by ejceasar
Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion
A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.
Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.
The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.
We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.
Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.
Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.
Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.
Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.
Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.
Learn a few fun facts
The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity
The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.
The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.
The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.
The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.
'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.
The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.
To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.
Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation
Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality
Dinka mythology refers to the traditional religion and folk tales of the Dinka
Dinka mythology refers to the traditional religion and folk tales of the Dinka, or Muonyjang, ethnic group of South Sudan.
The supreme, creator god, Nhialic, is the god of the sky and rain, and the ruler of all the other gods and spirits. He is generally seen as distant from humans. Nhialic is also known as Jaak, Juong or Dyokin by other Nilotic groups such as the Nuer and Shilluk. Nhialac created ex-nihilo and rarely involves itself with the affairs of humans.
There are several versions of the Dinka creation myth which mainly concerns itself with the creation of humans. The first humans are Garang and Abuk. In some cases Nhialac created humans by blowing them out of its nose, other accounts say humans originated from the sky and were placed in the river where they came as fully formed adults. Other accounts say that humans were molded as clay figures and placed to mature in pots. Garang and Abuk were made out of the clay of Sudan.
Nhialac told them to multiply and that their children would die but would come back to life within 15 days. Garang protested that if nobody dies permanently then there would not be enough food. Nhialac then introduced permanent death. Nhialac commanded them to only plant one seed of grain a day or gave them one grain to eat a day. Being hungry everyday Abuk made a paste with the grain to make the food last longer. However, when Abuk disobeyed and planted more Nhialac cut the rope that connected Heaven and Earth.
Seven gods who decree: An, Enlil, Enki, Ninhursag, Nanna, Utu, and Inanna.
Mesopotamian Religion
Mesopotamian religion refers to the religious beliefs and practices of the civilizations of ancient Mesopotamia, particularly Sumer, Akkad, Assyria and Babylonia between circa 3500 BC and 400 AD, after which they largely gave way to Syriac Christianity.
Some of the most famous myths of Mesopotamian mythology include the creation myth Enuma Elish, the epic of Gilgamesh, and the story of Inanna's descent to the underworld. Enuma Elish describes the creation of the world and the gods by the god Marduk, while the epic of Gilgamesh tells the story of a king's quest for immortality. The story of Inanna's descent to the underworld tells of the goddess's journey to the land of the dead and her eventual return to the world of the living. Other notable myths include the story of the god Enki and the goddess Ninhursag, the myth of Ishtar's descent to the underworld, and the story of the god Dumuzid and his sister Geshtinanna.
The Epic of Gilgamesh
The Epic of Gilgamesh is one of the most famous and important works of ancient Mesopotamian literature. It is an epic poem that tells the story of Gilgamesh, the king of Uruk, and his quest for immortality. The poem is thought to have been written around 2100 BCE, in the Sumerian language, but it was later translated into Akkadian.
The epic tells the story of Gilgamesh's adventures, including his friendship with the wild man Enkidu and their journey to the Cedar Forest to fight the monster Humbaba. After Enkidu's death, Gilgamesh becomes obsessed with the fear of his own mortality and sets out on a journey to find the secret of immortality. He eventually meets Utnapishtim, the only human who has been granted immortality by the gods, and learns the secret of eternal life but fails to achieve it.
The epic also explores themes of friendship, loss, and the human condition, and it is considered one of the earliest known works of literature in world history. The poem was widely read in ancient Mesopotamia and had a significant influence on later literature in the region. The epic of Gilgamesh is still widely read and studied today, both for its historical and literary significance.
Apophis was perhaps the only Egyptian god very powerful, was not worshiped but feared.
Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments.
Some of the most famous myths of Egyptian mythology include the story of Ra and the creation of the world, the story of Osiris, Isis, and Horus, and the story of the god Anubis and the weighing of the heart.
The story of Ra and the creation of the world describes how the sun god Ra emerged from the chaos of Nun to create the world and the gods. The story of Osiris, Isis, and Horus tells of the murder of Osiris, the god of the underworld, by his brother Set, and how Osiris's wife Isis and son Horus sought to avenge his death and restore him to power.
The story of Anubis and the weighing of the heart is a myth that describes the judgement of the dead in the afterlife. It tells how the god Anubis would weigh the hearts of the deceased against the feather of Ma'at, the goddess of truth and justice, to determine whether they were worthy of entering the afterlife.
