by ejceasar
Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion
A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.
Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.
The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.
We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.
Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.
Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.
Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.
Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.
Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.
Learn a few fun facts
The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity
The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.
The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.
The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.
The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.
'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.
The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.
To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.
Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation
Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality
The myth of the eight-headed serpent, Yamata no Orochi
Japanese mythology encompasses the folk traditions of Japan and the Shinto religion. It is a collection of stories, beliefs, and customs that have been passed down through generations. The stories often revolve around the creation of the world, the deeds of the gods and goddesses, and the lives of heroes and monsters.
Famous Myths of Japanese Mythology
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The myth of the creation of Japan
According to Japanese mythology, the god Izanagi and goddess Izanami were responsible for the creation of the Japanese islands. They stood on the bridge between heaven and earth and dipped a spear into the water, creating the first island of Onogoro.
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The myth of Amaterasu
Amaterasu is the goddess of the sun and the ancestor of the Imperial Family of Japan. She is said to have been offended by her brother's behavior and retreated into a cave, causing the world to become dark. Her eventual return to the world brought light and warmth back to the land.
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The myth of Susano-o
Susano-o is the god of sea and storms, as well as brother of Amaterasu. He is known for his reckless and impulsive behavior, which often causes trouble for the other gods.
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The myth of the eight-headed serpent, Yamata no Orochi
Yamata no Orochi is a giant serpent with eight heads and eight tails, who terrorized an ancient province in Japan. He was eventually defeated by the god Susano-o, who saved a maiden and her brothers from the serpent's attacks.
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The myth of the Tengu
Tengu are supernatural creatures that are half-human
Lozi MythologyThe Lozi people, who live in what is now Zambia, have a rich and diverse mythology
"The Lozi people, who live in what is now Zambia, have a rich and diverse mythology" Lozi mythology gives legitimacy to the Lozi kingdom's foundations, by linking the monarchy and the people to a creator god, whom the Lozi call Nyambe.
The Lozi people, who live in what is now Zambia, have a rich and diverse mythology that reflects their culture and beliefs. Here are a few examples of famous myths from Lozi mythology:
The creation myth
The Lozi believe that the world was created by a god named Nyambe, who formed the earth, sky, and all living things. They also believe that Nyambe created the first man and woman, and gave them the task of populating the world.
The myth of the first fire
The Lozi believe that fire was brought to earth by a god named Mwali, who gave it to humans as a gift.
The myth of the first death
The Lozi believe that death was brought to the world by a god named Mwali, who punished humans for their disobedience.
The myth of the first rain
The Lozi believe that the first rain was brought to the world by a god named Mwali, who punished humans for their disobedience.
The myth of the afterlife
The Lozi believe that the souls of the dead go to the land of the ancestors, which is a place similar to the earth but more beautiful and peaceful. They also believe that the souls of the wicked go to a place of punishment.
The myth of the floods
The Lozi believe that the floods in the Barotse floodplain, where they live, are caused by the god Mwali's tears, which he shed when he was angry with people for their misdeeds.
Please note that this is just a small sample of the Lozi mythology stories, and there are many more myths and legends that are important to the Lozi people.
Zulu MythologyZulu mythology contains numerous deities commonly associated with animals
"Zulu mythology contains numerous deities commonly associated with animals" Zulu mythology contains numerous deities commonly associated with animals or general classes of natural phenomena. Unkulunkulu is the highest God and is the creator of humanity The Zulu people are an ethnic group that live primarily in South Africa, and their mythology is deeply rooted in their culture and tradition. Here are a few examples of famous myths from Zulu mythology:
The story of Unkulunkulu
Unkulunkulu is the creator god in Zulu mythology and is believed to be the first ancestor of the Zulu people. He is often depicted as an old man with a white beard, and is associated with wisdom, justice, and the sky.
The story of Nomkhubulwane
Nomkhubulwane is the goddess of fertility and is responsible for the abundance of crops, and the growth of the Zulu people.
The story of Ukhulukhulwane
Ukhulukhulwane is the god of rain and is known for his power and fury. He is often invoked to bring rain, and is considered a protector of the Zulu people.
