Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Religion in pre-Islamic Arabia was a mix of polytheism, Christianity, Judaism, and Iranian religions. Arab polytheism, the dominant form of religion in pre-Islamic Arabia, was based on veneration of deities and other rituals.

Famous Myths of Arabian Mythology

• The myth of djinn

  The djinn are supernatural spirits in Arabian mythology that can be good or evil, they are often associated with fire and can take human form.

• The myth of Al-Khidr

  Al-Khidr is a mysterious figure in Islamic mythology, also known as the "Green Man." He is believed to have knowledge of all things and is often associated with water and the afterlife.

• The myth of Harut and Marut

  Harut and Marut were two angels in Islamic mythology who were sent to Earth to test the faith of the people. They were tempted by the devil and ultimately fell from grace.

• The myth of Iblis

  Iblis is the Islamic equivalent of Satan. He was once an angel, but was cast out of heaven for his pride and refusal to bow to Adam.

• The myth of the seven sleepers

  The seven sleepers is a story from Islamic tradition about seven young men who sought refuge in a cave to escape persecution. They fell asleep and awoke years later, to find that the world had changed.

• The myth of Solomon

  Solomon is a prophet in Islamic and Jewish mythology, who is known for his wisdom and power. He is said to have had control over the djinn, birds, and the wind.

Japanese mythology encompasses the folk traditions of Japan and the Shinto religion. It is a collection of stories, beliefs, and customs that have been passed down through generations. The stories often revolve around the creation of the world, the deeds of the gods and goddesses, and the lives of heroes and monsters.

Famous Myths of Japanese Mythology

• The myth of the creation of Japan

  According to Japanese mythology, the god Izanagi and goddess Izanami were responsible for the creation of the Japanese islands. They stood on the bridge between heaven and earth and dipped a spear into the water, creating the first island of Onogoro.

• The myth of Amaterasu

  Amaterasu is the goddess of the sun and the ancestor of the Imperial Family of Japan. She is said to have been offended by her brother's behavior and retreated into a cave, causing the world to become dark. Her eventual return to the world brought light and warmth back to the land.

• The myth of Susano-o

  Susano-o is the god of sea and storms, as well as brother of Amaterasu. He is known for his reckless and impulsive behavior, which often causes trouble for the other gods.

• The myth of the eight-headed serpent, Yamata no Orochi

  Yamata no Orochi is a giant serpent with eight heads and eight tails, who terrorized an ancient province in Japan. He was eventually defeated by the god Susano-o, who saved a maiden and her brothers from the serpent's attacks.

• The myth of the Tengu

  Tengu are supernatural creatures that are half-human

  Akamba Mythology

  The Akamba people, who live in Kenya, have a rich and diverse mythology

  

  The Kamba or Akamba people are a Bantu ethnic group - or tribe - who live in the semi-arid formerly Eastern Province of Kenya stretching east from Nairobi to Tsavo and north up to Embu, Kenya.

  The Akamba people, who live in Kenya, have a rich and diverse mythology that includes many different stories and legends. Here are a few examples of famous myths from Akamba mythology:

  The creation myth:

  The Akamba believe that the world was created by a god named Mulungu, who formed the earth and sky, the sun and moon, and all living things.

  The myth of the first woman:

  According to Akamba legend, the first woman, named Wambui, was created from a rib taken from the first man, named Kintu.

  The myth of the first fire:

  The Akamba believe that fire was brought to earth by a bird named Kibokolo, who stole it from the gods and gave it to humans.

  The myth of the first fruit trees:

  The Akamba believe that the first fruit trees were created by a goddess named Nzambi, who planted them in the garden of the first man and woman.

  The myth of the first death:

  The Akamba believe that death was brought to the world by a god named Kibuka, who punished humans for their disobedience.

  The myth of the first rain:

  The Akamba believe that the first rain was brought to the world by a god named Kibuka, who punished humans for their disobedience.

  Please note that this is just a small sample of the Akamba mythology stories, and there are many more myths and legends that are important to the Akamba people.

  Slavic Mythology

  Perun is undoubtedly the highest god of the Slavic Pantheon.

  

  Slavic paganism or Slavic religion define the religious beliefs, godlores and ritual practices of the Slavs before the formal Christianisation of their ruling elites.

  Famous Myths of Slavic Mythology

  • The myth of Perun

    Perun is the god of thunder and lightning in Slavic mythology, he is often seen as the chief deity and protector of the tribe.

