Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

The Maasai mythology involves several beliefs of the Maasai people, an ethnic group living in Kenya and Tanzania.

The Maasai people are a semi-nomadic ethnic group that lives in southern Kenya and northern Tanzania. They have a rich oral tradition that includes myths, legends, and stories that are passed down from generation to generation. Here are a few examples of famous myths from Maasai mythology:

The creation myth:

The Maasai believe that the world was created by Enkai, the god of the sky and rain. He created the first Maasai people and the animals, and he gave them all the land to live on.

The story of the rainbow:

The Maasai believe that the rainbow is a bridge between the world of the living and the world of the dead. The rainbow is said to be created by Enkai, and it is a sign that he is watching over the Maasai people.

The story of the baobab tree:

The Maasai believe that the baobab tree is sacred and that it was created by Enkai to provide food and shelter for the animals. They also believe that the tree is a source of wisdom and that it holds the secrets of the universe.

The story of the lion:

The Maasai believe that the lion is a sacred animal and that it is a symbol of strength and courage. They also believe that the lion is a messenger of Enkai and that it brings important messages to the Maasai people.

These myths, along with others, are used by the Maasai to explain the origins of their people and their customs and to reinforce their traditional beliefs and values.

The Lugbara people are an ethnic group living in the Democratic Republic of the Congo, Uganda, and South Sudan. They have a rich mythology that has been passed down through generations, and their stories are a source of pride and identity for the Lugbara people.

The Lugbara people believe in a single creator, called Woot, who is responsible for the creation of the world and all its inhabitants. They also believe in a pantheon of lesser gods, each with their own sphere of influence. For example, Nyambe is the god of rain, and there is also a god of war, a god of the hunt, and a god of love.

The Lugbara people also believe in a number of supernatural beings, such as spirits and ghosts. These beings can be benevolent or malevolent, and they often take the form of animals or other creatures. It is believed that these beings can influence the lives of humans, either for good or for ill.

The Lugbara people have a number of stories and legends about their gods and supernatural creatures. One of the most famous is the story of Nyambe and the Great Snake. According to the story, Nyambe was out hunting one day when he encountered a giant snake. Nyambe managed to defeat the snake, and as a reward, the gods gave him the power to control the weather and the seasons.

The stories and legends of the Lugbara people are an important part of their culture, and they are still told and retold to this day. They provide a fascinating insight into the beliefs and values of the Lugbara people, and offer a unique window into their history and mythology.

Mesopotamian Religion

Mesopotamian religion refers to the religious beliefs and practices of the civilizations of ancient Mesopotamia, particularly Sumer, Akkad, Assyria and Babylonia between circa 3500 BC and 400 AD, after which they largely gave way to Syriac Christianity.

Some of the most famous myths of Mesopotamian mythology include the creation myth Enuma Elish, the epic of Gilgamesh, and the story of Inanna's descent to the underworld. Enuma Elish describes the creation of the world and the gods by the god Marduk, while the epic of Gilgamesh tells the story of a king's quest for immortality. The story of Inanna's descent to the underworld tells of the goddess's journey to the land of the dead and her eventual return to the world of the living. Other notable myths include the story of the god Enki and the goddess Ninhursag, the myth of Ishtar's descent to the underworld, and the story of the god Dumuzid and his sister Geshtinanna.

The Epic of Gilgamesh

The Epic of Gilgamesh is one of the most famous and important works of ancient Mesopotamian literature. It is an epic poem that tells the story of Gilgamesh, the king of Uruk, and his quest for immortality. The poem is thought to have been written around 2100 BCE, in the Sumerian language, but it was later translated into Akkadian.

The epic tells the story of Gilgamesh's adventures, including his friendship with the wild man Enkidu and their journey to the Cedar Forest to fight the monster Humbaba. After Enkidu's death, Gilgamesh becomes obsessed with the fear of his own mortality and sets out on a journey to find the secret of immortality. He eventually meets Utnapishtim, the only human who has been granted immortality by the gods, and learns the secret of eternal life but fails to achieve it.

The epic also explores themes of friendship, loss, and the human condition, and it is considered one of the earliest known works of literature in world history. The poem was widely read in ancient Mesopotamia and had a significant influence on later literature in the region. The epic of Gilgamesh is still widely read and studied today, both for its historical and literary significance.

Inuit Mythology

Inuit mythology is the traditional belief system of the Inuit people, who live in the Arctic regions of Alaska, Canada, and Greenland. Here are a few examples of famous myths from Inuit mythology:

The story of Sedna

Sedna is the goddess of the sea and marine animals in Inuit mythology. She is known for her role as the provider of food and is often invoked to ensure a good hunt.

