Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments.

Some of the most famous myths of Egyptian mythology include the story of Ra and the creation of the world, the story of Osiris, Isis, and Horus, and the story of the god Anubis and the weighing of the heart.

The story of Ra and the creation of the world describes how the sun god Ra emerged from the chaos of Nun to create the world and the gods. The story of Osiris, Isis, and Horus tells of the murder of Osiris, the god of the underworld, by his brother Set, and how Osiris's wife Isis and son Horus sought to avenge his death and restore him to power.

The story of Anubis and the weighing of the heart is a myth that describes the judgement of the dead in the afterlife. It tells how the god Anubis would weigh the hearts of the deceased against the feather of Ma'at, the goddess of truth and justice, to determine whether they were worthy of entering the afterlife.

Other notable myths in Egyptian mythology include the story of the god Horus and his battles with his uncle Seth, the myth of the goddess Hathor, and the story of the god Ra and the serpent Apep.

These myths play a central role in Ancient Egyptian religion and were widely known among the ancient Egyptians. They were often depicted in art and were performed in temple rituals. They also played a significant role in shaping the culture, beliefs, and worldview of ancient Egyptians.

Hittite mythology and Hittite religion were the religious beliefs and practices of the Hittites, who created an empire centered in what is now Turkey from c. 1600 BC to 1180 BC.

Hittite mythology

Hittite mythology is the set of myths and religious beliefs of the ancient Hittites, an Indo-European people who lived in Anatolia (modern-day Turkey) from around 1600 BCE to 1200 BCE. Some of the most famous myths of Hittite mythology include:

• The story of Kumarbi

  This is the Hittite version of the "cosmogonic cycle" which tells the story of the god Kumarbi, who overthrows his father Anu and becomes the ruler of the gods. Kumarbi also impregnates the mother goddess and gives birth to the storm god Teshub and other deities.

• The story of Teshub and the dragon

  The god Teshub fought and defeated the dragon Illuyanka, a symbol of chaos and destructive forces.

• The story of Telipinu

  This is the story of the god Telipinu, who is responsible for the fertility of the land and the well-being of the people. Telipinu goes into a rage and causes a drought, but he is eventually placated and returns to bring fertility back to the land.

• The story of the Sun-goddess of Arinna

  This is the story of the Sun-goddess of Arinna, one of the most important deities of the Hittite pantheon. She is the goddess of the sun, and her daily journey across the sky was seen as a representation of the cycle of life and death.

• The story of the god of the underworld

  The god of the underworld, known as Allani or "the god of the land of the dead" is an important figure in Hittite mythology. He is responsible for the afterlife and the fate of the souls of the dead.

These myths were an important part of Hittite religion and were often depicted in art and referenced in religious texts and rituals. They played a significant role in shaping the beliefs and worldview of the Hittite people. The Hittite myths were passed down through oral tradition, and many of them were recorded in the Hittite language on clay tablets. They are still studied today for their historical and cultural significance.

Somali Mythology

Somali mythology covers the beliefs, myths, legends and folk tales circulating in Somali society that were passed down to new generations in a timeline spanning several millennia.

Somali mythology includes a diverse set of stories and legends that reflect the culture and beliefs of the Somali people. Here are a few examples of famous myths from Somali mythology:

The Creation Myth

The Somali believe that the world was created by God (Waaq), who created the first human beings, the first animals, and the first plants.

The Myth of the First Woman

According to Somali legend, the first woman, named Hawo, was created from a rib taken from the first man, named Adaan.

The Myth of the First Fire

The Somali believe that fire was brought to earth by a bird named Shimbir, who stole it from the gods and gave it to humans.

The Myth of the First Ancestor

The Somali believe that the first ancestor, named Samaale, was the progenitor of all Somali clans.

The Myth of the First Death

The Somali believe that death was brought to the world by a god named Ebla, who punished humans for their disobedience.

The Myth of the First Rain

The Somali believe that the first rain was brought to the world by a god named Ebla, who punished humans for their disobedience.

