Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

The Lotuko people are an ethnic group that live primarily in the Eastern Equatoria state of South Sudan. I couldn't find enough information about their mythology. However, the Lotuko people have a rich oral tradition that includes stories, fables, proverbs, and riddles, which are passed down from generation to generation. These stories often involve animals and spirits, and they are used to teach moral lessons and explain the origins of the Lotuko people and their customs. Lotuko people have a strong belief in traditional religion, ancestor worship and animism.

Top myths of Lotuko mythology

The Creation of the World

This myth tells the story of how the world was created by the god Akuji. He created the earth and the sky, and then filled the world with plants and animals. This myth teaches the Lotuko people the importance of respecting nature.

The Origin of the Crocodile

This myth tells of how a crocodile came to be. It is said that the god Akuji created the crocodile from a piece of wood. He then gave it the power to protect the people and their land.

The Great Flood

This myth tells of a great flood that wiped out all of humanity. It is said that the god Akuji sent the flood to punish mankind for their sins. The Lotuko people use this story to teach their children the importance of obedience and respect.

The Battle of the Sun and Moon

This myth tells of a battle between the sun and moon. The sun and moon fought for many days, until the sun was victorious. The Lotuko people believe that this story symbolizes the constant struggle between good and evil.

The Story of the First Man and Woman

This myth tells the story of the first man and woman. It is said that the god Akuji created the first man and woman from a piece of wood. This myth teaches the Lotuko people the importance of family and the value of human life.

The Origin of Death

This myth tells of the origin of death. It is said that the god Akuji created death in order to keep balance in the world. This story is used to remind the Lotuko people of the importance of living life to the fullest.

Celtic mythology is the mythology of Celtic polytheism, the religion of the Iron Age Celts.Like other Iron Age Europeans, the early Celts maintained a polytheistic mythology and religious structure.

Celts were one of the most feared and admired peoples of ancient Europe. Ireland was a rich and fertile land with ancient and sophisticated culture. The monks of Ireland became famous scribes who wrote down native Irish stories of gods and goddesses battling for the control of island in epic wars, heroes engaged in endless combat to win undying glory, to voyage across the sea to magical islands. Divine women with the gift of their sexuality could control the power of kings.

Famous Myths of Celtic Mythology

• The myth of Cuchulainn

  Cuchulainn is a legendary warrior of Irish mythology, known for his superhuman strength and courage.

• The myth of The Children of Lir

  A tragic tale of a king who turned his children into swans for 900 years, as punishment for his stepmother's cruelty towards them.

• The myth of The Tuatha Dé Danann

  The Tuatha Dé Danann are a race of powerful and magical beings in Irish mythology, who were said to have inhabited Ireland before the arrival of the Celts.

• The myth of The Loch Ness Monster

  The Loch Ness Monster is a mythical creature that is said to reside in Loch Ness in Scotland, it's a creature of legend, described as giant serpent or dragon-like beast.

• The myth of King Arthur

  King Arthur is a legendary figure in British mythology, who is said to have led the defense of Britain against the Saxon invaders in the late 5th and early 6th centuries.

The Traditional Religion and Mythology of the San People

The Khoikhoi people, also known as the Khoisan, are a group of indigenous people who live in southern Africa. They have a rich and diverse mythology that reflects their culture and beliefs. Here are a few examples of famous myths from Khoikhoi mythology:

The Creation Myth

The Khoikhoi believe that the world was created by a god or gods, who formed the earth, sky, and all living things. Different Khoikhoi groups have different creation stories, but they often involve the god or gods creating the world out of chaos or darkness.

The Myth of the First Human

According to Khoikhoi legend, the first human, named /Kaggen, was created by the god or gods. Different Khoikhoi groups have different stories about how the first human was created, but they often involve the god or gods fashioning the first human out of clay or dust.

The Myth of the First Fire

The Khoikhoi believe that fire was brought to earth by a god or goddess, who gave it to humans as a gift. Different Khoikhoi groups have different stories about how fire was brought to earth, but they often involve a trickster figure stealing fire from the gods or a god or goddess giving fire to humans as a reward for good behavior.

