Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Japanese mythology encompasses the folk traditions of Japan and the Shinto religion. It is a collection of stories, beliefs, and customs that have been passed down through generations. The stories often revolve around the creation of the world, the deeds of the gods and goddesses, and the lives of heroes and monsters.

Famous Myths of Japanese Mythology

• The myth of the creation of Japan

  According to Japanese mythology, the god Izanagi and goddess Izanami were responsible for the creation of the Japanese islands. They stood on the bridge between heaven and earth and dipped a spear into the water, creating the first island of Onogoro.

• The myth of Amaterasu

  Amaterasu is the goddess of the sun and the ancestor of the Imperial Family of Japan. She is said to have been offended by her brother's behavior and retreated into a cave, causing the world to become dark. Her eventual return to the world brought light and warmth back to the land.

• The myth of Susano-o

  Susano-o is the god of sea and storms, as well as brother of Amaterasu. He is known for his reckless and impulsive behavior, which often causes trouble for the other gods.

• The myth of the eight-headed serpent, Yamata no Orochi

  Yamata no Orochi is a giant serpent with eight heads and eight tails, who terrorized an ancient province in Japan. He was eventually defeated by the god Susano-o, who saved a maiden and her brothers from the serpent's attacks.

• The myth of the Tengu

  Tengu are supernatural creatures that are half-human

  Dinka Mythology

  Dinka mythology refers to the traditional religion and folk tales of the Dinka

  

  Dinka mythology refers to the traditional religion and folk tales of the Dinka, or Muonyjang, ethnic group of South Sudan.

  The supreme, creator god, Nhialic, is the god of the sky and rain, and the ruler of all the other gods and spirits. He is generally seen as distant from humans. Nhialic is also known as Jaak, Juong or Dyokin by other Nilotic groups such as the Nuer and Shilluk. Nhialac created ex-nihilo and rarely involves itself with the affairs of humans.

  There are several versions of the Dinka creation myth which mainly concerns itself with the creation of humans. The first humans are Garang and Abuk. In some cases Nhialac created humans by blowing them out of its nose, other accounts say humans originated from the sky and were placed in the river where they came as fully formed adults. Other accounts say that humans were molded as clay figures and placed to mature in pots. Garang and Abuk were made out of the clay of Sudan.

  Nhialac told them to multiply and that their children would die but would come back to life within 15 days. Garang protested that if nobody dies permanently then there would not be enough food. Nhialac then introduced permanent death. Nhialac commanded them to only plant one seed of grain a day or gave them one grain to eat a day. Being hungry everyday Abuk made a paste with the grain to make the food last longer. However, when Abuk disobeyed and planted more Nhialac cut the rope that connected Heaven and Earth.

  Tumbuka Mythology

  The Tumbuka people are an ethnic group that live primarily in northern Malawi

  

  Tumbuka has many myths that constitute part of the Tumbuka cultural heritage.

  These myths, told around fires at night, often to the accompaniment of drumming and choral responses, aim to teach children moral behavior and to entertain. The Tumbuka people are an ethnic group that live primarily in northern Malawi and eastern Zambia. Tumbuka mythology is rich with stories, myths and legends which are passed down from generation to generation through oral tradition. Some of the famous myths from Tumbuka mythology include:

  The story of Mbulu:

  Mbulu is the supreme being and creator of the Tumbuka people. He is often depicted as a powerful and benevolent god who watches over the Tumbuka people.

  The story of Mwali:

  Mwali is the god of war and is known for his strength and bravery. He is often invoked in times of conflict and is considered a protector of the Tumbuka people.

  The story of Mlengi:

  Mlengi is the god of fertility and is responsible for the abundance of crops and the growth of the Tumbuka people.

  The story of Chaminuka:

  Chaminuka is a powerful and wise ancestor who is considered to be the founder of the Tumbuka people. He is often invoked for guidance and wisdom.

  The story of Mpherere:

  Mpherere is the god of thunder and lightning and is known for his power and fury. He is often invoked to bring rain and is considered a protector of the Tumbuka people.