Please note that these are just a few examples and there are many more myths and legends that are important to the Somali people, as Somali mythology is vast and diverse. Also, It's worth mentioning that a lot of the oral tradition was lost through the years.

Zulu mythology contains numerous deities commonly associated with animals or general classes of natural phenomena. Unkulunkulu is the highest God and is the creator of humanity The Zulu people are an ethnic group that live primarily in South Africa, and their mythology is deeply rooted in their culture and tradition. Here are a few examples of famous myths from Zulu mythology:

The story of Unkulunkulu

Unkulunkulu is the creator god in Zulu mythology and is believed to be the first ancestor of the Zulu people. He is often depicted as an old man with a white beard, and is associated with wisdom, justice, and the sky.

The story of Nomkhubulwane

Nomkhubulwane is the goddess of fertility and is responsible for the abundance of crops, and the growth of the Zulu people.

The story of Ukhulukhulwane

Ukhulukhulwane is the god of rain and is known for his power and fury. He is often invoked to bring rain, and is considered a protector of the Zulu people.

The story of Zulu ancestor

Zulu ancestor is the first human being created by the god, Unkulunkulu. This figure is considered as the first ancestor of the Zulu people, and his children are considered as the founders of different Zulu tribes and clans.

The story of Inkanyamba

Inkanyamba is a serpentine water spirit, it is believed that Inkanyamba is responsible for the flooding of rivers and causing storms.

These myths, along with others, are used by the Zulu people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. Ancestor worship and the belief in a supreme being who created the universe are an important part of Zulu traditional religion.

The Traditional Religion and Mythology of the San People

The Khoikhoi people, also known as the Khoisan, are a group of indigenous people who live in southern Africa. They have a rich and diverse mythology that reflects their culture and beliefs. Here are a few examples of famous myths from Khoikhoi mythology:

The Creation Myth

The Khoikhoi believe that the world was created by a god or gods, who formed the earth, sky, and all living things. Different Khoikhoi groups have different creation stories, but they often involve the god or gods creating the world out of chaos or darkness.

The Myth of the First Human

According to Khoikhoi legend, the first human, named /Kaggen, was created by the god or gods. Different Khoikhoi groups have different stories about how the first human was created, but they often involve the god or gods fashioning the first human out of clay or dust.

The Myth of the First Fire

The Khoikhoi believe that fire was brought to earth by a god or goddess, who gave it to humans as a gift. Different Khoikhoi groups have different stories about how fire was brought to earth, but they often involve a trickster figure stealing fire from the gods or a god or goddess giving fire to humans as a reward for good behavior.

The Myth of the First Rain

The Khoikhoi believe that the first rain was brought to the world by a god or goddess, who sent it to earth as a gift. Different Khoikhoi groups have different stories about how the first rain was brought to earth, but they often involve a god or goddess sending the rain to earth as a gift.

Goddess of creation, often depicted as a woman with five faces

Goddess of magic, motherhood and fertility who protected the dead

Bellerophon was a famous Greek hero, mostly known for defeating Chimera, a fire-breathing mythical monster. He was also recognised by riding white Pegasus which was a sort of a gift from Athena for his devotion to the goddess. Bellerophon was, according to Homer's Iliad, a son of Glaucus and Eurymede of Corinth.

ARISTAIOS (Aristaeus) was the rustic god of shepherds and cheesemaking, beekeeping, honey and honey-mead, olive growing and oil milling, medicinal herbs, hunting, and the Etesian winds which provided some respite from the scorching heat of midsummer.

Regarded as one of the Celtic gods among the Tuatha Dé Danann, Eriu (modern Irish – Eire) has the distinction of having an entire nation named after her. To that end, the very term Ireland comes from Eriu (as the realm was known in the ‘olden’ times), and thus her modern name Eire is modified to suit the current pronunciation of Ireland. Essentially, Eriu serves as the modern personification of Ireland.

Wurusemu is the Hittite sun goddess, symbolizing light and warmth. She is often depicted as a radiant figure bringing life to the world.