The Myth of the First Rain

The Khoikhoi believe that the first rain was brought to the world by a god or goddess, who sent it to earth as a gift. Different Khoikhoi groups have different stories about how the first rain was brought to earth, but they often involve a god or goddess sending the rain to earth as a gift.

In India a different worldview evolved over four thousand years, with the concepts responding to various sociocultural phenomena and transforming with the words of wise men to satisfy the needs of the local population

There are many famous myths in Indian mythology, here are a few examples:

• The Ramayana, which tells the story of Prince Rama and his rescue of his wife, Sita, from the demon king, Ravana.
• The Mahabharata, which is one of the longest epic poems in the world and tells the story of a dynastic struggle for the throne of Hastinapura.
• The story of Lord Vishnu taking the form of a fish to save the world from a great flood.
• The story of Lord Shiva and his consort, Parvati, and their son, Lord Ganesha.
• The story of Lord Krishna, who is considered a supreme deity in Hinduism and is known for his wisdom and his role in the Mahabharata.
• The story of the Trimurti, which tells of the three main gods in Hinduism- Brahma, Vishnu, and Shiva.
• The story of creation according to Hindu mythology is also an important one, which explains how the world and all living beings came into being.

The Bushongo or Songora are an ethnic group from the Congo River and surrounding areas. The creation god(or chembe) in Bushongo mythology is called Bumba.

The Bushongo people, who live in what is now the Democratic Republic of Congo, have a rich and diverse mythology that includes many different stories and legends. Here are a few examples of famous myths from Bushongo mythology:

The creation myth:

The Bushongo believe that the world was created by a god named Mbidi Kiluwe, who formed the earth, sky, and all living things.

The myth of the first man:

According to Bushongo legend, the first man, named Kondi, was created by Mbidi Kiluwe and was given the task of populating the world.

The myth of the first woman:

The Bushongo believe that the first woman, named Luba, was created by Mbidi Kiluwe and was given the task of helping Kondi to populate the world.

The myth of the first fire:

The Bushongo believe that fire was brought to earth by a god named Lumona, who gave it to humans as a gift.

The myth of the first death:

The Bushongo believe that death was brought to the world by a god named Cagn, who punished humans for their disobedience.

The myth of the first rain:

The Bushongo believe that the first rain was brought to the world by a god named Cagn, who punished humans for their disobedience.

Please note that this is just a small sample of the Bushongo mythology stories, and there are many more myths and legends that are important to the Bushongo people.

Shaushka is the Hittite goddess of love and fertility, revered for her role in bringing forth life and prosperity. She is often depicted as a nurturing figure associated with the abundance of nature.

Alcon is a figure from Greek mythology known for his archery skills, but like many mythological characters, details about him can vary depending on the source. The most famous story involving Alcon revolves around his son's life being at risk and his remarkable feat with a bow and arrow to save him. According to the legend, Alcon's son was about to be sacrificed, either as a punishment or because he was mistaken for an animal. In one version of the story, his son was mistaken for a wild animal by the people of his town and was about to be killed when Alcon intervened. Demonstrating incredible archery skills, Alcon shot an arrow through a crowd and killed the snake (or in some versions, another object threatening his son) without harming his son. This tale is often cited as an example of a father's love, skill, and precision. This particular story about Alcon bears similarities to the much more famous story of William Tell, a folk hero from Switzerland, who was also famed for shooting an apple off his son's head with a crossbow. Alcon's legend is not as central or detailed as those of the major gods, heroes, or figures of Greek mythology. His story is more of a brief anecdote emphasizing skill and paternal care rather than a comprehensive narrative with multiple adventures or exploits.

ARISTAIOS (Aristaeus) was the rustic god of shepherds and cheesemaking, beekeeping, honey and honey-mead, olive growing and oil milling, medicinal herbs, hunting, and the Etesian winds which provided some respite from the scorching heat of midsummer.

