Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

According to the Sámi world view, man and nature were one. To the Sámi people, nature was home, a way of life, the past and the future. In the Sámi world view, as in that of other arctic peoples, the well-being of man and nature alike was directly dependent upon the balance between the two.

The Sami people are an indigenous people of the Arctic regions of Norway, Sweden, Finland, and Russia. Their traditional belief system is known as Sami mythology, which includes a rich collection of myths, legends, and religious beliefs. Here are a few examples of famous myths from Sami mythology:

The story of the creation of the world: According to Sami mythology, the world was created by the god, Radien-attje, who is the supreme god and creator of the universe.

The story of the Sami ancestor: The Sami ancestor is the first human being created by the god, Radien-attje. This figure is considered as the first ancestor of the Sami people and his children are considered as the founders of different Sami tribes and clans.

The story of the spirits: Sami mythology is rich with different kind of spirits, such as animal spirits, ancestor spirits, and nature spirits, who are believed to have great power and influence over the natural world.

The story of the shamans: In Sami mythology, shamans are considered as powerful intermediaries between the human and the spiritual world. They are known for their ability to communicate with spirits and to heal the sick through their spiritual powers.

The story of the Nattravnen: Nattravnen is a spirit of the night, known for its ability to shape-shift and for its mischievous nature. It is often depicted as a bird or an owl.

These myths, along with others, are used by the Sami people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. The Sami traditional religion was based on animism, ancestor worship, and shamanism.

Finnish mythology is a commonly applied description of the folklore of Finnish paganism, of which a modern revival is practiced by a small percentage of the Finnish people. Finnish mythology is the traditional belief system of the Finnish people, and it is closely related to the mythology of other Finno-Ugric peoples such as the Estonians and the Hungarians. Here are a few examples of famous myths from Finnish mythology:

The story of the creation of the world: According to Finnish mythology, the world was created by Ilmatar, a primal goddess of the air and the sky.

The story of Väinämöinen: Väinämöinen is a powerful and wise sorcerer in Finnish mythology, who is considered as one of the main characters of the Kalevala, a traditional epic poem of Finland. He is known for his wisdom and his role as a culture hero.

The story of Kullervo: Kullervo is a tragic hero of the Finnish mythology and is considered as one of the main characters of the Kalevala. He is known for his misfortune, his tragic fate and his power.

The story of Joukahainen: Joukahainen is a rival of Väinämöinen in the Kalevala, who is known for his arrogance and his defeat by Väinämöinen

The story of Lemminkäinen: Lemminkäinen is another character of the Kalevala, known for his romantic adventures and his quest to win the hand of the Maiden of the North.

These myths, along with others, are used by the Finnish people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. The Finnish traditional religion was a mixture of animism, nature worship, and ancestor worship.

The Lugbara people are an ethnic group living in the Democratic Republic of the Congo, Uganda, and South Sudan. They have a rich mythology that has been passed down through generations, and their stories are a source of pride and identity for the Lugbara people.

The Lugbara people believe in a single creator, called Woot, who is responsible for the creation of the world and all its inhabitants. They also believe in a pantheon of lesser gods, each with their own sphere of influence. For example, Nyambe is the god of rain, and there is also a god of war, a god of the hunt, and a god of love.

The Lugbara people also believe in a number of supernatural beings, such as spirits and ghosts. These beings can be benevolent or malevolent, and they often take the form of animals or other creatures. It is believed that these beings can influence the lives of humans, either for good or for ill.

The Lugbara people have a number of stories and legends about their gods and supernatural creatures. One of the most famous is the story of Nyambe and the Great Snake. According to the story, Nyambe was out hunting one day when he encountered a giant snake. Nyambe managed to defeat the snake, and as a reward, the gods gave him the power to control the weather and the seasons.

The stories and legends of the Lugbara people are an important part of their culture, and they are still told and retold to this day. They provide a fascinating insight into the beliefs and values of the Lugbara people, and offer a unique window into their history and mythology.

Persian mythology are traditional tales and stories of ancient origin, all involving extraordinary or supernatural beings. Drawn from the legendary past of Iran, they reflect the attitudes of the society to which they first belonged - attitudes towards the confrontation of good and evil, the actions of the gods, yazats (lesser gods), and the exploits of heroes and fabulous creatures. Myths play a crucial part in Iranian culture and our understanding of them is increased when we consider them within the context of Iranian history.