  • The myth of Veles

    Veles is the god of earth, waters, and the underworld in Slavic mythology, he is often associated with the power of magic and witchcraft.

  • The myth of Svarog

    Svarog is the god of fire, metalworking and fate in Slavic mythology, he was considered as the father of the gods and the creator of the world.

  • The myth of Dazhbog

    Dazhbog is the god of the sun, warmth and light in Slavic mythology, he was often associated with the power of fertility and agriculture.

  • The myth of Baba Yaga

    Baba Yaga is a witch-like figure in Slavic mythology, known for her supernatural powers and her ability to fly. She is sometimes seen as a helpful figure, while other times she is seen as a malevolent force.

  • The myth of Kostroma

    Kostroma is a goddess of fertility and love in Slavic mythology, she was often associated with the power of spring and renewal.

  Akan Mythology

  Akan mythology is the traditional belief system of the Akan people of Ghana and Cote d'Ivoire.

  

  Akan mythology is the traditional belief system of the Akan people of Ghana and Cote d'Ivoire. Here are a few examples of famous myths from Akan mythology:

  The story of Nyame

  Nyame is the supreme god in Akan mythology and is believed to be the creator of the universe. He is often depicted as an old man with a white beard and is associated with wisdom, justice and the sky.

  The story of Onyame and Asase Ya

  Onyame is the god of the sky and the father of all gods and Asase Ya is the goddess of the earth and the mother of all living things. Together they are the parents of the other gods and goddesses in the Akan pantheon.

  The story of Anansi

  Anansi is a trickster figure in Akan mythology and is known for his cunning and wit. He is often depicted as a spider and is considered a bringer of wisdom and culture to the Akan people.

  The story of Odomankoma

  Odomankoma is the god of fate and destiny, who controls the fate of individuals, and also the god of wisdom, who is responsible for the knowledge and skills of the Akan people.

  The story of Osrane

  Osrane is the god of death and the afterlife. He is responsible for taking the souls of the dead to the afterlife.

  These myths, along with others, are used by the Akan people to explain the origins of the world, the customs and traditions of the Akan people and to reinforce their traditional beliefs and values. The Akan people's traditional religion is based on ancestor worship, and the belief in a supreme being who created the universe.

A divine child who emerged from a plowed field and taught the Etruscans the art of divination.

In Greek mythology, Abderus or Abderos was a divine hero, reputed by some to be one of Heracles' lovers (eromenoi), and reputedly a son of Hermes by some accounts, and eponym of Abdera, Thrace.

Lioness-headed goddess of war and healing

A benevolent mythical bird in Persian and Arabian mythology, often depicted as a wise and nurturing creature.

Malevolent spirits or demons in Arabian folklore, known for inhabiting graveyards and consuming human flesh.

God of the sun, justice, morality, and truth. Associated with law, order, and divine justice in Mesopotamian religion.

Trophonius was a figure in Greek mythology associated with the Oracle of Delphi. He was the son of the god Apollo and a mortal woman, and was believed to have been the founder of two shrines at the site of Delphi. Legend states that Trophonius was a skilled architect, and he was responsible for the construction of a temple to Apollo at Delphi. He was also said to have built a temple to the goddess Demeter at Lebadea. It was believed that Trophonius could foretell the future and provide advice to those seeking it from the Oracle of Delphi. He was also said to have been a great healer and an advisor to kings.

jord (Njorðr, originally Nerpuz) guides the course of the winds and governs sea and fire; he grants to those who call upon him good fortune at sea and in the chase, and he dispenses wealth, whether of lands or of chattels. Of old he came from Vanaheim. 3 It so befell that when the Æsir and the Vanir were engaged in concluding a treaty of peace, each race gave hostages to the other, the Æsir designating Hœnir and the Vanir, Njord; they all spat in a crock, and from the spittle they made a man, the sapient Kvasir. From that time forth Njord was reckoned among the Æsir and took rank with the foremost of them. His dwelling, called Noatun, is near the sea; outside the walls swim swans and water fowl of all sorts. Njord’s children are the god Frey and the goddess Freyja; his wife, their stepmother, is Skadi, a Giantess.

Guðmundr (Old Norse, sometimes anglicised as Godmund) was a semi-legendary Norse king in Jotunheim, ruling over a land called Glæsisvellir, which was known as the warrior's paradise.

