Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Mbuti (Bambuti) mythology is the mythology of the African Mbuti (also known as Bambuti) Pygmies of Congo. The Bambuti people, also known as the Pygmies, are a group of indigenous people who live in the Ituri rainforest in the Democratic Republic of Congo. They have a rich and diverse mythology that reflects their culture and beliefs. Here are a few examples of famous myths from Bambuti mythology:

• The creation myth: The Bambuti believe that the world was created by a god named Nkuba, who formed the earth, sky, and all living things. They also believe that Nkuba created the first man and woman, and gave them the task of populating the world.
• The myth of the first fire: The Bambuti believe that fire was brought to earth by a trickster figure named Mokèlé-mbèmbé, who stole it from the gods and gave it to humans.
• The myth of the first hunting: The Bambuti believe that hunting was taught to humans by a god named Woot, who also taught them how to make arrows, spears, and traps.
• The myth of the first death: The Bambuti believe that death was brought to the world by a god named Nkondi, who punished humans for their disobedience.
• The myth of the first rain: The Bambuti believe that the first rain was brought to the world by a god named Nkondi, who punished humans for their disobedience.
• The myth of the afterlife: The Bambuti believe that the souls of the dead go to the land of the ancestors, which is a place similar to the earth but more beautiful and peaceful. They also believe that the souls of the wicked go to a place of punishment.

Please note that this is just a small sample of the Bambuti mythology stories, and there are many more myths and legends that are important to the Bambuti people.

In India a different worldview evolved over four thousand years, with the concepts responding to various sociocultural phenomena and transforming with the words of wise men to satisfy the needs of the local population

There are many famous myths in Indian mythology, here are a few examples:

• The Ramayana, which tells the story of Prince Rama and his rescue of his wife, Sita, from the demon king, Ravana.
• The Mahabharata, which is one of the longest epic poems in the world and tells the story of a dynastic struggle for the throne of Hastinapura.
• The story of Lord Vishnu taking the form of a fish to save the world from a great flood.
• The story of Lord Shiva and his consort, Parvati, and their son, Lord Ganesha.
• The story of Lord Krishna, who is considered a supreme deity in Hinduism and is known for his wisdom and his role in the Mahabharata.
• The story of the Trimurti, which tells of the three main gods in Hinduism- Brahma, Vishnu, and Shiva.
• The story of creation according to Hindu mythology is also an important one, which explains how the world and all living beings came into being.

Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments.

Some of the most famous myths of Egyptian mythology include the story of Ra and the creation of the world, the story of Osiris, Isis, and Horus, and the story of the god Anubis and the weighing of the heart.

The story of Ra and the creation of the world describes how the sun god Ra emerged from the chaos of Nun to create the world and the gods. The story of Osiris, Isis, and Horus tells of the murder of Osiris, the god of the underworld, by his brother Set, and how Osiris's wife Isis and son Horus sought to avenge his death and restore him to power.

The story of Anubis and the weighing of the heart is a myth that describes the judgement of the dead in the afterlife. It tells how the god Anubis would weigh the hearts of the deceased against the feather of Ma'at, the goddess of truth and justice, to determine whether they were worthy of entering the afterlife.

Other notable myths in Egyptian mythology include the story of the god Horus and his battles with his uncle Seth, the myth of the goddess Hathor, and the story of the god Ra and the serpent Apep.

These myths play a central role in Ancient Egyptian religion and were widely known among the ancient Egyptians. They were often depicted in art and were performed in temple rituals. They also played a significant role in shaping the culture, beliefs, and worldview of ancient Egyptians.

Finnish mythology is a commonly applied description of the folklore of Finnish paganism, of which a modern revival is practiced by a small percentage of the Finnish people. Finnish mythology is the traditional belief system of the Finnish people, and it is closely related to the mythology of other Finno-Ugric peoples such as the Estonians and the Hungarians. Here are a few examples of famous myths from Finnish mythology:

The story of the creation of the world: According to Finnish mythology, the world was created by Ilmatar, a primal goddess of the air and the sky.

The story of Väinämöinen: Väinämöinen is a powerful and wise sorcerer in Finnish mythology, who is considered as one of the main characters of the Kalevala, a traditional epic poem of Finland. He is known for his wisdom and his role as a culture hero.

The story of Kullervo: Kullervo is a tragic hero of the Finnish mythology and is considered as one of the main characters of the Kalevala. He is known for his misfortune, his tragic fate and his power.