Other notable myths in Egyptian mythology include the story of the god Horus and his battles with his uncle Seth, the myth of the goddess Hathor, and the story of the god Ra and the serpent Apep.
These myths play a central role in Ancient Egyptian religion and were widely known among the ancient Egyptians. They were often depicted in art and were performed in temple rituals. They also played a significant role in shaping the culture, beliefs, and worldview of ancient Egyptians.Norse mythology is the body of myths of the North Germanic peoples, stemming from Norse paganism
Norse mythology is the body of myths of the North Germanic peoples, stemming from Norse paganism and continuing after the Christianization of Scandinavia, and into the Scandinavian folklore of the modern period.
Norse mythology is the traditional belief system of the people of Scandinavia, which includes the myths, legends, and religious beliefs of the ancient Norse. Here are a few examples of famous myths from Norse mythology:
- The story of the creation of the world: According to Norse mythology, the world was created by the god, Odin, Vili and Ve. They created the world from the body of the giant Ymir.
- The story of Thor: Thor is the god of thunder and is known for his strength and courage. He is often depicted as a fierce warrior, wielding a powerful hammer.
- The story of Odin: Odin is the chief of the gods and is known as the All-Father. He is the god of wisdom, poetry, and war, and is often depicted as a one-eyed old man.
- The story of Loki: Loki is the trickster god of Norse mythology and is known for his cunning and wit. He is often depicted as a shape-shifter and is considered a bringer of chaos and mischief.
- The story of Ragnarok: Ragnarok is the end of the world in Norse mythology, where gods, giants and monsters will fight in a great battle that will ultimately lead to the death of many gods and the destruction of the world.
These myths, along with others, are used by the Norse people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. Norse mythology is polytheistic, with a pantheon of gods and goddesses, and it was an important aspect of the Norse religion.
Inuit mythology is the traditional belief system of the Inuit people
Inuit Mythology
Inuit mythology is the traditional belief system of the Inuit people, who live in the Arctic regions of Alaska, Canada, and Greenland. Here are a few examples of famous myths from Inuit mythology:
The story of Sedna
Sedna is the goddess of the sea and marine animals in Inuit mythology. She is known for her role as the provider of food and is often invoked to ensure a good hunt.
The story of the Raven
The Raven is a powerful trickster figure in Inuit mythology and is known for his intelligence and cunning. He is often depicted as the creator of the world and is considered a bringer of culture and wisdom to the Inuit people.
The story of the Inuit ancestor
The Inuit ancestor is the first human being created by the god, Raven. This figure is considered as the first ancestor of the Inuit people, and his children are considered as the founders of different Inuit tribes and clans.
The story of the spirits
Inuit mythology is rich with different kind of spirits, such as animal spirits, ancestor spirits, and nature spirits, who are believed to have great power and influence over the natural world.
The story of the shamans
In Inuit mythology, shamans are considered as powerful intermediaries between the human and the spiritual world. They are known for their ability to communicate with spirits and to heal the sick through their spiritual powers.
These myths, along with others, are used by the Inuit people to explain the origins of their people and their customs, and to reinforce their traditional beliefs and values. The Inuit traditional religion was based on animism, ancestor worship, and shamanism.
Mythological legends and deities
Greek-mythology
Trophonius was a figure in Greek mythology associated with the Oracle of Delphi. He was the son of the god Apollo and a mortal woman, and was believed to have been the founder of two shrines at the site of Delphi. Legend states that Trophonius was a skilled architect, and he was responsible for the construction of a temple to Apollo at Delphi. He was also said to have built a temple to the goddess Demeter at Lebadea. It was believed that Trophonius could foretell the future and provide advice to those seeking it from the Oracle of Delphi. He was also said to have been a great healer and an advisor to kings.
Norse-mythology
The son of Odin and Frigg is Balder, the god of innocence and piety. He is so bright and fair that light shines from his features; he is also wise, eloquent, gentle, and lenient, and righteous to such a degree that his judgments stand always unshaken. His home and stronghold is called Breidablik; 4 there nothing impure may find lodgment. His wife is the faithful Nanna, daughter of Nep. His son is the righteous Forseti. Balder was killed by his brother Hod, but after the destruction of the universe he will return again. 1 The cult of Balder is mentioned only in the late, unhistorical Fridthjof’s Saga; from this source we learn that he had a great sanctuary, Baldershagi, somewhere in Sogn. 2
hindu-mythology
Rama is a major deity of Hinduism, and a central character in the ancient Hindu epic, the Ramayana. He is the seventh avatar of the god Vishnu and is known as the perfect human being, an ideal son, husband, and king. He is one of the most popular and widely worshipped Hindu gods, and is usually depicted with his wife Sita, brother Lakshmana, and devotee Hanuman. Rama's story tells of his exile from his kingdom, his journey to defeat the demon king Ravana, and his return to his kingdom with Sita. He is seen as an example of truth, courage, compassion, and self-control, and is a symbol of dharma, or righteous living.