Ganapati, more commonly known as Ganesha, is a revered deity in the Hindu pantheon, known as the Lord of Beginnings, the Remover of Obstacles, and the deity of intellect and wisdom.

Iconography and Attributes:

• Elephant Head: Symbolizing wisdom, understanding, and a discriminating intellect.
• Large Belly: Represents the bounty of nature and Ganesha's role in protecting the world.
• Four Hands: In his hands, he holds a broken tusk, a modak (sweet), a lotus flower, and an axe or a noose, symbolizing sacrifice, the joys of life, purity, and attachment.

Birth and Significance:

Ganesha's creation is attributed to Parvati, the consort of Lord Shiva. After being beheaded by Shiva due to a misunderstanding, he was revived with an elephant's head and declared the leader of Shiva's ganas.

Worship and Festivals:

• Ganesha is worshipped as the remover of obstacles and invoked at the beginning of new ventures and journeys.
• The festival of Ganesh Chaturthi is celebrated with great fervor, culminating in the immersion of Ganesha idols in water.

Cultural Impact:

Ganesha's image is found throughout India and Nepal, in temples, homes, and in Jainism and Buddhism. He is also a prominent figure in various art forms.

A giant mythical bird of prey in Arabian mythology, said to be able to carry off elephants and other large animals.

Durga Devi is a powerful, even frightening goddess who fights fiercely in order to restore dharma (moral order). Yet, while Durga is terrifying to her adversaries, she is full of compassion and love for her devotees.

The warrior King Odysseus leaves his idyllic life in the kingdom of Ithaca to fight in the Trojan War. After winning the war, he now must endure a lengthy, ten-year journey to return, and with all his wits, Odysseus must overcome deadly monsters, powerful forces of nature, seductive enchantresses, and even journey into the bowels of the Underworld. Season: 1 Year: 1997

Flynn, an over 30 "professional student," is banned from more classes, since he already has 22 degrees. Unexpectedly hired by a mysterious library, he's soon pursuing a stolen artifact from the library, a pursuit taking him to far-off lands. Written by trivwhiz A bookworm becomes the librarian. Same night a magical spear gets stolen and he's off to get some real life experience around the globe on his quest for the spear - starting with being...

In 1923, legendary film Director Cecil B. DeMille finished the epic film, The Ten Commandments (1923). After filming was completed, he bulldozed the sets into the Guadalupe Sand Dunes of the central California coast. His reasons for doing so were very mysterious. This story gives a fictional explanation as to why he did it. There was a legitimate Egyptian artifact amongst the props, but they didn't know which one was trapping the spirit of an Egyptian avenging god. Mysterious murders and accidents while making the film brings things back to the surface today, and it starts all over again. Written by anonymous In 1923, legendary film Director Cecil B. DeMille finished the epic film, The Ten Commandments (1923). After filming was completed, he bulldozed the sets into the Guadalupe Sand Dunes of the...

Set, the merciless god of darkness, has taken over the throne of Egypt and plunged the once peaceful and prosperous empire into chaos and conflict. Few dare to rebel against him. A young thief, whose love was taken captive by the god, seeks to dethrone and defeat Set with the aid of the powerful god Horus. Written by James Pasier Mortal hero Bek teams with the god Horus in an alliance against Set, the merciless god of darkness, who has usurped Egypt's throne, plunging the once peaceful and prosperous empire into...

Mayabazar (1957) is a classic Indian fantasy film directed by Kadiri Venkata Reddy. The film is based on the folk tale of Bhakta Prahlada and is set in the backdrop of a traditional village. It stars N.T. Rama Rao, A.N.R, Savitri, and S.V. Ranga Rao in the lead roles. The story revolves around Ghatotkacha (N.T. Rama Rao) and his father, King Hiranyakashyapu (S.V. Ranga Rao). Ghatotkacha, a demon son of the King, is in love with the princess of the Mayabazar (Savitri). However, the King wants his daughter to marry a human prince. Ghatotkacha's only hope is to obtain the magical parijat flower from Lord Vishnu, who is in disguise as a saint. With the help of Lord Vishnu, Ghatotkacha manages to save the princess and their love is eventually accepted by the King. The film is known for its iconic song "Koluvaiyunu Kalla Regindi" and its highly imaginative visual effects. It was one of the first South Indian films to use special effects and its innovative use of colour established it as a classic in Indian cinema.