Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Akan mythology is the traditional belief system of the Akan people of Ghana and Cote d'Ivoire. Here are a few examples of famous myths from Akan mythology:

The story of Nyame

Nyame is the supreme god in Akan mythology and is believed to be the creator of the universe. He is often depicted as an old man with a white beard and is associated with wisdom, justice and the sky.

The story of Onyame and Asase Ya

Onyame is the god of the sky and the father of all gods and Asase Ya is the goddess of the earth and the mother of all living things. Together they are the parents of the other gods and goddesses in the Akan pantheon.

The story of Anansi

Anansi is a trickster figure in Akan mythology and is known for his cunning and wit. He is often depicted as a spider and is considered a bringer of wisdom and culture to the Akan people.

The story of Odomankoma

Odomankoma is the god of fate and destiny, who controls the fate of individuals, and also the god of wisdom, who is responsible for the knowledge and skills of the Akan people.

The story of Osrane

Osrane is the god of death and the afterlife. He is responsible for taking the souls of the dead to the afterlife.

These myths, along with others, are used by the Akan people to explain the origins of the world, the customs and traditions of the Akan people and to reinforce their traditional beliefs and values. The Akan people's traditional religion is based on ancestor worship, and the belief in a supreme being who created the universe.

In India a different worldview evolved over four thousand years, with the concepts responding to various sociocultural phenomena and transforming with the words of wise men to satisfy the needs of the local population

There are many famous myths in Indian mythology, here are a few examples:

• The Ramayana, which tells the story of Prince Rama and his rescue of his wife, Sita, from the demon king, Ravana.
• The Mahabharata, which is one of the longest epic poems in the world and tells the story of a dynastic struggle for the throne of Hastinapura.
• The story of Lord Vishnu taking the form of a fish to save the world from a great flood.
• The story of Lord Shiva and his consort, Parvati, and their son, Lord Ganesha.
• The story of Lord Krishna, who is considered a supreme deity in Hinduism and is known for his wisdom and his role in the Mahabharata.
• The story of the Trimurti, which tells of the three main gods in Hinduism- Brahma, Vishnu, and Shiva.
• The story of creation according to Hindu mythology is also an important one, which explains how the world and all living beings came into being.

Slavic paganism or Slavic religion define the religious beliefs, godlores and ritual practices of the Slavs before the formal Christianisation of their ruling elites.

Famous Myths of Slavic Mythology

• The myth of Perun

  Perun is the god of thunder and lightning in Slavic mythology, he is often seen as the chief deity and protector of the tribe.

• The myth of Veles

  Veles is the god of earth, waters, and the underworld in Slavic mythology, he is often associated with the power of magic and witchcraft.

• The myth of Svarog

  Svarog is the god of fire, metalworking and fate in Slavic mythology, he was considered as the father of the gods and the creator of the world.

• The myth of Dazhbog

  Dazhbog is the god of the sun, warmth and light in Slavic mythology, he was often associated with the power of fertility and agriculture.

• The myth of Baba Yaga

  Baba Yaga is a witch-like figure in Slavic mythology, known for her supernatural powers and her ability to fly. She is sometimes seen as a helpful figure, while other times she is seen as a malevolent force.

• The myth of Kostroma

  Kostroma is a goddess of fertility and love in Slavic mythology, she was often associated with the power of spring and renewal.

Hittite mythology and Hittite religion were the religious beliefs and practices of the Hittites, who created an empire centered in what is now Turkey from c. 1600 BC to 1180 BC.

Hittite mythology

Hittite mythology is the set of myths and religious beliefs of the ancient Hittites, an Indo-European people who lived in Anatolia (modern-day Turkey) from around 1600 BCE to 1200 BCE. Some of the most famous myths of Hittite mythology include:

• The story of Kumarbi

  This is the Hittite version of the "cosmogonic cycle" which tells the story of the god Kumarbi, who overthrows his father Anu and becomes the ruler of the gods. Kumarbi also impregnates the mother goddess and gives birth to the storm god Teshub and other deities.