Hittite-Mythology
Hebat is the Hittite earth goddess, associated with fertility and motherhood. She is depicted as a nurturing figure bringing abundance to the land.
Bantu-mythology
The supreme creator deity in Bantu mythology, responsible for the creation of the universe and all living beings.
Norse-mythology
Angantyr's father Arngrim had given him the magic sword Tyrfing, which cut through anything as if through cloth, and which killed a man every time it was unsheathed. He was the tallest of the twelve sons of the berserker Arngrim, and he and his eleven brothers spread fear and destruction through the North. One Yule, they were back home on Bolmsö when the next eldest son Hjörvard, swore that he would win Ingeborg, the daughter of Yngve, the king of Sweden. The twelve brothers departed for Uppsala and Hjorvard proposed to Ingeborg. However then Hjalmar, one of the Swedish king's champions, stepped forth and claimed he deserved the princess rather than a berserker. The Swedish king, who feared opposing twelve uncontrollable and infamous berserkers in his hall, suggested that Ingeborg herself should decide. Naturally, she chose Hjalmar, and Hjorvard was besides himself with rage. He challenged Hjalmar to a duel on Samsø and declared that Hjalmar would lose his honour if he did not turn up. When the twelve brothers arrived on Samsø, they started to go berserk. They bit their shields, screamed loud and coarsely and let themselves loose on Hjalmar and Orvar-Odd's crewmen and began to cut them to pieces. Hjalmar and Orvar-Odd arrived to the scene to find their crew slain and Orvar-Odd, with only his club, slew Angantyr's eleven brothers. After the melee, he found Angantyr dead and Hjalmar mortally wounded by the cursed sword, Tyrfing. Orvar-Odd buried the twelve brothers in barrows on Samsø together with the cursed sword, so that it would no longer cause any harm. However Angantyr's daughter Hervor would later return and claim Tyrfing as her own. This event is known as "the waking of Angantyr", as recorded in the poem The Waking of Angantyr.
Norse-mythology
Heidrek would have the daughter Hervor and the sons Angantyr and Hlöd. When Heidrek, the king of the Goths died, Angantyr inherited and refused to give Hlöd equal share. Hlöd attacked with the Hunnish army and in an epic battle, Hlöd was slain. Angantyr would be one of the ancestors of the Swedish kings of the House of Munsö.
Norse-mythology
Heidrek or Heiðrekr is one of the main characters in the cycle about the magic sword Tyrfing. He appears in the Hervarar saga, and probably also in Widsith,[1] together with his sons Angantyr (Incgentheow) and Hlöð (Hlith), and Hlöð's mother Sifka (Sifeca). The etymology is heiðr, meaning "honour", and rekr, meaning "ruler, king".
persian-mythology
Heroic figure in Persian folklore, who led a revolt against the tyrant Zahhak and helped liberate the people.
persian-mythology
Legendary king in Persian mythology, credited with the invention of wine and the establishment of Nowruz, the Persian New Year.
Greek-mythology
In Greek mythology, the Amazons were a tribe of warrior women believed to live in Asia Minor. Apollonius Rhodius, in his Argonautica, mentions that the Amazons were the daughters of Ares and Harmonia, that they were brutal and aggressive, and their main concern in life was war.