The story of Zulu ancestor
Zulu ancestor is the first human being created by the god, Unkulunkulu. This figure is considered as the first ancestor of the Zulu people, and his children are considered as the founders of different Zulu tribes and clans.
The story of Inkanyamba
Inkanyamba is a serpentine water spirit, it is believed that Inkanyamba is responsible for the flooding of rivers and causing storms.
These myths, along with others, are used by the Zulu people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. Ancestor worship and the belief in a supreme being who created the universe are an important part of Zulu traditional religion.
Arabian MythologySome say that Kaaba was built by the angels.
"Some say that Kaaba was built by the angels." Religion in pre-Islamic Arabia was a mix of polytheism, Christianity, Judaism, and Iranian religions. Arab polytheism, the dominant form of religion in pre-Islamic Arabia, was based on veneration of deities and other rituals.
Famous Myths of Arabian Mythology
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The myth of djinn
The djinn are supernatural spirits in Arabian mythology that can be good or evil, they are often associated with fire and can take human form.
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The myth of Al-Khidr
Al-Khidr is a mysterious figure in Islamic mythology, also known as the "Green Man." He is believed to have knowledge of all things and is often associated with water and the afterlife.
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The myth of Harut and Marut
Harut and Marut were two angels in Islamic mythology who were sent to Earth to test the faith of the people. They were tempted by the devil and ultimately fell from grace.
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The myth of Iblis
Iblis is the Islamic equivalent of Satan. He was once an angel, but was cast out of heaven for his pride and refusal to bow to Adam.
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The myth of the seven sleepers
The seven sleepers is a story from Islamic tradition about seven young men who sought refuge in a cave to escape persecution. They fell asleep and awoke years later, to find that the world had changed.
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The myth of Solomon
Solomon is a prophet in Islamic and Jewish mythology, who is known for his wisdom and power. He is said to have had control over the djinn, birds, and the wind.
Mesopotamian mythologySeven gods who decree: An, Enlil, Enki, Ninhursag, Nanna, Utu, and Inanna.
"Seven gods who decree: An, Enlil, Enki, Ninhursag, Nanna, Utu, and Inanna." Mesopotamian Religion
Mesopotamian religion refers to the religious beliefs and practices of the civilizations of ancient Mesopotamia, particularly Sumer, Akkad, Assyria and Babylonia between circa 3500 BC and 400 AD, after which they largely gave way to Syriac Christianity.
Some of the most famous myths of Mesopotamian mythology include the creation myth Enuma Elish, the epic of Gilgamesh, and the story of Inanna's descent to the underworld. Enuma Elish describes the creation of the world and the gods by the god Marduk, while the epic of Gilgamesh tells the story of a king's quest for immortality. The story of Inanna's descent to the underworld tells of the goddess's journey to the land of the dead and her eventual return to the world of the living. Other notable myths include the story of the god Enki and the goddess Ninhursag, the myth of Ishtar's descent to the underworld, and the story of the god Dumuzid and his sister Geshtinanna.
The Epic of Gilgamesh
The Epic of Gilgamesh is one of the most famous and important works of ancient Mesopotamian literature. It is an epic poem that tells the story of Gilgamesh, the king of Uruk, and his quest for immortality. The poem is thought to have been written around 2100 BCE, in the Sumerian language, but it was later translated into Akkadian.
The epic tells the story of Gilgamesh's adventures, including his friendship with the wild man Enkidu and their journey to the Cedar Forest to fight the monster Humbaba. After Enkidu's death, Gilgamesh becomes obsessed with the fear of his own mortality and sets out on a journey to find the secret of immortality. He eventually meets Utnapishtim, the only human who has been granted immortality by the gods, and learns the secret of eternal life but fails to achieve it.
The epic also explores themes of friendship, loss, and the human condition, and it is considered one of the earliest known works of literature in world history. The poem was widely read in ancient Mesopotamia and had a significant influence on later literature in the region. The epic of Gilgamesh is still widely read and studied today, both for its historical and literary significance.