The story of the Raven

The Raven is a powerful trickster figure in Inuit mythology and is known for his intelligence and cunning. He is often depicted as the creator of the world and is considered a bringer of culture and wisdom to the Inuit people.

The story of the Inuit ancestor

The Inuit ancestor is the first human being created by the god, Raven. This figure is considered as the first ancestor of the Inuit people, and his children are considered as the founders of different Inuit tribes and clans.

The story of the spirits

Inuit mythology is rich with different kind of spirits, such as animal spirits, ancestor spirits, and nature spirits, who are believed to have great power and influence over the natural world.

The story of the shamans

In Inuit mythology, shamans are considered as powerful intermediaries between the human and the spiritual world. They are known for their ability to communicate with spirits and to heal the sick through their spiritual powers.

These myths, along with others, are used by the Inuit people to explain the origins of their people and their customs, and to reinforce their traditional beliefs and values. The Inuit traditional religion was based on animism, ancestor worship, and shamanism.

Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments.

Some of the most famous myths of Egyptian mythology include the story of Ra and the creation of the world, the story of Osiris, Isis, and Horus, and the story of the god Anubis and the weighing of the heart.

The story of Ra and the creation of the world describes how the sun god Ra emerged from the chaos of Nun to create the world and the gods. The story of Osiris, Isis, and Horus tells of the murder of Osiris, the god of the underworld, by his brother Set, and how Osiris's wife Isis and son Horus sought to avenge his death and restore him to power.

The story of Anubis and the weighing of the heart is a myth that describes the judgement of the dead in the afterlife. It tells how the god Anubis would weigh the hearts of the deceased against the feather of Ma'at, the goddess of truth and justice, to determine whether they were worthy of entering the afterlife.

Other notable myths in Egyptian mythology include the story of the god Horus and his battles with his uncle Seth, the myth of the goddess Hathor, and the story of the god Ra and the serpent Apep.

These myths play a central role in Ancient Egyptian religion and were widely known among the ancient Egyptians. They were often depicted in art and were performed in temple rituals. They also played a significant role in shaping the culture, beliefs, and worldview of ancient Egyptians.

God of the sea, earthquakes, and horses. Brother of Jupiter and Pluto, often depicted with a trident and accompanied by sea creatures.

Shaushka is the Hittite goddess of love and fertility, revered for her role in bringing forth life and prosperity. She is often depicted as a nurturing figure associated with the abundance of nature.

Illuyankas is also associated with the sea in Hittite mythology, where he is depicted as a powerful deity controlling the waters.

A divine youth who could see the future and often accompanied the god of war, Tinia, in battles.

Arguably the most visually impressive and rather portentous of ancient Celtic gods, Cernunnos is actually the conventional name given to the deity ‘Horned One’. As the horned god of Celtic polytheism, Cernunnos is often associated with animals, forests, fertility, and even wealth. His very depiction mirrors such attributes, with the conspicuous antlers of the stag on his head and the poetic epithets like the ‘Lord of the Wild Things’.

Hippothoon in Greek Mythology

Hippothoon was an Attic hero in Greek mythology, known for his distinguished lineage as the son of Poseidon, the god of the sea, and Alope, daughter of King Cercyon.

Lineage and Background

As a son of Poseidon, Hippothoon had a divine heritage. His mother, Alope, was a mortal princess, making Hippothoon a demigod. The story of Alope, his mother, is one marked by tragedy and divine intervention, which ultimately led to the birth of Hippothoon.

The Tale of Hippothoon

The tale of Hippothoon's birth is interwoven with the story of his mother, Alope, who was seduced by Poseidon. Alope's father, King Cercyon, was enraged upon discovering her pregnancy and ordered the newborn baby to be exposed. The child was saved and nourished by a mare, which is sometimes said to have contributed to his name.

Significance in Attic Legend

Hippothoon's legacy is significant in Attic legend. He was considered an eponymous hero in the region of Attica, with the tribe Hippothoontis named after him. This reflects the ancient Greek practice of attributing tribal names to legendary heroes.

Hippothoon's story, while not as widely known as those of other demigods, is an example of the rich and diverse tapestry of characters that populate Greek mythology, each contributing to the cultural and legendary history of ancient Greece.

BÃdvar Bjarki (Old Norse: BÃðvar Bjarki), meaning 'Warlike Little-Bear', is the hero appearing in tales of Hrólf Kraki in the Saga of Hrólf Kraki, in the Latin epitome to the lost SkjÃdunga saga, and as Biarco in Saxo Grammaticus' Gesta Danorum.

