Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Celtic mythology is the mythology of Celtic polytheism, the religion of the Iron Age Celts.Like other Iron Age Europeans, the early Celts maintained a polytheistic mythology and religious structure.

Celts were one of the most feared and admired peoples of ancient Europe. Ireland was a rich and fertile land with ancient and sophisticated culture. The monks of Ireland became famous scribes who wrote down native Irish stories of gods and goddesses battling for the control of island in epic wars, heroes engaged in endless combat to win undying glory, to voyage across the sea to magical islands. Divine women with the gift of their sexuality could control the power of kings.

Famous Myths of Celtic Mythology

• The myth of Cuchulainn

  Cuchulainn is a legendary warrior of Irish mythology, known for his superhuman strength and courage.

• The myth of The Children of Lir

  A tragic tale of a king who turned his children into swans for 900 years, as punishment for his stepmother's cruelty towards them.

• The myth of The Tuatha Dé Danann

  The Tuatha Dé Danann are a race of powerful and magical beings in Irish mythology, who were said to have inhabited Ireland before the arrival of the Celts.

• The myth of The Loch Ness Monster

  The Loch Ness Monster is a mythical creature that is said to reside in Loch Ness in Scotland, it's a creature of legend, described as giant serpent or dragon-like beast.

• The myth of King Arthur

  King Arthur is a legendary figure in British mythology, who is said to have led the defense of Britain against the Saxon invaders in the late 5th and early 6th centuries.

Etruscan mythology comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, originating in the 7th century BC from the preceding Iron Age Villanovan culture, with its influences in the mythology of ancient Greece and Phoenicia, and sharing similarities with concurrent Roman mythology.

The Etruscan civilization existed in ancient Italy from around the 8th century BCE to the 3rd century BCE, and its myths and religious beliefs have been largely lost to time. However, some of the myths that have been reconstructed from the surviving evidence include:Famous Myths of Etruscan Mythology

• The myth of Tages

  Tages was a child-god who emerged from the plowed fields and taught the Etruscans divination and the art of reading the will of the gods.

• The myth of Charun

  Charun was the Etruscan god of death, and was often depicted as a fearsome figure with a hammer, ready to strike the souls of the dead.

• The myth of Turms

  Turms was the Etruscan equivalent of Hermes, the Greek messenger of the gods. He was known for his speed and agility and was often depicted with winged sandals.

• The myth of Menrva

  Menrva was the Etruscan goddess of wisdom, war, and the arts. She was often equated with the Greek Athena and the Roman Minerva.

• The myth of Laran

  Laran was the Etruscan god of war, and was often depicted as a fierce warrior, ready to defend his people.

The Bantu Mythology

The Bantu mythology is the system of myths and legends of the Bantu peoples of Africa. Although Bantu peoples account for several hundred different ethnic groups, there is a high degree of homogeneity in Bantu cultures and mythologies, just as in Bantu languages.

The Bantu people, who live in many parts of Africa, have a rich and diverse mythology that includes many different stories and legends. Here are a few examples of famous myths from Bantu mythology: The Creation Myth

The Bantu believe that the world was created by a god or gods, who formed the earth, sky, and all living things. Different Bantu groups have different creation stories, but they often involve the god or gods creating the world out of chaos or darkness.

The Myth of the First Human

According to Bantu legend, the first human, named Likumbi, was created by the god or gods. Different Bantu groups have different stories about how the first human was created, but they often involve the god or gods fashioning the first human out of clay or dust.

The Myth of the First Fire

The Bantu believe that fire was brought to earth by a god or goddess, who gave it to humans as a gift. Different Bantu groups have different stories about how fire was brought to earth, but they often involve a trickster figure stealing fire from the gods or a god or goddess giving fire to humans as a reward for good behavior.

The Myth of the First Rain

The Bantu believe that the first rain was brought to the world by a god or goddess, who sent it to earth as a gift. Different Bantu groups have different stories about how rain was brought to earth, but they often involve a god or goddess opening up the sky to let the rain fall or sending a messenger to earth to bring the rain.

The Myth of the Afterlife

The Bantu people have different beliefs about the afterlife, but some of the most common are a belief in a heaven and hell, a belief that the dead go to the land of the ancestors or a belief that the soul is reincarnated.

Roman mythology is a collection of traditional stories, beliefs, and religious practices that ancient Romans used to explain the world around them and the natural phenomena they observed. The Roman myths are heavily influenced by the myths of the ancient Greeks, as the Romans adopted many of the Greek gods and goddesses and adapted them to their own culture. Here are some famous myths of Roman mythology:

Famous Myths of Roman Mythology

• The myth of Romulus and Remus

  This is the story of the twin brothers who were suckled by a she-wolf and went on to found the city of Rome.