Norse-mythology
Beowulf is actually not part of Norse mythology but rather an epic poem from Anglo-Saxon (Old English) literature. While it is true that the poem features themes, characters, and settings that are reminiscent of Norse and Germanic folklore, it is distinct from the mythological traditions of the Norse, such as those found in the Eddas or sagas. "Beowulf" is considered one of the most important works of Old English literature. It's an epic narrative poem composed by an unknown author, estimated to have been written between the 8th and early 11th centuries. The poem consists of 3,182 alliterative lines, and it is set in Scandinavia. The story revolves around the eponymous hero, Beowulf, a warrior of the Geats (a North Germanic tribe inhabiting what is now Sweden). The poem is divided into three parts: Beowulf's Battle with Grendel: Beowulf comes to the aid of Hrothgar, the king of the Danes, whose mead hall has been under attack by a monster known as Grendel. Beowulf slays Grendel barehanded, thereby saving Hrothgar's kingdom. Beowulf's Battle with Grendel's Mother: Grendel's mother seeks revenge for her son's death, and Beowulf ventures into her underwater lair to confront her. He defeats her with the aid of a magical sword found in her hoard. Beowulf's Final Battle and Death: The last part of the poem jumps forward many years, showing Beowulf as a wise and aged king of the Geats. He faces his final challenge in the form of a dragon guarding a treasure hoard. Beowulf slays the dragon but is mortally wounded in the battle. The poem concludes with his funeral rites and a lament for the fallen hero. While "Beowulf" shares some thematic elements with Norse mythology — such as the focus on heroism, the supernatural, and the notion of fate — it remains a distinct and separate work, deeply rooted in the Anglo-Saxon culture and its literary tradition. The poem is valuable not only for its literary merits but also for its insights into the social and cultural aspects of the Anglo-Saxon world.
Movies inspired by Mythology
An Epic Entertainment Spectacular!
Perseus is the favored son of the god Zeus, but he has unwittingly ticked off the sea goddess Thetis. Just to make things worse, Perseus falls in love with the lovely Princess Andromeda, who used to be engaged to Thetis' son. Soon Perseus is off on one quest after another, with Zeus helping, Thetis hindering, and lots of innocent bystanders getting stabbed, drowned, and squished. Written by Anthony Pereyra {hypersonic91@yahoo.com} Perseus must battle Medusa and the Kraken to save the Princess Andromeda.
A Comedy of Epic Proportions
Hercules, son of the Greek God, Zeus, is turned into a half-god, half-mortal by evil Hades, God of the Underworld, who plans to overthrow Zeus. Hercules is raised on Earth and retains his god-like strength, but when he discovers his immortal heritage Zeus tells him that to return to Mount Olympus he must become a true hero. Hercules becomes a famous hero with the help of his friend Pegasus and his personal trainer, Phil the satyr. Hercules battles monsters, Hades and the Titans, but it is his self-sacrifice to rescue his love Meg which makes him a true hero. Written by Kristi Connolly The son of Zeus and Hera is stripped of his immortality as an infant and must become a true hero in order to reclaim it.
Dirk Pitt. Adventure has a new name.
Master explorer and former US Navy Seal Dirk Pitt and his wisecracking buddy Al Giordino goes on the adventure of a lifetime of seeking out a lost Civil War ironclad battleship known as the "Ship of Death" that protects a secret cargo is lost somewhere in the deserts of West Africa. But while the two cross paths with a beautiful and brilliant U.N. scientist Dr. Eva Rojas who is being hounded by a ruthless dictator. She believes that the hidden treasure may be connected to a larger problem that threatens the world around them. Hunting for a ship that no one else thinks exists, Dirk, Al, and Eva must rely on their wits and their daring heroics to outsmart dangerous warlords, survive the threatening terrain, and get to the bottom of both mysteries. Written by Anthony Pereyra {hypersonic91@yahoo.com} Master explorer Dirk Pitt goes on the adventure of a lifetime of seeking out a lost Civil War battleship known as the "Ship of Death" in the deserts of West Africa while helping a WHO doctor...
Uncovering the truth will unleash a nightmare
In 1923, legendary film Director Cecil B. DeMille finished the epic film, The Ten Commandments (1923). After filming was completed, he bulldozed the sets into the Guadalupe Sand Dunes of the central California coast. His reasons for doing so were very mysterious. This story gives a fictional explanation as to why he did it. There was a legitimate Egyptian artifact amongst the props, but they didn't know which one was trapping the spirit of an Egyptian avenging god. Mysterious murders and accidents while making the film brings things back to the surface today, and it starts all over again. Written by anonymous In 1923, legendary film Director Cecil B. DeMille finished the epic film, The Ten Commandments (1923). After filming was completed, he bulldozed the sets into the Guadalupe Sand Dunes of the...
He didn't want to be a hero. He only wanted a job.
Flynn, an over 30 "professional student," is banned from more classes, since he already has 22 degrees. Unexpectedly hired by a mysterious library, he's soon pursuing a stolen artifact from the library, a pursuit taking him to far-off lands. Written by trivwhiz A bookworm becomes the librarian. Same night a magical spear gets stolen and he's off to get some real life experience around the globe on his quest for the spear - starting with being...
