerful forces of nature, seductive enchantresses, and even journey into the bowels of the Underworld. Season: 1 Year: 1997

Based loosely on Homers ancient Greek epic poem 'Iliad', Troy: Fall of a City tells the story of the 10 year siege of the ancient city of Troy by the Greeks, after Paris, the young prince of Troy falls in love with the wife of a Greek king and elopes with her. Written by ol-raptis Season: 1 Year: 2018

A prequel to Raiders of the Lost Ark (1981) set in 1935, the year before, the professor, archaeologist and adventurer by the name of Indiana Jones is back in action in his latest adventure. This time he teams up with a nightclub singer named Wilhelmina "Willie" Scott and a twelve-year-old Chinese boy named Short Round. They end up in a small distressed village in India, where the people believe that evil spirits have taken all their children away after a sacred precious stone was stolen. They also discover the great mysterious terror surrounding a booby-trapped temple known as the Temple of Doom. Thuggee is beginning to attempt to rise once more, believing that with the power of all five Sankara stones they can rule the world. It's all up to Indiana to put an end to the Thuggee campaign, rescue the lost children, win the girl and conquer the Temple of Doom. Written by Anthony Pereyra In 1935, Indiana Jones arrives in India, still part of the British Empire, and is asked to find a mystical stone. He then stumbles upon a secret cult committing enslavement and human...