• The story of Teshub and the dragon

  The god Teshub fought and defeated the dragon Illuyanka, a symbol of chaos and destructive forces.

• The story of Telipinu

  This is the story of the god Telipinu, who is responsible for the fertility of the land and the well-being of the people. Telipinu goes into a rage and causes a drought, but he is eventually placated and returns to bring fertility back to the land.

• The story of the Sun-goddess of Arinna

  This is the story of the Sun-goddess of Arinna, one of the most important deities of the Hittite pantheon. She is the goddess of the sun, and her daily journey across the sky was seen as a representation of the cycle of life and death.

• The story of the god of the underworld

  The god of the underworld, known as Allani or "the god of the land of the dead" is an important figure in Hittite mythology. He is responsible for the afterlife and the fate of the souls of the dead.

These myths were an important part of Hittite religion and were often depicted in art and referenced in religious texts and rituals. They played a significant role in shaping the beliefs and worldview of the Hittite people. The Hittite myths were passed down through oral tradition, and many of them were recorded in the Hittite language on clay tablets. They are still studied today for their historical and cultural significance.

Etruscan mythology comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, originating in the 7th century BC from the preceding Iron Age Villanovan culture, with its influences in the mythology of ancient Greece and Phoenicia, and sharing similarities with concurrent Roman mythology.

The Etruscan civilization existed in ancient Italy from around the 8th century BCE to the 3rd century BCE, and its myths and religious beliefs have been largely lost to time. However, some of the myths that have been reconstructed from the surviving evidence include:Famous Myths of Etruscan Mythology

• The myth of Tages

  Tages was a child-god who emerged from the plowed fields and taught the Etruscans divination and the art of reading the will of the gods.

• The myth of Charun

  Charun was the Etruscan god of death, and was often depicted as a fearsome figure with a hammer, ready to strike the souls of the dead.

• The myth of Turms

  Turms was the Etruscan equivalent of Hermes, the Greek messenger of the gods. He was known for his speed and agility and was often depicted with winged sandals.

• The myth of Menrva

  Menrva was the Etruscan goddess of wisdom, war, and the arts. She was often equated with the Greek Athena and the Roman Minerva.

• The myth of Laran

  Laran was the Etruscan god of war, and was often depicted as a fierce warrior, ready to defend his people.

Illuyanka is a serpent-like dragon in Hittite mythology, often depicted as a formidable adversary. He engaged in battles with the storm god Teshub.

ince we delved into the Gaelic pantheon in the first entry, the most important father-figure deity within the scope of Irish Celtic gods pertained to the Dagda (An Dagda – ‘the Good God’). Revered as the leader of the Tuatha Dé Danann tribe of gods, he was usually associated with fertility, agriculture, weather, and masculine strength, while also embodying the aspects of magic, wisdom, knowledge, and Druidry. These facets do explain his renown and veneration among the Celtic druids. Many of the aspects also bear striking similarities to the divine characteristics of Odin, the chieftain of the Æsir tribe of ancient Norse gods.

Dragon god of rain, known for its ability to control the weather

Tyrannical ruler in Persian mythology, with serpents growing from his shoulders. Defeated by the hero Fereydun.

Wurusemu is the Hittite sun goddess, symbolizing light and warmth. She is often depicted as a radiant figure bringing life to the world.

In Greek mythology Asclepius (or Asklepios) was a demi-god hero as he was the son of divine Apollo, and his mother was the mortal Koronis from Thessaly. In some accounts Koronis abandoned her child near Epidaurus in shame for his illegitimacy and left the baby to be looked after by a goat and a dog.

Hahhimas is the Hittite god of wisdom and magic, revered for his knowledge and mystical powers. He is often invoked for guidance and protection.