Persian mythology, also known as Zoroastrianism, has a rich collection of myths and legends that have been passed down for thousands of years. Some of the most famous myths of Persian mythology include:

• The story of Zoroaster: This is the story of the prophet Zoroaster, who received a revelation from Ahura Mazda, the god of wisdom and goodness, and who taught the principles of the good religion.
• The Battle of the Gods: The Persian mythology tells of a great battle between the forces of good and evil, led by Ahura Mazda and Angra Mainyu respectively. This battle is said to have been fought to determine the fate of humanity and the world.
• The story of Yima: This is the story of the first man on earth, Yima, who was tasked by Ahura Mazda to create a paradise on earth and protect humanity from the forces of evil.
• The story of Fereydun and the dragon: This is the story of Fereydun, a Persian hero who fought and defeated a dragon to save his people.
• The story of Afrasiyab: Afrasiyab is the king of the demons and the archenemy of the Persian king, Iran. The story of Afrasiyab and Iran's battles is a recurrent theme in Persian mythology and literature.
• The story of Jamshid: Jamshid is a king of Persia who becomes arrogant and loses the favor of the gods and his kingdom.

These myths are part of the Zoroastrian religion, which was the dominant religion in Persia before the arrival of Islam. They were passed down through oral tradition and were later recorded in the sacred texts of the Avesta. They continue to be an important part of Persian culture and are still referenced in modern literature and art.

Bushongo Mythology

The people of the lightning / Sons of Bushongo



The Bushongo or Songora are an ethnic group from the Congo River and surrounding areas. The creation god(or chembe) in Bushongo mythology is called Bumba.

The Bushongo people, who live in what is now the Democratic Republic of Congo, have a rich and diverse mythology that includes many different stories and legends. Here are a few examples of famous myths from Bushongo mythology:

The creation myth:

The Bushongo believe that the world was created by a god named Mbidi Kiluwe, who formed the earth, sky, and all living things.

The myth of the first man:

According to Bushongo legend, the first man, named Kondi, was created by Mbidi Kiluwe and was given the task of populating the world.

The myth of the first woman:

The Bushongo believe that the first woman, named Luba, was created by Mbidi Kiluwe and was given the task of helping Kondi to populate the world.

The myth of the first fire:

The Bushongo believe that fire was brought to earth by a god named Lumona, who gave it to humans as a gift.

The myth of the first death:

The Bushongo believe that death was brought to the world by a god named Cagn, who punished humans for their disobedience.

The myth of the first rain:

The Bushongo believe that the first rain was brought to the world by a god named Cagn, who punished humans for their disobedience.

Please note that this is just a small sample of the Bushongo mythology stories, and there are many more myths and legends that are important to the Bushongo people.

Indra wields a thunderbolt and is a protector and provider of rain.

Alexanor was a son of Machaon, and grandson of the Greek god Asclepius, who built to his grandfather a temple on the summit of Titane in the territory of Sicyon. Around it there were dwellings for the use of those who came to solicit the aid of the god. Alexanor himself too was worshiped there, and sacrifices were offered to him, but only after sunset.

Angantyr's father Arngrim had given him the magic sword Tyrfing, which cut through anything as if through cloth, and which killed a man every time it was unsheathed. He was the tallest of the twelve sons of the berserker Arngrim, and he and his eleven brothers spread fear and destruction through the North. One Yule, they were back home on Bolmsö when the next eldest son Hjörvard, swore that he would win Ingeborg, the daughter of Yngve, the king of Sweden. The twelve brothers departed for Uppsala and Hjorvard proposed to Ingeborg. However then Hjalmar, one of the Swedish king's champions, stepped forth and claimed he deserved the princess rather than a berserker. The Swedish king, who feared opposing twelve uncontrollable and infamous berserkers in his hall, suggested that Ingeborg herself should decide. Naturally, she chose Hjalmar, and Hjorvard was besides himself with rage. He challenged Hjalmar to a duel on Samsø and declared that Hjalmar would lose his honour if he did not turn up. When the twelve brothers arrived on Samsø, they started to go berserk. They bit their shields, screamed loud and coarsely and let themselves loose on Hjalmar and Orvar-Odd's crewmen and began to cut them to pieces. Hjalmar and Orvar-Odd arrived to the scene to find their crew slain and Orvar-Odd, with only his club, slew Angantyr's eleven brothers. After the melee, he found Angantyr dead and Hjalmar mortally wounded by the cursed sword, Tyrfing. Orvar-Odd buried the twelve brothers in barrows on Samsø together with the cursed sword, so that it would no longer cause any harm. However Angantyr's daughter Hervor would later return and claim Tyrfing as her own. This event is known as "the waking of Angantyr", as recorded in the poem The Waking of Angantyr.

Arguably the most visually impressive and rather portentous of ancient Celtic gods, Cernunnos is actually the conventional name given to the deity ‘Horned One’. As the horned god of Celtic polytheism, Cernunnos is often associated with animals, forests, fertility, and even wealth. His very depiction mirrors such attributes, with the conspicuous antlers of the stag on his head and the poetic epithets like the ‘Lord of the Wild Things’.

Goddess of love, beauty, and fertility. Born from sea foam and associated with romantic love, desire, and beauty.