Saraswati is the consort of Brahma the Creator and is worshipped as the goddess of learning, wisdom, speech, and music. Hindus offer prayer to Saraswati before beginning any intellectual pursuit, and Hindu students are encouraged to offer prayers to her during the school/college term and especially before and during examinations.

Odin, the supreme deity, had, besides the title of All-Father, many other names. He was called Ygg (The Awful), Gagnrad (He Who Determines Victories), Herjan (God of Battles), Har (The High One), Jafnhar (Even as High), Thridi (Third), 1 Nikar, Nikud, Bileyg (One With Evasive Eyes), Baleyg (One With Flaming Eyes), Bolverk (The Worker of Misfortune), Sigfather (The Father of Battle or of Victory), Gaut (The Creator or, the “Geat”), Roptatyr, Valfather (Father of the Slain), 2 etc. Odin was the wisest of all the gods; from him the others always sought counsel when need arose. He drew wisdom from the well of the Giant Mimir. Having placed one of his eyes in pawn with Mimir, Odin invariably appeared as a one-eyed, rather oldish man; 3 otherwise he ’was represented as strong and well-favored, and as armed with spear and shield. In Valhalla and Vingolf, where Odin gave banquets to gods and heroes, he himself partook of nothing but wine, which to him was both meat and drink; the meat that was placed before him he gave to his two wolves, Geri and Freki. 4 Odin also had two ravens, Hugin and Munin (Thought and Memory), which perched one on each of his shoulders. To them he owed a great part of his wisdom; every day they flew forth through the expanses of the universe, returning at supper to tell him all that they had seen; therefore Odin was called also the God of Ravens. From his high seat, Lidskjalf in Valaskjalf, Odin saw all that came to pass. On his horse, Sleipnir, which was eight-footed and the fleetest horse in the world, he rode wherever he wished. His spear Gungnir would strike whatsoever he aimed at. On his arm he wore the precious ring Draupnir; from it dropped every ninth night eight other rings as splendid as Itself.

Brahma is the creator god in Hinduism. He is also known as Svayambhu (self-born) or the creative aspect of Vishnu, Vāgīśa (Lord of Speech), and the creator of the four Vedas, one from each of his mouths. Brahma is consort of Saraswati and he is the father of Four Kumaras, Narada, Daksha, Marichi and many more.[3][4] Brahma is synonymous with the Vedic god Prajapati, he is also known as Vedanatha (god of Vedas), Gyaneshwar (god of Knowledge), Chaturmukha (having Four Faces) Svayambhu (self born), etc, as well as linked to Kama and Hiranyagarbha (the cosmic egg). He is more prominently mentioned in the post-Vedic Hindu epics and the mythologies in the Puranas. In the epics, he is conflated with Purusha. Although Brahma is part of the Brahma-Vishnu-Shiva Trimurti, ancient Hindu scriptures mention multiple other trinities of gods or goddesses which do not include Brahma

Hagbard (Old Norse Hagbarðr), the brother of Haki and son of Hamund, was a famous Scandinavian sea-king in Norse mythology. He is mentioned in Skáldskaparmál, Ynglinga saga, Nafnaþulur, Völsunga saga and Gesta Danorum. The heroes' connections with other legendary characters place the events in the 5th century AD. Hagbard remained well-known until recent times in the legend of Hagbard and Signy. This famous legend tells that Hagbard fell in love with Signy, the daughter of king Sigar, the nephew of king Siggeir (of the Völsunga saga), a love affair which ended in their deaths, when Sigar wanted to have Hagbard hanged. This legend is told most fully in Gesta Danorum (book 7). However, most legends surrounding Hagbard are probably lost. In the Völsunga saga, Gudrun and Brynhild have a discussion on the "greatest of men" referring to a legend now lost, where Hagbard is mentioned together with Haki's sons, who have not yet avenged their sisters by killing the evil Sigar (the feud with Sigar is still going on and Hagbard not yet hanged):

One of the most ancient and most widely worshiped of Celtic gods – who was venerated in Continental Europe, Britain and Ireland, Belenus (also known as Belenos, Bel, and Beli Mawr) was the quintessential sun god in the Celtic mythology. Known by his epithet ‘Fair Shining One’, Belenus was also associated with the horse and the wheel – and their composites tended to portray him as the effulgent Sun God gloriously riding across the sky in his horse-drawn chariot. Other representations depict Belenus as only riding his horse while throwing thunderbolts and using the wheel as his shield.