• The myth of Jupiter and his brothers

  Jupiter, the king of the gods, overthrew his father Saturn and his brothers to become the ruler of the gods.

• The myth of Apollo and Daphne

  This is the story of the god of poetry and music, Apollo, who falls in love with the nymph Daphne, who turns into a laurel tree to escape him.

• The myth of Venus and Adonis

  This is the story of the goddess of love and beauty, Venus, who falls in love with the mortal Adonis.

• The myth of Mars and Rhea Silvia

  This is the story of the god of war, Mars, who impregnates Rhea Silvia, the Vestal Virgin, and the mother of the twins Romulus and Remus.

• The myth of Mercury and Herse

  This is the story of the messenger of the gods, Mercury, who seduces the mortal Herse, and the daughter of the king of Athens.

• The myth of Saturn and Ops

  This is the story of the god of agriculture and the ruler of the Golden Age, Saturn, who marries Ops, the goddess of fertility and abundance.

Akan mythology is the traditional belief system of the Akan people of Ghana and Cote d'Ivoire. Here are a few examples of famous myths from Akan mythology:

The story of Nyame

Nyame is the supreme god in Akan mythology and is believed to be the creator of the universe. He is often depicted as an old man with a white beard and is associated with wisdom, justice and the sky.

The story of Onyame and Asase Ya

Onyame is the god of the sky and the father of all gods and Asase Ya is the goddess of the earth and the mother of all living things. Together they are the parents of the other gods and goddesses in the Akan pantheon.

The story of Anansi

Anansi is a trickster figure in Akan mythology and is known for his cunning and wit. He is often depicted as a spider and is considered a bringer of wisdom and culture to the Akan people.

The story of Odomankoma

Odomankoma is the god of fate and destiny, who controls the fate of individuals, and also the god of wisdom, who is responsible for the knowledge and skills of the Akan people.

The story of Osrane

Osrane is the god of death and the afterlife. He is responsible for taking the souls of the dead to the afterlife.

These myths, along with others, are used by the Akan people to explain the origins of the world, the customs and traditions of the Akan people and to reinforce their traditional beliefs and values. The Akan people's traditional religion is based on ancestor worship, and the belief in a supreme being who created the universe.

Goddess of love, beauty, and fertility. Born from sea foam and associated with romantic love, desire, and beauty.

Aeneas was a Trojan hero in Greek mythology, son of the prince Anchises and the goddess Aphrodite. He is more extensively mentioned in Roman mythology, and is seen as an ancestor of Remus and Romulus, founders of Rome.

Angantyr's father Arngrim had given him the magic sword Tyrfing, which cut through anything as if through cloth, and which killed a man every time it was unsheathed. He was the tallest of the twelve sons of the berserker Arngrim, and he and his eleven brothers spread fear and destruction through the North. One Yule, they were back home on Bolmsö when the next eldest son Hjörvard, swore that he would win Ingeborg, the daughter of Yngve, the king of Sweden. The twelve brothers departed for Uppsala and Hjorvard proposed to Ingeborg. However then Hjalmar, one of the Swedish king's champions, stepped forth and claimed he deserved the princess rather than a berserker. The Swedish king, who feared opposing twelve uncontrollable and infamous berserkers in his hall, suggested that Ingeborg herself should decide. Naturally, she chose Hjalmar, and Hjorvard was besides himself with rage. He challenged Hjalmar to a duel on Samsø and declared that Hjalmar would lose his honour if he did not turn up. When the twelve brothers arrived on Samsø, they started to go berserk. They bit their shields, screamed loud and coarsely and let themselves loose on Hjalmar and Orvar-Odd's crewmen and began to cut them to pieces. Hjalmar and Orvar-Odd arrived to the scene to find their crew slain and Orvar-Odd, with only his club, slew Angantyr's eleven brothers. After the melee, he found Angantyr dead and Hjalmar mortally wounded by the cursed sword, Tyrfing. Orvar-Odd buried the twelve brothers in barrows on Samsø together with the cursed sword, so that it would no longer cause any harm. However Angantyr's daughter Hervor would later return and claim Tyrfing as her own. This event is known as "the waking of Angantyr", as recorded in the poem The Waking of Angantyr.

Legendary king in Persian mythology, credited with the invention of wine and the establishment of Nowruz, the Persian New Year.

A malevolent deity associated with chaos and destruction, often depicted as a monstrous figure.

The god of the forest and wildlife, often depicted with a bow and accompanied by woodland creatures.

Though rarely mentioned in inscriptions, Lugos or Lugus (as known in Gaul) or his cognates Lugh Lámhfhada (Lugh of the Long Arm) in Gaelic Irish and Lleu Llaw Gyffes (Lleu of the Skillful Hand) in Welsh, was an important deity among the Celtic gods and goddesses. Often revered as the resplendent sun god, Lugus or Lugh was also perceived as a dashing (and often youthful) warrior responsible for slaying Balor – the one-eyed chief of the Formorii, the old adversaries of the Tuatha Dé Danann.