  These myths, along with others, are used by the Tumbuka people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. Tumbuka people have a strong belief in traditional religion, ancestor worship and animism.

  Kintu Mythology

  The Maasai mythology involves several beliefs of the Maasai people

  

  The Kintu, Kaikuzi, Warumbe mythology involves several beliefs of the Maasai people, an ethnic group living in Kenya and Tanzania

  Kintu is a figure in the traditional mythology of the Ganda people of Uganda. According to the Ganda's traditional story, Kintu was the first human being created by the god, Ggulu. The story of Kintu is an important part of Ganda mythology, and it is used to explain the origins of the Ganda people and their customs.

  The Kintu Myth Explained

  The Kintu Myth explains how the first human came to be, how the first human was given a wife by the creator god, Ggulu, and how they were given the ability to procreate. The myth goes on to describe how Kintu and his wife, Nambi, had children, and how those children went on to become the ancestors of the Ganda people.

  Kintu as the First Ancestor

  In this story, Kintu is considered as the first ancestor of the Ganda people, and his children are considered as the founders of different Ganda tribes and clans. The story of Kintu is also used to explain the customs and traditions of the Ganda people, such as the importance of ancestor worship and the role of the clan in Ganda society.

  Kintu as the Ancestor of the Buganda Kingdom

  It is also believed that Kintu is the ancestor of the Buganda kingdom which is the largest kingdom in present day Uganda.

  Etruscan Mythology

  Jupiter, Juno, and Minerva were the three main gods

  

  Etruscan mythology comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, originating in the 7th century BC from the preceding Iron Age Villanovan culture, with its influences in the mythology of ancient Greece and Phoenicia, and sharing similarities with concurrent Roman mythology.

  The Etruscan civilization existed in ancient Italy from around the 8th century BCE to the 3rd century BCE, and its myths and religious beliefs have been largely lost to time. However, some of the myths that have been reconstructed from the surviving evidence include:Famous Myths of Etruscan Mythology

  • The myth of Tages

    Tages was a child-god who emerged from the plowed fields and taught the Etruscans divination and the art of reading the will of the gods.

  • The myth of Charun

    Charun was the Etruscan god of death, and was often depicted as a fearsome figure with a hammer, ready to strike the souls of the dead.

  • The myth of Turms

    Turms was the Etruscan equivalent of Hermes, the Greek messenger of the gods. He was known for his speed and agility and was often depicted with winged sandals.

  • The myth of Menrva

    Menrva was the Etruscan goddess of wisdom, war, and the arts. She was often equated with the Greek Athena and the Roman Minerva.

  • The myth of Laran

    Laran was the Etruscan god of war, and was often depicted as a fierce warrior, ready to defend his people.

Surya (or Soorya) is a golden warrior arriving on a chariot pulled by seven white horses.

PELOPS was a king of the Eleian city of Pisa and the eponymous overlord of the western Peloponnesos, the so-called "Island of Pelops". His father King Tantalos of Lydia was impious man who, wishing to test the fallibility of the gods, butchered the young Pelops and served him at a feast of the gods.

An immortal villain in Slavic tales, often depicted as a skeletal figure who cannot be killed because his soul is hidden away.

God of wisdom, freshwater, and magic. Patron god of crafts and creation, associated with the Apkallu fish sages.

A group of Slavic goddesses representing the Morning Star and Evening Star, guarding the gates to the celestial realm.

jord (Njorðr, originally Nerpuz) guides the course of the winds and governs sea and fire; he grants to those who call upon him good fortune at sea and in the chase, and he dispenses wealth, whether of lands or of chattels. Of old he came from Vanaheim. 3 It so befell that when the Æsir and the Vanir were engaged in concluding a treaty of peace, each race gave hostages to the other, the Æsir designating Hœnir and the Vanir, Njord; they all spat in a crock, and from the spittle they made a man, the sapient Kvasir. From that time forth Njord was reckoned among the Æsir and took rank with the foremost of them. His dwelling, called Noatun, is near the sea; outside the walls swim swans and water fowl of all sorts. Njord’s children are the god Frey and the goddess Freyja; his wife, their stepmother, is Skadi, a Giantess.