Wild man created by the gods to humble Gilgamesh. Becomes Gilgamesh’s close companion and shares in his adventures.

In Greek mythology, Odysseus was the son of Laertes and Antikleia (or Anticlea) and the King of Ithaca, leader of the Kephallenians. Married to Penelope, he also had a son, Telemachos (or Telemachus). The hero was also fortunate enough to regularly receive the special aid and protection of the goddess Athena.

Counted among the oldest of the ancient Celtic gods in Ireland, Ana (also known as Anu, Dana, Danu, and Annan) possibly embodied the primordial scope, with her epithets describing her as a mother goddess. Thus the Celtic goddess, often portrayed as a beautiful and mature woman, was associated with nature and the spiritual essence of nature, while also representing the contrasting (yet cyclic) aspects of prosperity, wisdom, death, and regeneration.

A legendary queen and storyteller in Arabian Nights, known for her ability to captivate a king with her tales and thereby saving her own life.

God of the underworld and the afterlife who was killed and resurrected

The warrior King Odysseus leaves his idyllic life in the kingdom of Ithaca to fight in the Trojan War. After winning the war, he now must endure a lengthy, ten-year journey to return, and with all his wits, Odysseus must overcome deadly monsters, powerful forces of nature, seductive enchantresses, and even journey into the bowels of the Underworld. Season: 1 Year: 1997

After retrieving the philosopher's stone at an auction but losing his girlfriend, The Librarian Flynn Carsen has a breakdown. Charlene and Judson ask him to spend some time on vacation. Flynn travels to New Orleans and he has a crush on a French singer (Simone Renoir). However he discloses that she is the guardian of a key to access the Judas Chalice that is capable to resurrect vampires. Meanwhile the former Russian Minister of Defense Sergei Kubichek is seeking the chalice to revive Vlad the vampire with the support of Professor Lazlo. Also to raise an army of undead to bring Russia back to the top of the world. When Simone reveals that she is a vampire, Flynn question whether she is not using him to reach the chalice and increase her power. Written by Claudio Carvalho, Rio de Janeiro, Brazil Losing his girlfriend because he was at an auction dramatically getting the magical philosopher's stone instead of a date, he needs a vacation - New Orleans but finds himself busy saving...

Thor (Chris Hemsworth) is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarök, the destruction of his homeworld and the end of Asgardian civilization, at the hands of an all-powerful new threat, the ruthless Hela (Cate Blanchett). Written by ahmetkozan Imprisoned on the planet Sakaar, Thor must race against time to return to Asgard and stop Ragnarök, the destruction of his world, at the hands of the powerful and ruthless villain Hela.

While Ben Gates is presenting new information about John Wilkes Booth and the 18 pages missing from Booth's diary, a man by the name of Mitch Wilkinson stands up and presents a missing page of John Wilkes Booth's diary. Thomas Gates, Ben's great-grandfather, is mentioned on the page. It shows that Ben's great-grandfather was a co-conspirator in Abraham Lincoln's murder. When doing more research, the conspiracy takes Ben, Abigail Chase, and Riley Poole to Buckingham Palace (which they break into). They discover a plank that has early Native American writing on it. The plank has only one symbol that Patrick Gates can identify. The symbol is Cibola (see-bowl-uh) meaning the City of Gold. In order to define the rest they have to go to Ben's mother, Patrick's divorced wife. After 32 years it brings back old arguments. After that the other clue is in the President's desk in the Oval Office in the White House (which Ben and Abigail sneak into) to discover that the clue lies in The President's Book. But in order to see the book, their choice is either get elected president or kidnap the President of the United States. Which do they choose? It's obvious. With Wilkinson close on their tail, they find the book in the Library of Congress. The conspiracy then crosses to Mount Rushmore where the clue was on the hills, but (according to the Book) President Calvin Coolidge had the faces carved in so no one can find the City of Gold. When they get there they find out that they must work with Wilkinson since he has some clues of his own. Who will claim Cibola? And will the name of Gates be known as murder? Written by mviedirctr354 Benjamin Gates must follow a clue left in John Wilkes Booth's diary to prove his ancestor's innocence in the assassination of Abraham Lincoln.

Based loosely on Homers ancient Greek epic poem 'Iliad', Troy: Fall of a City tells the story of the 10 year siege of the ancient city of Troy by the Greeks, after Paris, the young prince of Troy falls in love with the wife of a Greek king and elopes with her. Written by ol-raptis Season: 1 Year: 2018