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Mythological legends and deities
Etruscan-mythology
A divine youth who could see the future and often accompanied the god of war, Tinia, in battles.
hindu-mythology
Rama is a major deity of Hinduism, and a central character in the ancient Hindu epic, the Ramayana. He is the seventh avatar of the god Vishnu and is known as the perfect human being, an ideal son, husband, and king. He is one of the most popular and widely worshipped Hindu gods, and is usually depicted with his wife Sita, brother Lakshmana, and devotee Hanuman. Rama's story tells of his exile from his kingdom, his journey to defeat the demon king Ravana, and his return to his kingdom with Sita. He is seen as an example of truth, courage, compassion, and self-control, and is a symbol of dharma, or righteous living.
Norse-mythology
The son of Odin and Frigg is Balder, the god of innocence and piety. He is so bright and fair that light shines from his features; he is also wise, eloquent, gentle, and lenient, and righteous to such a degree that his judgments stand always unshaken. His home and stronghold is called Breidablik; 4 there nothing impure may find lodgment. His wife is the faithful Nanna, daughter of Nep. His son is the righteous Forseti. Balder was killed by his brother Hod, but after the destruction of the universe he will return again. 1 The cult of Balder is mentioned only in the late, unhistorical Fridthjof’s Saga; from this source we learn that he had a great sanctuary, Baldershagi, somewhere in Sogn. 2
Celtic-mythology
The son of the Dagda and river goddess Bionn, Aengus (or Aonghus) – meaning ‘true vigor’, was the Celtic deity of love, youth, and even poetic inspiration. In the mythical narrative, to cover up his illicit affair and consequent pregnancy of Bionn, the Dagda (who was the leader of the Celtic gods and could magically control the weather) made the sun stand still for nine months, which resulted in Aengus being birthed in just a single day. In any case, Aengus turned out to be a lively man with a charming (if somewhat whimsical) character who always had four birds hovering and chirping around his head.
persian-mythology
Mythical bird in Persian culture, symbolizing purity and fortune. Believed to bring good luck and prosperity.
persian-mythology
Legendary hero in Persian mythology, known for his strength and bravery. Central figure in the Shahnameh epic.
Norse-mythology
Helgi Hundingsbane is a hero in Norse sagas. Helgi appears in Volsunga saga and in two lays in the Poetic Edda named Helgakviða Hundingsbana I and Helgakviða Hundingsbana II. The Poetic Edda relates that Helgi and his mistress Sigrún were Helgi Hjörvarðsson and Sváva of the Helgakviða Hjörvarðssonar reborn. They were once again reborn as Helgi Haddingjaskati and Kára whose story survives as a part of the Hrómundar saga Gripssonar.
Hittite-Mythology
Hebat is the Hittite earth goddess, associated with fertility and motherhood. She is depicted as a nurturing figure bringing abundance to the land.
Norse-mythology
Hagbard (Old Norse Hagbarðr), the brother of Haki and son of Hamund, was a famous Scandinavian sea-king in Norse mythology. He is mentioned in Skáldskaparmál, Ynglinga saga, Nafnaþulur, Völsunga saga and Gesta Danorum. The heroes' connections with other legendary characters place the events in the 5th century AD. Hagbard remained well-known until recent times in the legend of Hagbard and Signy. This famous legend tells that Hagbard fell in love with Signy, the daughter of king Sigar, the nephew of king Siggeir (of the Völsunga saga), a love affair which ended in their deaths, when Sigar wanted to have Hagbard hanged. This legend is told most fully in Gesta Danorum (book 7). However, most legends surrounding Hagbard are probably lost. In the Völsunga saga, Gudrun and Brynhild have a discussion on the "greatest of men" referring to a legend now lost, where Hagbard is mentioned together with Haki's sons, who have not yet avenged their sisters by killing the evil Sigar (the feud with Sigar is still going on and Hagbard not yet hanged):
Greek-mythology
Heracles, Greek Herakles, Roman Hercules, one of the most famous Greco-Roman legendary heroes. Traditionally, Heracles was the son of Zeus and Alcmene (see Amphitryon), granddaughter of Perseus. Zeus swore that the next son born of the Perseid house should become ruler of Greece, but—by a trick of Zeus’s jealous wife, Hera—another child, the sickly Eurystheus, was born first and became king. When Heracles grew up, he had to serve Eurystheus and also suffer the vengeful persecution of Hera; his first exploit was the strangling of two serpents that she had sent to kill him in his cradle
Etruscan-mythology
The messenger of the gods, depicted with wings on his heels and holding a caduceus.
chinese-mythology
Goddess of flood control and rivers, also associated with the sun
Movies inspired by Mythology
A New Evil Awakens.