Butes, a Thracian, Boreas's son, who was hostile towards his stepbrother Lycurgus and was driven out of the country by him. He settled in the island of Strongyle (Naxos) with a bunch of men, and proceeded to attack those who sailed past the island.

A surname of Apollo, under which he was worshiped, and had a temple at Pyrrhichus in Laconia. The name was derived either from the belief that the Amazons had penetrated into the Peloponnese as far as Pyrrhichus, or that they had founded the temple there. He was represented by a wooden image, dedicated by the women from Thermodon.

n contrast to the brooding aspects of Morrigan, Brigid, in pre-Christianity Ireland, was regarded as the Celtic goddess of healing, spring season, and even smithcraft. In the mythical narrative, she is the daughter of the Dagda and thus a member of the Tuatha Dé Danann. Curiously enough, in Lebor Gabála Ãrenn (The Book of the Taking of Ireland collection of poems compiled in the 11th century AD), she is mentioned to have a quite a few domesticated animals, ranging from oxen, the king of boars, to sheep – and these critters used to cry out as a warning to the goddess.

A forest spirit in Slavic folklore who protects animals and forests, but can also lead travelers astray.

Orestes in Greek Mythology

Orestes is a significant figure in Greek mythology, known for his role in the tragic cycle of events that befall the House of Atreus. He is a central character in various ancient Greek plays and myths, particularly those concerning justice and the consequences of murder within a family.

Background

Orestes was the son of King Agamemnon and Queen Clytemnestra of Mycenae. His story is deeply interwoven with the tales of the Trojan War and its aftermath.

The Tale of Orestes

After Agamemnon's return from the Trojan War, he was murdered by Clytemnestra and her lover Aegisthus. Orestes, then in exile, returned as a young man to avenge his father's death. Guided by the god Apollo, he killed both his mother and Aegisthus, a deed that led to him being pursued by the Furies, ancient goddesses of retribution.

Significance in Greek Tragedy

The story of Orestes is a central theme in Greek tragedy, exploring complex moral and psychological themes. Key works featuring Orestes include:

• Aeschylus' 'Oresteia' trilogy
• Euripides' plays 'Electra' and 'Orestes'
• Sophocles' play 'Electra'

Redemption and Conclusion

Orestes' story concludes with his trial in Athens, where he is acquitted by a jury and the goddess Athena. This trial is often seen as a mythical representation of the transition from vendetta justice to a court of law, a pivotal moment in the development of civilized society.

Legendary archer in Persian mythology, known for shooting an arrow to determine the border between Iran and Turan.

Messene in Greek Legendary History

Messene is a figure from Greek legendary history, recognized chiefly as the daughter of Triopas. She is not a central figure in the mainstream myths but plays a role in the legendary history and lineage of certain regions in ancient Greece.

Background

Messene was the daughter of Triopas, a king in Thessaly. In some accounts, Triopas is noted for his impiety and for having torn down a temple to Demeter to use its materials to build his palace. Messene's story is largely overshadowed by the deeds and reputation of her father.

Legacy

The most notable aspect of Messene's legacy is her association with the region of Messenia in the Peloponnese. According to some traditions, the region was named after her, highlighting the common practice in ancient times of eponymous naming - naming places after legendary or mythological figures.

Messene's role in Greek legendary history, while not as prominent as other mythological figures, reflects the rich tapestry of stories and characters that form the backdrop of ancient Greek culture and tradition.

Son of Zeus and a mortal woman, renowned for his strength and celebrated in many adventures. Completed the Twelve Labors.

Ganapati, more commonly known as Ganesha, is a revered deity in the Hindu pantheon, known as the Lord of Beginnings, the Remover of Obstacles, and the deity of intellect and wisdom.

Iconography and Attributes:

• Elephant Head: Symbolizing wisdom, understanding, and a discriminating intellect.
• Large Belly: Represents the bounty of nature and Ganesha's role in protecting the world.
• Four Hands: In his hands, he holds a broken tusk, a modak (sweet), a lotus flower, and an axe or a noose, symbolizing sacrifice, the joys of life, purity, and attachment.