The story of Joukahainen: Joukahainen is a rival of Väinämöinen in the Kalevala, who is known for his arrogance and his defeat by Väinämöinen

The story of Lemminkäinen: Lemminkäinen is another character of the Kalevala, known for his romantic adventures and his quest to win the hand of the Maiden of the North.

These myths, along with others, are used by the Finnish people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. The Finnish traditional religion was a mixture of animism, nature worship, and ancestor worship.

Religion in pre-Islamic Arabia was a mix of polytheism, Christianity, Judaism, and Iranian religions. Arab polytheism, the dominant form of religion in pre-Islamic Arabia, was based on veneration of deities and other rituals.

Famous Myths of Arabian Mythology

• The myth of djinn

  The djinn are supernatural spirits in Arabian mythology that can be good or evil, they are often associated with fire and can take human form.

• The myth of Al-Khidr

  Al-Khidr is a mysterious figure in Islamic mythology, also known as the "Green Man." He is believed to have knowledge of all things and is often associated with water and the afterlife.

• The myth of Harut and Marut

  Harut and Marut were two angels in Islamic mythology who were sent to Earth to test the faith of the people. They were tempted by the devil and ultimately fell from grace.

• The myth of Iblis

  Iblis is the Islamic equivalent of Satan. He was once an angel, but was cast out of heaven for his pride and refusal to bow to Adam.

• The myth of the seven sleepers

  The seven sleepers is a story from Islamic tradition about seven young men who sought refuge in a cave to escape persecution. They fell asleep and awoke years later, to find that the world had changed.

• The myth of Solomon

  Solomon is a prophet in Islamic and Jewish mythology, who is known for his wisdom and power. He is said to have had control over the djinn, birds, and the wind.

A legendary queen and storyteller in Arabian Nights, known for her ability to captivate a king with her tales and thereby saving her own life.

The son of Odin and Frigg is Balder, the god of innocence and piety. He is so bright and fair that light shines from his features; he is also wise, eloquent, gentle, and lenient, and righteous to such a degree that his judgments stand always unshaken. His home and stronghold is called Breidablik; 4 there nothing impure may find lodgment. His wife is the faithful Nanna, daughter of Nep. His son is the righteous Forseti. Balder was killed by his brother Hod, but after the destruction of the universe he will return again. 1 The cult of Balder is mentioned only in the late, unhistorical Fridthjof’s Saga; from this source we learn that he had a great sanctuary, Baldershagi, somewhere in Sogn. 2

Amphiaraus was a king of Argos in Greek mythology, who reigned alongside Iphis and Adrastus, brother of his wife Eriphyle. He was the son of Oecles and Hypermnestra. He participated in the hunt of the Calydonian Boar, and he was also an oracle. He was one of the main characters in the myth of the Seven Against Thebes. His wife Eriphyle was bribed by Polynices with the necklace of Harmonia, and she managed to convince her husband to participate in the war, although it was doomed to fail. Although he accepted, Amphiaraus was aware of his wife’s ploy and asked his children Alcmaeon and Amphilochus to kill their mother if he was slain in the battlefield. During the battle, he killed Melanippus, but he was attacked by Periclymenus, son of Poseidon. Trying to flee, Amphiaraus was swallowed by the earth when Zeus threw a thunderbolt and split it in half. Afterwards, Alcmaeon killed his mother as he had promised his father, but was pursued by the Erinyes for committing matricide.

Brahma is the creator god in Hinduism. He is also known as Svayambhu (self-born) or the creative aspect of Vishnu, Vāgīśa (Lord of Speech), and the creator of the four Vedas, one from each of his mouths. Brahma is consort of Saraswati and he is the father of Four Kumaras, Narada, Daksha, Marichi and many more.[3][4] Brahma is synonymous with the Vedic god Prajapati, he is also known as Vedanatha (god of Vedas), Gyaneshwar (god of Knowledge), Chaturmukha (having Four Faces) Svayambhu (self born), etc, as well as linked to Kama and Hiranyagarbha (the cosmic egg). He is more prominently mentioned in the post-Vedic Hindu epics and the mythologies in the Puranas. In the epics, he is conflated with Purusha. Although Brahma is part of the Brahma-Vishnu-Shiva Trimurti, ancient Hindu scriptures mention multiple other trinities of gods or goddesses which do not include Brahma

In Greek mythology, Acrisius was the king of Argos, son of Abas and Aglaea and twin brother of Proetus. When their father died, Acrisius slyly possessed all of the inheritance and expelled his brother. However, assisted by his father – in – law Iobates, Proetus managed to take his share of the kingdom and became the ruler of the city of Tiryns

Indra wields a thunderbolt and is a protector and provider of rain.