Centuries ago, the evil Emperor Han was cursed by the sorceress Zi Yuan who transformed him and his army into mummies. In 1946, the explorer Rick O'Connell and his wife Evelyn O'Connell are invited by the British government to take a relic, the diamond "The Eye of Shangri-La" to China. The ancient stone is capable of resurrecting the Emperor Han and of pointing the way to Shangri-La and the eternal pool of life. When the couple reaches China, they meet their son Alex O'Connell, who has discovered the tomb of Han, and Evelyn's brother Jonathan Carnahan. The O'Connells are betrayed by their friend Prof. Roger Wilson, who is associated with General Yang. Yang wants to serve Emperor Han, so he resurrects the mummy and they head for Shangri-La. The guardian of Han's tomb (and Zi's daughter) Lin tells them that the only ways to destroy Han are to prevent him from reaching Shangri-La or by stabbing his heart with a cursed dagger. Written by Claudio Carvalho, Rio de Janeiro, Brazil In the Far East, Alex O'Connell, the son of famed mummy fighters Rick and Evy O'Connell, unearths the mummy of the first Emperor of Qin -- a shape-shifting entity cursed by a witch centuries...
Storming to a New High in High Adventure !
Fred C. Dobbs and Bob Curtin, both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled prospector named Howard and decide to join with him in search of gold in the wilds of central Mexico. Through enormous difficulties, they eventually succeed in finding gold, but bandits, the elements, and most especially greed threaten to turn their success into disaster. Written by Jim Beaver Two Americans searching for work in Mexico convince an old prospector to help them mine for gold in the Sierra Madre Mountains.
Maria Callas' first dramatic movie!
On a quest to retrieve the fabled Golden Fleece, Jason and the Argonauts arrive at a remote barbarian land where the natives worship the sacred artefact to protect the crops. But, unexpectedly, as Medea--a beautiful high priestess and the land's powerful sorceress--betrays her beliefs to follow Jason back to Greece, a cruel fate awaits her. As a result, deserted and banished by the king, it's only human that Medea plots her furious revenge. Can they escape her wrath? Written by Nick Riganas After his quest to retrieve the fabled Golden Fleece, Jason returns to Greece with the powerful sorceress, Medea. However, when the king banishes her, it's only human that Medea plots her...
All of Heaven is at war
Set, the merciless god of darkness, has taken over the throne of Egypt and plunged the once peaceful and prosperous empire into chaos and conflict. Few dare to rebel against him. A young thief, whose love was taken captive by the god, seeks to dethrone and defeat Set with the aid of the powerful god Horus. Written by James Pasier Mortal hero Bek teams with the god Horus in an alliance against Set, the merciless god of darkness, who has usurped Egypt's throne, plunging the once peaceful and prosperous empire into...
The world's most unlikely hero is back for his biggest adventure.
After retrieving the philosopher's stone at an auction but losing his girlfriend, The Librarian Flynn Carsen has a breakdown. Charlene and Judson ask him to spend some time on vacation. Flynn travels to New Orleans and he has a crush on a French singer (Simone Renoir). However he discloses that she is the guardian of a key to access the Judas Chalice that is capable to resurrect vampires. Meanwhile the former Russian Minister of Defense Sergei Kubichek is seeking the chalice to revive Vlad the vampire with the support of Professor Lazlo. Also to raise an army of undead to bring Russia back to the top of the world. When Simone reveals that she is a vampire, Flynn question whether she is not using him to reach the chalice and increase her power. Written by Claudio Carvalho, Rio de Janeiro, Brazil Losing his girlfriend because he was at an auction dramatically getting the magical philosopher's stone instead of a date, he needs a vacation - New Orleans but finds himself busy saving...