If one Hindu god's name is known and recognized throughout the world, it is Krishna. Hindus identify Krishna as the teacher of the sacred scripture called the Bhagavad Gita and as the friend and mentor of prince Arjuna in the epic the Mahabharata. For his devotees, Krishna is a delight, full of playful pranks. But most of all, Lord Krishna’s promise to humanity that he will manifest himself and descend to earth whenever dharma declines has sustained Hindu belief in the Supreme Being over thousands of years.

A heroic figure in Bantu mythology, known for his adventures and battles against supernatural forces to protect his people.

Wild man created by the gods to humble Gilgamesh. Becomes Gilgamesh’s close companion and shares in his adventures.

Teshub is the Hittite storm god, associated with thunder and rain. He is depicted as a mighty warrior wielding a thunderbolt.

In most ancient mythical narratives, we rarely come across divine entities that are solely associated with language. Well, Ogmios, as one of the ancient Celtic gods, goes against this ‘trend’ since he was simply considered as the god of eloquence. 2nd century Hellenized Syrian satirist and rhetorician Lucian of Samosata mentioned how Ogmios was like the older version of Hercules in appearance, with both wearing lion skins and carrying clubs and bows. However, Ogmios does one better on the ‘bling’ factor by having long chains (made of amber and gold) attached to his tongue (inside his smiling mouth) that connect him with his group of followers. Essentially, the visual scope symbolically represented how the Celtic god had the power of eloquence and persuasion to bind his followers to him.

A mythical hero known for his strength and bravery, featured in various Etruscan tales.

A clever hare trickster figure in Bantu mythology, known for using his wits to outsmart predators and larger animals.

During the Cold War, Soviet Agents watch Professor Henry "Indiana" Jones, Jr. (Harrison Ford), when a young man brings him a coded message from an aged, demented colleague, Professor Harold Oxley (Sir John Hurt). Led by the brilliant Irina Spalko (Cate Blanchett), the Soviets tail Jones and the young man, Mutt Williams (Shia LeBeouf), to Peru. With Oxley's code, they find a legendary skull made of a single piece of quartz. If Jones can deliver the skull to its rightful place, all may be well. But if Irina takes it to its origin, she'll gain powers that could endanger the West. Aging professor and young buck join forces with a woman from Jones' past, Marion Ravenwood (Karen Allen), to face the dangers of the jungle, Russia, and the supernatural. Written by In 1957, archaeologist and adventurer Dr. Henry "Indiana" Jones, Jr. is called back into action and becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known...

An American teenager who is obsessed with Hong Kong cinema and kung-fu classics makes an extraordinary discovery in a Chinatown pawnshop: the legendary stick weapon of the Chinese sage and warrior, the Monkey King. With the lost relic in hand, the teenager unexpectedly finds himself traveling back to ancient China to join a crew of warriors from martial arts lore on a dangerous quest to free the imprisoned Monkey King. Written by Anonymous A discovery made by a kung fu obsessed American teen sends him on an adventure to China, where he joins up with a band of martial arts warriors in order to free the imprisoned Monkey King.

Mayabazar (1957) is a classic Indian fantasy film directed by Kadiri Venkata Reddy. The film is based on the folk tale of Bhakta Prahlada and is set in the backdrop of a traditional village. It stars N.T. Rama Rao, A.N.R, Savitri, and S.V. Ranga Rao in the lead roles. The story revolves around Ghatotkacha (N.T. Rama Rao) and his father, King Hiranyakashyapu (S.V. Ranga Rao). Ghatotkacha, a demon son of the King, is in love with the princess of the Mayabazar (Savitri). However, the King wants his daughter to marry a human prince. Ghatotkacha's only hope is to obtain the magical parijat flower from Lord Vishnu, who is in disguise as a saint. With the help of Lord Vishnu, Ghatotkacha manages to save the princess and their love is eventually accepted by the King. The film is known for its iconic song "Koluvaiyunu Kalla Regindi" and its highly imaginative visual effects. It was one of the first South Indian films to use special effects and its innovative use of colour established it as a classic in Indian cinema.

The warrior Thor (Chris Hemsworth) is cast out of the fantastic realm of Asgard by his father Odin (Sir Anthony Hopkins) for his arrogance and sent to Earth to live amongst humans. Falling in love with scientist Jane Foster (Natalie Portman) teaches Thor much-needed lessons, and his new-found strength comes into play as a villain from his homeland sends dark forces toward Earth. The powerful but arrogant god Thor is cast out of Asgard to live amongst humans in Midgard (Earth), where he soon becomes one of their finest defenders.

The warrior King Odysseus leaves his idyllic life in the kingdom of Ithaca to fight in the Trojan War. After winning the war, he now must endure a lengthy, ten-year journey to return, and with all his wits, Odysseus must overcome deadly monsters, powerful forces of nature, seductive enchantresses, and even journey into the bowels of the Underworld. Season: 1 Year: 1997