Chief god of Babylon, associated with water, vegetation, judgment, and magic. Known for his victory over the chaos goddess Tiamat.

Angantyr's father Arngrim had given him the magic sword Tyrfing, which cut through anything as if through cloth, and which killed a man every time it was unsheathed. He was the tallest of the twelve sons of the berserker Arngrim, and he and his eleven brothers spread fear and destruction through the North. One Yule, they were back home on Bolmsö when the next eldest son Hjörvard, swore that he would win Ingeborg, the daughter of Yngve, the king of Sweden. The twelve brothers departed for Uppsala and Hjorvard proposed to Ingeborg. However then Hjalmar, one of the Swedish king's champions, stepped forth and claimed he deserved the princess rather than a berserker. The Swedish king, who feared opposing twelve uncontrollable and infamous berserkers in his hall, suggested that Ingeborg herself should decide. Naturally, she chose Hjalmar, and Hjorvard was besides himself with rage. He challenged Hjalmar to a duel on Samsø and declared that Hjalmar would lose his honour if he did not turn up. When the twelve brothers arrived on Samsø, they started to go berserk. They bit their shields, screamed loud and coarsely and let themselves loose on Hjalmar and Orvar-Odd's crewmen and began to cut them to pieces. Hjalmar and Orvar-Odd arrived to the scene to find their crew slain and Orvar-Odd, with only his club, slew Angantyr's eleven brothers. After the melee, he found Angantyr dead and Hjalmar mortally wounded by the cursed sword, Tyrfing. Orvar-Odd buried the twelve brothers in barrows on Samsø together with the cursed sword, so that it would no longer cause any harm. However Angantyr's daughter Hervor would later return and claim Tyrfing as her own. This event is known as "the waking of Angantyr", as recorded in the poem The Waking of Angantyr.

Podalirius in Greek Mythology

Podalirius is a lesser-known but significant figure in Greek mythology, renowned primarily for his skills in medicine. He was one of the sons of Asclepius, the god of medicine, and Epione, and the brother of Machaon.

Role in the Trojan War

Podalirius, along with his brother Machaon, played a crucial role in the Trojan War as a healer. They both were part of the Greek contingent, led by Agamemnon, and were instrumental in treating wounded soldiers. Their medical skills were highly revered, and they were often called upon to treat significant heroes injured in battle.

Skills and Contributions

As a son of Asclepius, Podalirius was endowed with exceptional healing abilities. He was skilled in surgery and the use of medicinal plants, making him an invaluable asset during the war.

Post-War Journey and Legacy

After the fall of Troy, Podalirius had adventures of his own. According to some legends, on his journey back home, he ended up in the city of Syrnos, where he healed the king's daughter, and as a reward, he received the kingdom and the princess's hand in marriage.

Podalirius' legacy in Greek mythology highlights the importance of medicine and healing in ancient Greek culture and warfare. He is often remembered as a symbol of the healing arts and their divine origins.

Ganapati, more commonly known as Ganesha, is a revered deity in the Hindu pantheon, known as the Lord of Beginnings, the Remover of Obstacles, and the deity of intellect and wisdom.

Iconography and Attributes:

• Elephant Head: Symbolizing wisdom, understanding, and a discriminating intellect.
• Large Belly: Represents the bounty of nature and Ganesha's role in protecting the world.
• Four Hands: In his hands, he holds a broken tusk, a modak (sweet), a lotus flower, and an axe or a noose, symbolizing sacrifice, the joys of life, purity, and attachment.

Birth and Significance:

Ganesha's creation is attributed to Parvati, the consort of Lord Shiva. After being beheaded by Shiva due to a misunderstanding, he was revived with an elephant's head and declared the leader of Shiva's ganas.

Worship and Festivals:

• Ganesha is worshipped as the remover of obstacles and invoked at the beginning of new ventures and journeys.
• The festival of Ganesh Chaturthi is celebrated with great fervor, culminating in the immersion of Ganesha idols in water.