Heracles, Greek Herakles, Roman Hercules, one of the most famous Greco-Roman legendary heroes. Traditionally, Heracles was the son of Zeus and Alcmene (see Amphitryon), granddaughter of Perseus. Zeus swore that the next son born of the Perseid house should become ruler of Greece, but—by a trick of Zeus’s jealous wife, Hera—another child, the sickly Eurystheus, was born first and became king. When Heracles grew up, he had to serve Eurystheus and also suffer the vengeful persecution of Hera; his first exploit was the strangling of two serpents that she had sent to kill him in his cradle

A giant mythical bird of prey in Arabian mythology, said to be able to carry off elephants and other large animals.

Pleuron of Aetolia. In Greek mythology, Pleuron was a son of Aetolus and Pronoe, daughter of Phorbus, and brother of Calydon. He was married to Xanthippe, daughter of Dorus, by whom he became the father of Agenor, Sterope, Stratonice, and Laophonte.

Alexanor was a son of Machaon, and grandson of the Greek god Asclepius, who built to his grandfather a temple on the summit of Titane in the territory of Sicyon. Around it there were dwellings for the use of those who came to solicit the aid of the god. Alexanor himself too was worshiped there, and sacrifices were offered to him, but only after sunset.

Mythical bird in Persian mythology, often depicted as a benevolent and wise creature. Guardian of the Tree of Life.

Thor (Chris Hemsworth) is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarök, the destruction of his homeworld and the end of Asgardian civilization, at the hands of an all-powerful new threat, the ruthless Hela (Cate Blanchett). Written by ahmetkozan Imprisoned on the planet Sakaar, Thor must race against time to return to Asgard and stop Ragnarök, the destruction of his world, at the hands of the powerful and ruthless villain Hela.

Fred C. Dobbs and Bob Curtin, both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled prospector named Howard and decide to join with him in search of gold in the wilds of central Mexico. Through enormous difficulties, they eventually succeed in finding gold, but bandits, the elements, and most especially greed threaten to turn their success into disaster. Written by Jim Beaver Two Americans searching for work in Mexico convince an old prospector to help them mine for gold in the Sierra Madre Mountains.

Jason has been prophesied to take the throne of Thessaly. When he saves Pelias from drowning, but does not recognize him as the man who had earlier killed his father, Pelias tells Jason to travel to Colchis to find the Golden Fleece. Jason follows his advice and assembles a sailing crew of the finest men in Greece, including Hercules. They are under the protection of Hera, queen of the gods. Their voyage is replete with battles against harpies, a giant bronze Talos, a hydra, and an animated skeleton army, all brought to life by the special effects wizardry of Ray Harryhausen. Written by Rick Gregory The legendary Greek hero leads a team of intrepid adventurers in a perilous quest for the legendary Golden Fleece.

Eons after the Gods won their mythic struggle against the Titans, a new evil threatens the land. Mad with power, King Hyperion (Mickey Rourke) has declared war against humanity. Amassing a bloodthirsty army of soldiers disfigured by his own hand, Hyperion has scorched Greece in search of the legendary Epirus Bow, a weapon of unimaginable power forged in the heavens by Ares (Daniel Sharman). Only he who possesses this bow can unleash the Titans, who have been imprisoned deep within the walls of Mount Tartaros since the dawn of time and thirst for revenge. In the King's hands, the bow would rain destruction upon mankind and annihilate the Gods. But ancient law dictates the Gods must not intervene in man's conflict. They remain powerless to stop Hyperion, until a peasant named Theseus (Henry Cavill) comes forth as their only hope. Secretly chosen by Zeus (Luke Evans), Theseus must save his people from Hyperion and his hordes. Rallying a band of fellow outsiders, including visionary Priestess Phaedra (Freida Pinto) and cunning slave Stavros (Stephen Dorff), one hero will lead the uprising, or watch his homeland fall into ruin and his Gods vanish into legend. Theseus is a mortal man chosen by Zeus to lead the fight against the ruthless King Hyperion, who is on a rampage across Greece to obtain a weapon that can destroy humanity.

A team of U.S. archaeologists unearths an ancient pyramid buried deep beneath the Egyptian desert. As they search the pyramid's depths, they become hopelessly lost in its dark and endless catacombs. Searching for a way out, they become desperate to seek daylight again. They come to realize they aren't just trapped, they are being hunted. Written by lemoviecritic An archaeological team attempts to unlock the secrets of a lost pyramid only to find themselves hunted by an insidious creature.