Avatars are savior forms of a god that descend to earth to intervene whenever help is needed to restore dharma (moral order) and peace. The avatars of Lord Vishnu are:

• Satya Yuga: Kurma avatar, Matsya avatar, Varaha avatar, Narasimha avatar
• Treta Yuga: Rama avatar, Parashurama avatar, Vamana avatar
• Dvapara Yuga: Krishna avatar
• Kali Yuga: Buddha avatar, Kalki avatar(Yet to born)

Twin brothers raised by a she-wolf who later founded the city of Rome. Romulus killed Remus and became the first king of Rome.

A powerful and feared spirit in Bantu mythology, associated with strength, stealth, and protection of sacred places.

Indra wields a thunderbolt and is a protector and provider of rain.

Angantyr's daughter Hervor married Höfund of Glæsisvellir and they had the sons Heidrek and Angantyr. Angantyr would be the next of Tyrfing's victims. Angantyr's brother Heidrek had made himself impossible at home and was banished by his father. Angantyr wanted to follow his brother for a while on the road to say farewell, but then he asked to see the sword Tyrfing which Heidrek had got from their mother Hervor. Heidrek kindly showed his brother the weapon, but since Tyrfing could not be unsheathed without slaying a man, Angantyr became its next victim.

Flynn, an over 30 "professional student," is banned from more classes, since he already has 22 degrees. Unexpectedly hired by a mysterious library, he's soon pursuing a stolen artifact from the library, a pursuit taking him to far-off lands. Written by trivwhiz A bookworm becomes the librarian. Same night a magical spear gets stolen and he's off to get some real life experience around the globe on his quest for the spear - starting with being...

It is the year 1250 B.C. during the late Bronze age. Two emerging nations begin to clash after Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband, Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. So they set off with 1,000 ships holding 50,000 Greeks to Troy. With the help of Achilles, the Greeks are able to fight the never before defeated Trojans. But they come to a stop by Hector, Prince of Troy. The whole movie shows their battle struggles and the foreshadowing of fate in this remake by Wolfgang Petersen of Homer's "The Iliad." Written by Mensur Gjonbalaj An adaptation of Homer's great epic, the film follows the assault on Troy by the united Greek forces and chronicles the fates of the men involved.

On a quest to retrieve the fabled Golden Fleece, Jason and the Argonauts arrive at a remote barbarian land where the natives worship the sacred artefact to protect the crops. But, unexpectedly, as Medea--a beautiful high priestess and the land's powerful sorceress--betrays her beliefs to follow Jason back to Greece, a cruel fate awaits her. As a result, deserted and banished by the king, it's only human that Medea plots her furious revenge. Can they escape her wrath? Written by Nick Riganas After his quest to retrieve the fabled Golden Fleece, Jason returns to Greece with the powerful sorceress, Medea. However, when the king banishes her, it's only human that Medea plots her...

The warrior Thor (Chris Hemsworth) is cast out of the fantastic realm of Asgard by his father Odin (Sir Anthony Hopkins) for his arrogance and sent to Earth to live amongst humans. Falling in love with scientist Jane Foster (Natalie Portman) teaches Thor much-needed lessons, and his new-found strength comes into play as a villain from his homeland sends dark forces toward Earth. The powerful but arrogant god Thor is cast out of Asgard to live amongst humans in Midgard (Earth), where he soon becomes one of their finest defenders.

During the Cold War, Soviet Agents watch Professor Henry "Indiana" Jones, Jr. (Harrison Ford), when a young man brings him a coded message from an aged, demented colleague, Professor Harold Oxley (Sir John Hurt). Led by the brilliant Irina Spalko (Cate Blanchett), the Soviets tail Jones and the young man, Mutt Williams (Shia LeBeouf), to Peru. With Oxley's code, they find a legendary skull made of a single piece of quartz. If Jones can deliver the skull to its rightful place, all may be well. But if Irina takes it to its origin, she'll gain powers that could endanger the West. Aging professor and young buck join forces with a woman from Jones' past, Marion Ravenwood (Karen Allen), to face the dangers of the jungle, Russia, and the supernatural. Written by In 1957, archaeologist and adventurer Dr. Henry "Indiana" Jones, Jr. is called back into action and becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known...