Cultural Impact:

Ganesha's image is found throughout India and Nepal, in temples, homes, and in Jainism and Buddhism. He is also a prominent figure in various art forms.

Heroic figure in Persian mythology, renowned for his justice and righteousness. Defeated the tyrant Zahhak and restored peace.

Pandion in Greek Mythology

Pandion is a name attributed to two legendary kings of Athens in Greek mythology. Both are relatively less prominent figures compared to other mythological characters but play a role in the mythological lineage of Athenian rulers.

Pandion I

Pandion I was said to be a king of Athens, the son of Erichthonius, and a descendant of Hephaestus. His reign was marked by relative peace and he was known for his contributions to the expansion and prosperity of the city.

• Family: Pandion I married Zeuxippe, and they had four children: Procne, Philomela, Erechtheus, and Butes.
• Mythological Tales: He is often associated with the tragic story of his daughters, Procne and Philomela, which involves transformation and revenge.

Pandion II

Pandion II, sometimes confused with Pandion I, was also a mythological king of Athens. His reign is less defined but he is noted in various genealogies of Greek mythology.

• Family: He was the son of Cecrops II and fathered four sons: Aegeus, Pallas, Nisos, and Lycus.
• Significance: He is notable mainly for his descendants, who include Aegeus, the father of the hero Theseus.

While not central figures in Greek mythology, the Pandions contribute to the complex and rich tapestry of Athenian mythological history and lineage.

A kind-hearted street urchin Aladdin vies for the love of the beautiful princess Jasmine, the princess of Agrabah. When he finds a magic lamp, he uses the genie's magic power to make himself a prince in order to marry her. He's also on a mission to stop the powerful Jafar who plots to steal the magic lamp that could make his deepest wishes come true

This classic (Greek) tale tells how a noble youth accidentally marries his own mother, kills his own father (deliberately) and ends up paying a terrible price for invoking the wrath of the Gods. Written by Steve Crook This classic (Greek) tale tells how a noble youth accidentally marries his own mother, kills his own father (deliberately) and ends up paying a terrible price for invoking the wrath of the...

After retrieving the Crystal Skull in Utah, Flynn Carsen receives a map in the mail with the secret location of King Solomon's Mines. When the scroll is stolen, Judson explains the power of the Key of Solomon's book and assigns Flynn to retrieve the map. The map is useless without the legend piece to decipher it, which is located in Volubilis near the Roman ruins in Morocco. Flynn heads to Casablanca to the ruins where he is chased by a group of mercenaries leaded by General Samir. They too want to find the location of King Solomon's mines. Flynn teams-up with Professor Emily Davenport working in the dig and they escape from General Samir and his men. While traveling to Gedi, they save the local Jomo from death and the trio faces a dangerous journey through the wild Africa. Written by Claudio Carvalho, Rio de Janeiro, Brazil Librarian-turned-adventurer Flynn Carsen endeavors to find King Solomon's mines.

On a quest to retrieve the fabled Golden Fleece, Jason and the Argonauts arrive at a remote barbarian land where the natives worship the sacred artefact to protect the crops. But, unexpectedly, as Medea--a beautiful high priestess and the land's powerful sorceress--betrays her beliefs to follow Jason back to Greece, a cruel fate awaits her. As a result, deserted and banished by the king, it's only human that Medea plots her furious revenge. Can they escape her wrath? Written by Nick Riganas After his quest to retrieve the fabled Golden Fleece, Jason returns to Greece with the powerful sorceress, Medea. However, when the king banishes her, it's only human that Medea plots her...

A prequel to Raiders of the Lost Ark (1981) set in 1935, the year before, the professor, archaeologist and adventurer by the name of Indiana Jones is back in action in his latest adventure. This time he teams up with a nightclub singer named Wilhelmina "Willie" Scott and a twelve-year-old Chinese boy named Short Round. They end up in a small distressed village in India, where the people believe that evil spirits have taken all their children away after a sacred precious stone was stolen. They also discover the great mysterious terror surrounding a booby-trapped temple known as the Temple of Doom. Thuggee is beginning to attempt to rise once more, believing that with the power of all five Sankara stones they can rule the world. It's all up to Indiana to put an end to the Thuggee campaign, rescue the lost children, win the girl and conquer the Temple of Doom. Written by Anthony Pereyra In 1935, Indiana Jones arrives in India, still part of the British Empire, and is asked to find a mystical stone. He then stumbles upon a secret cult committing enslavement and human...