Birth and Significance:

Ganesha's creation is attributed to Parvati, the consort of Lord Shiva. After being beheaded by Shiva due to a misunderstanding, he was revived with an elephant's head and declared the leader of Shiva's ganas.

Worship and Festivals:

• Ganesha is worshipped as the remover of obstacles and invoked at the beginning of new ventures and journeys.
• The festival of Ganesh Chaturthi is celebrated with great fervor, culminating in the immersion of Ganesha idols in water.

Cultural Impact:

Ganesha's image is found throughout India and Nepal, in temples, homes, and in Jainism and Buddhism. He is also a prominent figure in various art forms.

A kind-hearted street urchin Aladdin vies for the love of the beautiful princess Jasmine, the princess of Agrabah. When he finds a magic lamp, he uses the genie's magic power to make himself a prince in order to marry her. He's also on a mission to stop the powerful Jafar who plots to steal the magic lamp that could make his deepest wishes come true

Fred C. Dobbs and Bob Curtin, both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled prospector named Howard and decide to join with him in search of gold in the wilds of central Mexico. Through enormous difficulties, they eventually succeed in finding gold, but bandits, the elements, and most especially greed threaten to turn their success into disaster. Written by Jim Beaver Two Americans searching for work in Mexico convince an old prospector to help them mine for gold in the Sierra Madre Mountains.

The warrior Thor (Chris Hemsworth) is cast out of the fantastic realm of Asgard by his father Odin (Sir Anthony Hopkins) for his arrogance and sent to Earth to live amongst humans. Falling in love with scientist Jane Foster (Natalie Portman) teaches Thor much-needed lessons, and his new-found strength comes into play as a villain from his homeland sends dark forces toward Earth. The powerful but arrogant god Thor is cast out of Asgard to live amongst humans in Midgard (Earth), where he soon becomes one of their finest defenders.

While Ben Gates is presenting new information about John Wilkes Booth and the 18 pages missing from Booth's diary, a man by the name of Mitch Wilkinson stands up and presents a missing page of John Wilkes Booth's diary. Thomas Gates, Ben's great-grandfather, is mentioned on the page. It shows that Ben's great-grandfather was a co-conspirator in Abraham Lincoln's murder. When doing more research, the conspiracy takes Ben, Abigail Chase, and Riley Poole to Buckingham Palace (which they break into). They discover a plank that has early Native American writing on it. The plank has only one symbol that Patrick Gates can identify. The symbol is Cibola (see-bowl-uh) meaning the City of Gold. In order to define the rest they have to go to Ben's mother, Patrick's divorced wife. After 32 years it brings back old arguments. After that the other clue is in the President's desk in the Oval Office in the White House (which Ben and Abigail sneak into) to discover that the clue lies in The President's Book. But in order to see the book, their choice is either get elected president or kidnap the President of the United States. Which do they choose? It's obvious. With Wilkinson close on their tail, they find the book in the Library of Congress. The conspiracy then crosses to Mount Rushmore where the clue was on the hills, but (according to the Book) President Calvin Coolidge had the faces carved in so no one can find the City of Gold. When they get there they find out that they must work with Wilkinson since he has some clues of his own. Who will claim Cibola? And will the name of Gates be known as murder? Written by mviedirctr354 Benjamin Gates must follow a clue left in John Wilkes Booth's diary to prove his ancestor's innocence in the assassination of Abraham Lincoln.

An art collector appeals to Indiana Jones to embark on a search for the Holy Grail. He learns that another archaeologist has disappeared while searching for the precious goblet, and the missing man is his own father, Dr. Henry Jones. The artifact is much harder to find than they expected, and its powers are too much for those impure of heart. Written by Jwelch5742 In 1938, after his father Professor Henry Jones, Sr. goes missing while pursuing the Holy Grail, Professor Henry "Indiana" Jones, Jr. finds himself up against Adolf Hitler's Nazis again to...