Son of Zeus and a mortal woman, renowned for his strength and celebrated in many adventures. Completed the Twelve Labors.

In this retelling of Rick Riordans book, "The Sea of Monsters", Percy Jackson, accompanied by his friends Annabeth Chase, Clarisse La Rue and Tyson, his half brother, goes on a journey to the Sea of Monsters to retrieve the Golden Fleece and save Camp Half-Blood. Written by Michelle Stone In order to restore their dying safe haven, the son of Poseidon and his friends embark on a quest to the Sea of Monsters, to find the mythical Golden Fleece, all the while trying to stop an...

On a quest to retrieve the fabled Golden Fleece, Jason and the Argonauts arrive at a remote barbarian land where the natives worship the sacred artefact to protect the crops. But, unexpectedly, as Medea--a beautiful high priestess and the land's powerful sorceress--betrays her beliefs to follow Jason back to Greece, a cruel fate awaits her. As a result, deserted and banished by the king, it's only human that Medea plots her furious revenge. Can they escape her wrath? Written by Nick Riganas After his quest to retrieve the fabled Golden Fleece, Jason returns to Greece with the powerful sorceress, Medea. However, when the king banishes her, it's only human that Medea plots her...

Master explorer and former US Navy Seal Dirk Pitt and his wisecracking buddy Al Giordino goes on the adventure of a lifetime of seeking out a lost Civil War ironclad battleship known as the "Ship of Death" that protects a secret cargo is lost somewhere in the deserts of West Africa. But while the two cross paths with a beautiful and brilliant U.N. scientist Dr. Eva Rojas who is being hounded by a ruthless dictator. She believes that the hidden treasure may be connected to a larger problem that threatens the world around them. Hunting for a ship that no one else thinks exists, Dirk, Al, and Eva must rely on their wits and their daring heroics to outsmart dangerous warlords, survive the threatening terrain, and get to the bottom of both mysteries. Written by Anthony Pereyra {hypersonic91@yahoo.com} Master explorer Dirk Pitt goes on the adventure of a lifetime of seeking out a lost Civil War battleship known as the "Ship of Death" in the deserts of West Africa while helping a WHO doctor...

A kind-hearted street urchin Aladdin vies for the love of the beautiful princess Jasmine, the princess of Agrabah. When he finds a magic lamp, he uses the genie's magic power to make himself a prince in order to marry her. He's also on a mission to stop the powerful Jafar who plots to steal the magic lamp that could make his deepest wishes come true

Dan Brown's controversial best-selling novel about a powerful secret that's been kept under wraps for thousands of years comes to the screen in this suspense thriller from Director Ron Howard. The stately silence of Paris' Louvre museum is broken when one of the gallery's leading curators is found dead on the grounds, with strange symbols carved into his body and left around the spot where he died. Hoping to learn the significance of the symbols, police bring in Sophie Neveu (Audrey Tautou), a gifted cryptographer who is also the victim's granddaughter. Needing help, Sophie calls on Robert Langdon (Tom Hanks), a leading symbolized from the United States. As Sophie and Robert dig deeper into the case, they discover the victim's involvement in the Priory of Sion, a secret society whose members have been privy to forbidden knowledge dating back to the birth of Christianity. In their search, Sophie and Robert happen upon evidence that could lead to the final resting place of the Holy Grail, while members of the priory and an underground Catholic society known as Opus Dei give chase, determined to prevent them from sharing their greatest secrets with the world. A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the...