Perseus in Greek Mythology

Perseus is one of the most celebrated heroes in Greek mythology, renowned for his daring escapades and noble adventures. He is often regarded as one of the primary heroes in Greek lore, preceding other legendary figures like Heracles and Theseus.

Birth and Lineage

Perseus was born to Zeus, the king of the gods, and Danaë, the daughter of King Acrisius of Argos. His birth was extraordinary, conceived when Zeus visited Danaë in the form of golden rain. Fearing a prophecy that he would be killed by Danaë's son, King Acrisius cast Danaë and infant Perseus into the sea in a chest.

Major Myths and Adventures

The Slaying of Medusa

Perseus is best known for his quest to behead Medusa, one of the Gorgon sisters. Armed with gifts from the gods, including Hermes' winged sandals, Athena's reflective shield, Hephaestus' sword, and Hades' helm of invisibility, Perseus successfully slayed Medusa by using the shield to view her reflection and avoid her petrifying gaze.

Rescuing Andromeda

During his journey home, Perseus rescued Andromeda, who was to be sacrificed to a sea monster. He used Medusa's head to turn the monster into stone and later married Andromeda.

Fulfillment of the Prophecy

The prophecy that Perseus would cause King Acrisius' death came true unintentionally, when a discus thrown by Perseus struck Acrisius during athletic games.

Significance and Legacy

Perseus' adventures form a fundamental part of Greek mythology, capturing themes of bravery, virtue, and the extraordinary. His story has inspired a myriad of artistic and literary works and remains a potent symbol of the hero's journey in literature and popular culture. The annual Perseid meteor shower, named after Perseus, is believed to radiate from his constellation.

In Greek mythology, Hyacinth was a very beautiful Spartan prince and lover of the god Apollo. Hyacinth was also admired by the West wind Zephyrus, the North wind Boreas and also by a mortal man named Thamyris. ... The couple indulged themselves in hunting and climbing steep, rough mountains around Sparta.

A mythical hero known for his strength and bravery, featured in various Etruscan tales.

In Greek mythology, the Amazons were a tribe of warrior women believed to live in Asia Minor. Apollonius Rhodius, in his Argonautica, mentions that the Amazons were the daughters of Ares and Harmonia, that they were brutal and aggressive, and their main concern in life was war.

Tyrannical ruler in Persian mythology, with serpents growing from his shoulders. Defeated by the hero Fereydun.

Helgi the Sharp in Ragnarssona þáttr

In the saga "Ragnarssona þáttr," Helgi the Sharp emerges as a notable figure. This tale is part of the larger Norse mythology and sagas that detail the exploits of the legendary Viking Ragnar Lothbrok and his sons.

Background of Helgi the Sharp

Helgi the Sharp is portrayed as a prince, demonstrating qualities of bravery and prowess that are characteristic of heroes in Norse legends. His epithet 'the Sharp' likely refers to his keen intellect or skill in battle.

Role in the Saga

While "Ragnarssona þáttr" primarily focuses on the sons of Ragnar Lothbrok, characters like Helgi the Sharp add depth and complexity to the narrative. Helgi's adventures, battles, and exploits contribute to the rich tapestry of the saga.

Significance in Norse Literature

Helgi the Sharp, like many characters in Norse sagas, exemplifies the traits admired in Norse culture such as courage, strength, and honor. His story, though less central than that of Ragnar's more famous sons, provides insight into the values and themes prevalent in Norse mythology.

The character of Helgi the Sharp, while perhaps not as widely recognized as others in Norse mythology, represents the diverse and intricate world of Norse legendary heroes and their multifaceted stories.

During the Cold War, Soviet Agents watch Professor Henry "Indiana" Jones, Jr. (Harrison Ford), when a young man brings him a coded message from an aged, demented colleague, Professor Harold Oxley (Sir John Hurt). Led by the brilliant Irina Spalko (Cate Blanchett), the Soviets tail Jones and the young man, Mutt Williams (Shia LeBeouf), to Peru. With Oxley's code, they find a legendary skull made of a single piece of quartz. If Jones can deliver the skull to its rightful place, all may be well. But if Irina takes it to its origin, she'll gain powers that could endanger the West. Aging professor and young buck join forces with a woman from Jones' past, Marion Ravenwood (Karen Allen), to face the dangers of the jungle, Russia, and the supernatural. Written by In 1957, archaeologist and adventurer Dr. Henry "Indiana" Jones, Jr. is called back into action and becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known...

Thousands of years ago, a race of beings known as Dark Elves tried to send the universe into darkness by using a weapon known as the Aether. Warriors from Asgard stopped them, but their leader Malekith (Christopher Eccleston) escaped to wait for another opportunity. The warriors find the Aether, and since it cannot be destroyed, they try to hide it. In the present day, Jane Foster (Natalie Portman) awaits the return of Thor (Chris Hemsworth), although it has been two years since they last saw once another. In the meantime, Thor has been trying to bring peace to the nine realms. Jane discovers an anomaly similar to the one that brought Thor to Earth. She goes to investigate, finds a wormhole, and is sucked into it. Back on Asgard, Thor wishes to return to Earth, but his father, Odin (Sir Anthony Hopkins), refuses to let him. Thor learns from Heimdall (Idris Elba), who can see into all of the realms, that Jane disappeared. Thor then returns to Earth just as Jane reappears. However, when some Policemen try to arrest her, an unknown energy repulses them. Thor then brings Jane to Asgard to find out what happened to her. When the energy is released again, they discover that when Jane disappeared, she crossed paths with the Aether and it entered her. Malekith, upon sensing that the time to strike is now, seeks out the Aether. He attacks Asgard and Thor's mother Frigga (Rene Russo) is killed protecting Jane. Odin wants to keep Jane on Asgard so that Malekith will come. Thor disagrees with his plan, so with his cohorts, he decides to take Jane away. He enlists the aid of his brother, Loki (Tom Hiddleston). Unfortunately, Loki's motivations remain unknown. Written by rcs0411@yahoo.com When the Dark Elves attempt to plunge the universe into darkness, Thor must embark on a perilous and personal journey that will reunite him with doctor Jane Foster.

It is the year 1250 B.C. during the late Bronze age. Two emerging nations begin to clash after Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband, Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. So they set off with 1,000 ships holding 50,000 Greeks to Troy. With the help of Achilles, the Greeks are able to fight the never before defeated Trojans. But they come to a stop by Hector, Prince of Troy. The whole movie shows their battle struggles and the foreshadowing of fate in this remake by Wolfgang Petersen of Homer's "The Iliad." Written by Mensur Gjonbalaj An adaptation of Homer's great epic, the film follows the assault on Troy by the united Greek forces and chronicles the fates of the men involved.

The warrior King Odysseus leaves his idyllic life in the kingdom of Ithaca to fight in the Trojan War. After winning the war, he now must endure a lengthy, ten-year journey to return, and with all his wits, Odysseus must overcome deadly monsters, powerful forces of nature, seductive enchantresses, and even journey into the bowels of the Underworld. Season: 1 Year: 1997

An Inca legend says the Inca Empire was destroyed by the gods when a gold and jeweled star burst was stolen from the Temple of the Sun centuries ago, and the ancient civilization will spring anew when the treasure is returned. The natives want it but so does Harry Steele, an American adventurer of slightly-shady ways who wants it for personal gain, as does his adversary, a grizzled old man even more into skulduggery than Steele. The latter teams up with Elena Antonescu, an Iron Curtain refugee fleeing from the MKVD. She can help him get a plane and he can help her escape Peru for the relative safety of Mexico.Is there a chance they will end up in a bickering love-hate relationship?... Is there a chance an American archaeologist, Dr. Stanley Moorehead, will come along as one corner of a romantic triangle?... Is there a chance that Yma Sumac (billed third on the posters and ads and special billed in the film), who can't act but can sing, will sing a few songs?... Is there a chance that these trite-sounding questions will develop into a film that is far from trite and vastly entertaining? Dang right, there is. Check it out. Written by Les Adams An adventurer searchers for hidden treasure in the Peruvian jungles.